Atlantic R&B 1947–1974 (reissue)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

8 jewel cases in a simple cardboard slipcase

cat# is per discogs, doesn't appear as such anywhere on cover art that I can see. Nor does the label "Atlantic" appear anywhere other than the title. The only other logo besides Rhino is the "Warner Platinum" series logo.

Disc liners are the only notes, simple two-parge credits lists, so no helpful metadata. All disc liners carry the following note:

"In previous editions wrong takes were used on some songs.
In this edition, the proper takes have been used in all cases."

According to this extensive review, that was already fixed as of the 1991 US reissue

Annotation last modified on 2025-05-08 11:14 UTC.

Tracklist

1▶CD: 1947–52
2▼CD: 1952–54
#TitleArtistRatingLength
1Ting‐A‐Ling
recorded in:
New York, New York, United States (on 1952-03-18)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1952-03-18)
recording of:
Ting-a-Ling (on 1952-03-18)
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
writer:
Nugetre (US American Songwriter, producer)
publisher:
Carlin Music Corp., Cedarwood Music and Unichappell Music, Inc.
The Clovers3:09
2Daddy Daddy
recorded in:
New York, New York, United States (on 1952-07-02)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-07-02)
vocals:
Ruth Brown (on 1952-07-02)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (on 1952-07-02)
lyricist and composer:
Rudolph Toombs
publisher:
Unichappell Music, Inc.
Ruth Brown2:56
3The Midnight Hour
recorded in:
New York, New York, United States (on 1952-09-11)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone and baritone saxophone:
Dave McRae (US clarinetist & saxophonist) (on 1952-09-11)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1952-09-11)
drums (drum set) [drums]:
Connie Kay (on 1952-09-11)
guitar:
Mickey Baker (on 1952-09-11)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1952-09-11)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1952-09-11)
trumpet:
Jesse Drakes (on 1952-09-11)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1952-09-11)
arranger:
Jesse Stone
cover recording of:
The Midnight Hour (on 1952-09-11)
lyricist and composer:
Sam Sweet
arranger:
Kris Johnson (trumpet)
Ray Charles43:01
4A Beggar for Your Kisses
recorded in:
New York, New York, United States (on 1952-10-29)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
vocals:
The Diamonds (1950s~1960s Canadian rock & roll vocal quartet) (on 1952-10-29)
The Diamonds2:58
5Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, United States (on 1952-12-19)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-12-19)
guitar:
Mickey Baker (on 1952-12-19)
tambourine:
Hal Jackson (broadcaster) (on 1952-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-12-19)
trumpet:
Taft Jordan (on 1952-12-19)
vocals:
Ruth Brown (on 1952-12-19)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (on 1952-12-19)
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:54
6Good Lovin’
recorded in:
New York, New York, United States (on 1953-03-04)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1953-03-04)
drums (drum set) [drums]:
Connie Kay (on 1953-03-04)
guitar:
Bill Harris (US soul/jazz/blues guitarist, member of The Clovers) (on 1953-03-04)
piano:
Harry Van Walls (R&B pianist) (on 1953-03-04)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-03-04)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1953-03-04)
arranger:
Jesse Stone
recording of:
Good Lovin’ (on 1953-03-04)
composer:
Ahmet Ertegun (US American Songwriter, producer), Leroy Kirkland and Danny "Run Joe" Taylor
publisher:
Shelby Singleton Music Inc.
The Clovers2:59
7Wild Wild Young Men
recorded in:
New York, New York, United States (on 1953-04-10)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1953-04-10)
double bass [bass]:
George Duvivier (on 1953-04-10)
drums (drum set) [drums]:
Connie Kay (on 1953-04-10)
guitar:
Rector Bailey (on 1953-04-10)
piano:
Van Walls (R&B pianist) (on 1953-04-10)
tenor saxophone:
Freddie Mitchell (on 1953-04-10)
trumpet:
Taft Jordan (on 1953-04-10)
vocals:
Ruth Brown (on 1953-04-10)
arranger:
Jesse Stone
recording of:
Wild Wild Young Men (on 1953-04-10)
lyricist and composer:
Nugetre (US American Songwriter, producer)
Ruth Brown2:32
8Mess Around
producer:
Herb Abramson and Ahmet Ertegun (US American Songwriter, producer)
baritone saxophone [baritone sax]:
Dave McRae (US clarinetist & saxophonist) (on 1953-05-17)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1953-05-17)
drums (drum set):
Connie Kay (on 1953-05-17)
guitar:
MacHouston "Mickey" Baker (on 1953-05-17)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1953-05-17)
tenor saxophone [tenor sax]:
Sam "The Man" Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-05-17)
trumpet:
Jesse Drakes (on 1953-05-17)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1953-05-17) and Renald Richard (on 1953-05-17)
arranger:
Jesse Stone
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1953-05-17)
recording of:
Mess Around (on 1953-05-17)
writer:
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:40
9Honey Hush
recorded in:
New Orleans, Louisiana, United States (on 1953-05-12)
producer:
Big Joe Turner
alto saxophone:
Dimes Dupont (American saxophonist) (on 1953-05-12)
double bass [bass]:
John Fernandez (bassist) (on 1953-05-12)
drums (drum set) [drums]:
Alonzo Stewart (on 1953-05-12)
guitar:
Edgar Blanchard (on 1953-05-12)
piano:
Kathy Thomas (on 1953-05-12)
tenor saxophone:
Warren Hebrew (on 1953-05-12)
trombone:
Worthia Thomas (trombone) (on 1953-05-12)
trumpet:
Frank Mitchell (trumpet) (on 1953-05-12) and Thomas Sheldon (trumpet) (on 1953-05-12)
vocals:
Big Joe Turner (on 1953-05-12)
orchestra:
Pluma Davis' Orchestra (on 1953-05-12)
arranger:
Pluma Davis
recording of:
Honey Hush (on 1953-05-12)
additional lyricist and additional composer:
Lou Willie Turner
lyricist and composer:
Big Joe Turner
publisher:
Carlin Music Corp.
Big Joe Turner2:39
10Soul on Fire
recorded in:
New York, New York, United States (on 1953-06-19)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Pinky Williams (on 1953-06-19)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1953-06-19)
drums (drum set):
Sylvester "Vess" Payne (on 1953-06-19)
guitar:
Jimmy Lewis (played guitar on "Soul on Fire" in 1953) (on 1953-06-19)
piano:
Hank Jones (piano) (on 1953-06-19)
tenor saxophone:
Freddie Mitchell (on 1953-06-19)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1953-06-19)
conductor:
Gene Redd (Senior; vibraphonist & trumpeter, bandleader and A&R man) (on 1953-06-19)
arranger:
Gene Redd (Senior; vibraphonist & trumpeter, bandleader and A&R man)
recording of:
Soul on Fire (on 1953-06-19)
writer:
LaVern Baker (US rhythm & blues singer), Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
publisher:
Unichappell Music, Inc.
LaVern Baker53:04
11Money Honey
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
guitar:
Walter Adams (guitarist for The Drifters) (on 1953-08-09)
baritone vocals:
Gerhart Thrasher (on 1953-08-09)
bass vocals:
Willie Ferbie (on 1953-08-09)
lead vocals:
Clyde McPhatter (on 1953-08-09)
tenor vocals:
Bill Pinkney (on 1953-08-09) and Andrew Thrasher (on 1953-08-09)
recorded at:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1953-08-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 252)
recording of:
Money Honey (on 1953-08-09)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
Clyde McPhatter & The Drifters42:58
12Lovey Dovey
recorded in:
New York, New York, United States (on 1953-09-24)
producer:
Ahmet Ertegun (US American Songwriter, producer)
piano:
Harry Van Walls (R&B pianist) (on 1953-09-24)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-09-24)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1953-09-24)
arranger:
Jesse Stone
recording of:
Lovey Dovey (on 1953-09-24)
writer:
Memphis Curtis and Nuggy (US American Songwriter, producer)
publisher:
Progressive Music Co. (ended) and Unichappell Music, Inc.
The Clovers2:43
13Such a Night
recorded in:
New York, New York, United States (on 1953-11-12)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-11-12)
guitar:
Mickey Baker (on 1953-11-12) and Jimmy Oliver (guitar, Drifters) (on 1953-11-12)
piano:
Harry Van Walls (R&B pianist) (on 1953-11-12)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-11-12)
baritone vocals:
Andrew Thrasher (on 1953-11-12)
bass vocals:
Bill Pinkney (on 1953-11-12)
lead vocals:
Clyde McPhatter (on 1953-11-12)
tenor vocals:
Clyde McPhatter (on 1953-11-12) and Gerhart Thrasher (on 1953-11-12)
recording of:
Such a Night (on 1953-11-12)
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
Clyde McPhatter & The Drifters42:30
14Tipitina
recorded in and engineered in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
publisher:
Professor Longhair Music
Professor Longhair2:39
15White Christmas
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass, drums (drum set), piano, tenor saxophone and vibraphone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-02-04)
guitar:
Jimmy Oliver (guitar, Drifters) (on 1954-02-04)
baritone vocals:
Andrew Thrasher (on 1954-02-04)
bass vocals:
Bill Pinkney (on 1954-02-04)
lead vocals:
Clyde McPhatter (on 1954-02-04) and Bill Pinkney (on 1954-02-04)
tenor vocals:
Clyde McPhatter (on 1954-02-04) and Gerhart Thrasher (on 1954-02-04)
performer:
The Drifters (US doo wop/R&B vocal group)
recorded at:
Fulton Recording Studio in New York, New York, United States (on 1954-02-04)
cover recording of:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (on 1954-02-04)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
arrangement of:
White Christmas
quotes lyrics from:
Jingle Bells
Clyde McPhatter & The Drifters4.52:40
16Honey Love
recorded in:
New York, New York, United States (on 1954-02-04)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass, drums (drum set), piano, tenor saxophone and vibraphone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-02-04)
guitar:
Jimmy Oliver (guitar, Drifters) (on 1954-02-04)
baritone vocals:
Andrew Thrasher (on 1954-02-04)
bass vocals:
Bill Pinkney (on 1954-02-04)
lead vocals:
Clyde McPhatter (on 1954-02-04)
tenor vocals:
Clyde McPhatter (on 1954-02-04) and Gerhart Thrasher (on 1954-02-04)
recorded at:
Fulton Recording Studio in New York, New York, United States (on 1954-02-04)
recording of:
Honey Love (on 1954-02-04)
writer:
Clyde McPhatter and Jerry Wexler
publisher:
P.M.P.C. Inc.
Clyde McPhatter & The Drifters42:25
17Whatcha Gonna Do
recorded in:
New York, New York, United States (on 1954-02-04)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass, drums (drum set), piano, tenor saxophone and vibraphone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-02-04)
guitar:
Jimmy Oliver (guitar, Drifters) (on 1954-02-04)
baritone vocals:
Andrew Thrasher (on 1954-02-04)
bass vocals:
Bill Pinkney (on 1954-02-04)
tenor vocals:
Clyde McPhatter (on 1954-02-04) and Gerhart Thrasher (on 1954-02-04)
recording of:
What'cha Gonna Do
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
Clyde McPhatter & The Drifters42:46
18Shake, Rattle and Roll
recorded in:
New York, New York, United States (on 1954-02-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1954-02-15)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1954-02-15)
drums (drum set) [drums]:
Connie Kay (on 1954-02-15)
guitar:
Mickey Baker (on 1954-02-15)
piano:
Jesse Stone (on 1954-02-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-02-15)
trombone:
Wilbur DeParis (on 1954-02-15)
vocals:
Big Joe Turner (on 1954-02-15)
arranger:
Jesse Stone
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2001)
cover recording of:
Shake, Rattle and Roll (on 1954-02-15)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Big Joe Turner52:59
19Sh‐Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
20Oh What a Dream
recorded in:
New York, New York, United States (on 1954-05-07)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Ed Crist (on 1954-05-07)
double bass [bass]:
Bennie Moten (jazz bassist) (on 1954-05-07)
drums (drum set) [drums]:
Al Walker (on 1954-05-07)
guitar:
Mickey Baker (on 1954-05-07)
piano:
Bu Pleasant (on 1954-05-07)
tenor saxophone:
Arnett Cobb (on 1954-05-07)
trombone:
Dickie Harris (on 1954-05-07)
trumpet:
Ed Lewis (jazz trumpeter) (on 1954-05-07)
vocals:
Ruth Brown (on 1954-05-07) and unknown vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1954-05-07)
arranger:
Jesse Stone
recording of:
What a Dream (on 1954-05-07)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
Ruth Brown2:55
21Jam Up
recorded in:
New Orleans, Louisiana, United States (on 1954-08-08)
producer:
Tommy Ridgley
baritone saxophone:
Red Tyler (American jazz saxophonist) (on 1954-08-08)
double bass [bass]:
Frank Fields (on 1954-08-08)
drums (drum set) [drums]:
Earl Palmer (on 1954-08-08)
guitar:
Ernest McLean (on 1954-08-08)
piano:
Salvador Doucette (on 1954-08-08)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1954-08-08) and Larry Marioneaux (on 1954-08-08)
trumpet:
Dave Bartholomew (on 1954-08-08)
other vocals [vocal interjections]:
Tommy Ridgley (on 1954-08-08)
Tommy Ridgley2:45
22After the Lights Go Down Low
recorded in:
New York, New York, United States
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar:
Mickey Baker
piano:
Leroy Lovett
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) and Al Sears
vocals:
Al Hibbler
arranger:
Leroy Lovett
recording of:
After the Lights Go Down Low (in 1954)
writer:
Leroy Lovett and Alan White (Composer and musician raised in Harlem)
Al Hibbler2:41
23Tomorrow Night
recorded in:
New York, New York, United States (on 1954-10-20)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
drums (drum set):
Connie Kay (on 1954-10-20)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-10-20)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-10-20)
background vocals:
The Gliders (UK rock trio) (on 1954-10-20)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1954-10-20)
cover recording of:
Tomorrow Night (on 1954-10-20)
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
recording of:
Tomorrow Night
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
LaVern Baker53:14
24Tweedlee Dee
recorded in:
New York, New York, United States (on 1954-10-20)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
drums (drum set) and drums (drum set) [drums]:
Connie Kay (on 1954-10-20)
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-10-20)
background vocals:
The Gliders (UK rock trio) (on 1954-10-20)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1954-10-20)
recording of:
Tweedlee Dee (on 1954-10-20)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
cover recording of:
Tweedlee Dee (on 1954-10-20)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
LaVern Baker3:09
25I Got a Woman
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles42:51
26Greenbacks
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (on 1954-11-18)
writer:
Renald Richard
Ray Charles2:50
3▶CD: 1955–57
4▶CD: 1957–60
5▶CD: 1961–65
6▶CD: 1965–67
7▶CD: 1967–69
8▶CD: 1970–74

Credits

Release group

part of:Music Genre Tree (Canonical album list from musicgenretree.org – one representative release per genre.)
Atlantic R&B 1947-1974 (order: 1)
Discogs:https://www.discogs.com/master/474792 [info]
other databases:https://www.45cat.com/cdalbum/cd/nc485740uk [info]