Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1▶CD: Water Music
2▶CD: Music for the Royal Fireworks; Sinfonias
3▶CD: Concerti grossi Op. 3
4▶CD: Concerti grossi Op. 6 Nos. 1-4
5▶CD: Concerti grossi Op. 6 Nos. 5-8
6▶CD: Concerti grossi Op. 6 Nos. 9-12
7▶CD: Concerti a due cori
8▶CD: Organ Concertos I
9▶CD: Organ Concertos II; Harp Concerto
10▶CD: Organ Concertos III
11▶CD: Organ Concertos IV
12▶CD: Organ Concertos V
13▶CD: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
14▶CD: Flute Sonatas
15▶CD: Violin and Oboe Sonatas
16▶CD: Trio Sonatas I - Op. 2
17▶CD: Trio Sonatas II - Op. 5
18▶CD: Trio Sonatas III
19▶CD: Recorder Sonatas
20▶CD: Suites de pièces pour le clavecin I
21▶CD: Suites de pièces pour le clavecin II
22▶CD: Suites de pièces pour le clavecin III
23▶CD: Suites de pièces pour le clavecin IV
24▶CD: Harpsichord Music I
25▶CD: Harpsichord Music II
26▶CD: Harpsichord Music III
27▶CD: Harpsichord Music IV
28▶CD: Romantic Organ Transcriptions
29▶CD: Nine German Arias
30▶CD: Cantatas for soprano solo I
31▶CD: Cantatas for soprano solo II
32▶CD: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
33▶CD: Cantatas for soprano solo IV
34▶CD: Cantatas for soprano solo V
35▶CD: Italian Duets
36▶CD: The Alchemist; Apollo e Dafne
37▶CD: Aci, Galatea e Polifemo (beginning)
38▶CD: Aci, Galatea e Polifemo (conclusion)
39▶CD: Alexander's Feast (beginning)
40▶CD: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
41▶CD: Coronation Anthems
42▶CD: Dettingen Te Deum
43▶CD: Friedensode; Utrechter Te Deum
44▶CD: Ode for St. Cecilia's Day
45▶CD: Messiah (beginning)
46▶CD: Messiah (conclusion)
47▶CD: La Resurrezione (beginning)
48▶CD: La Resurrezione (conclusion)
49▶CD: Jephtha (beginning)
50▶CD: Jephtha (continuation)
51▶CD: Jephtha (conclusion)
52▶CD: Israel in Egypt (beginning)
53▶CD: Israel in Egypt (conclusion)
54▶CD: Judas Maccabaeus (beginning)
55▶CD: Judas Maccabaeus (conclusion)
56▶CD: Samson (beginning)
57▶CD: Samson (conclusion)
58▶CD: Theodora (beginning)
59▶CD: Theodora (conclusion)
60▶CD: Saul (beginning)
61▶CD: Saul (conclusion)
62▶CD: Solomon (beginning)
63▼CD: Solomon (conclusion)
#TitleRatingLength
1Solomon, HWV 67: 17. Act 2: Recitative & Air: What says the other (Solomon & 2nd Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "What says the other" (Solomon, 2nd Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
4:28
2Solomon, HWV 67: 18. Act 2: Recitative & Air: Withhold (1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "Withhold, withhold the executing hand!" (1st Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
5:15
3Solomon, HWV 67: 19. Act 2: Recitative: Israel, attend to what your king shall say (Solomon, 1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Accompagnato "Israel, attend" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
6:10
4Solomon, HWV 67: 20. Act 2: Chorus: From the east unto the west
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Chorus "From the east unto the west" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
3:12
5Solomon, HWV 67: 21. Act 2: Recitative & Air: From morn to eve (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "From morn to eve" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
6:20
6Solomon, HWV 67: 22. Act 2: Recitative & Air: No more shall armed bands (1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "No more shall armed bands" (1st Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
8:04
7Solomon, HWV 67: 23. Act 2: Chorus: Swell, swell the full chorus
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Chorus "Swell, swell the full chorus" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
3:02
8Solomon, HWV 67: 24. Act 3: Sinfonia
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
3:15
9Solomon, HWV 67: 25. Act 3: Recitative & Air: From Arabia's spicy shores (Queen of Sheba, Solomon), Chorus
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
5:13
10Solomon, HWV 67: 26. Act 3: Air & Chorus: Now a diff'rent measure try (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
1:51
11Solomon, HWV 67: 27. Act 3: Recitative & Chorus: Then at once from rage remove (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Then at once from rage remove" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:11
12Solomon, HWV 67: 28. Act 3: Recitative & Chorus: Next the tortur'd soul release (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Next the tortur'd soul release" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:11
13Solomon, HWV 67: 29. Act 3: Recitative & Air: Thy harmony's divine (Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Thy harmony's divine" (Queen of Sheba)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
1:15
14Solomon, HWV 67: 30. Act 3: Recitative & Air: Thrice happy king (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Thrice happy king" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:14
15Solomon, HWV 67: 31. Act 3: Recitative & Air: May peace in Salem ever dwell (Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "May peace in Salem ever dwell" (Queen of Sheba)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
5:38
16Solomon, HWV 67: 32. Act 3: Recitative & Air: Adieu, fair queen (Solomon, Queen of Sheba, Chorus)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Adieu, fair queen" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
8:22
64▶CD: Semele (beginning)
65▶CD: Semele (conclusion)