The Complete Recordings: 1956-1962

~ Release by Lee Morgan (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Roccus
producer:
Alfred Lion
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
cover recording of:
Roccus (on 1956-11-04)
composer:
Horace Silver
8:19
2Reggie of Chester
producer:
Alfred Lion (on 1956-11-04)
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
recording of:
Reggie of Chester (on 1956-11-04)
composer:
Benny Golson (American jazz saxophonist and composer)
4:55
3Lady
producer:
Alfred Lion
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
recording of:
The Lady (on 1956-11-04)
composer:
Owen Eugene Marshall (American Jazz Composer and Musician)
6:48
4Little T
producer:
Alfred Lion
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
recording of:
Little T (on 1956-11-04)
writer:
Byrd (American jazz trumpeter)
8:23
5Gaza Strip
producer:
Alfred Lion
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
recording of:
Gaza Strip (on 1956-11-04)
composer:
Owen Eugene Marshall (American Jazz Composer and Musician)
3:57
6Stand By
producer:
Alfred Lion
alto saxophone:
Clarence Sharpe (on 1956-11-04)
double bass:
Wilbur Ware (on 1956-11-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-04)
piano:
Horace Silver (on 1956-11-04)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-04)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-04)
recording of:
Stand By (on 1956-11-04)
writer:
Benny Golson (American jazz saxophonist and composer)
5:51
7Hank's Shout
recording engineer:
Rudy van Gelder (on 1956-11-05)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass and double bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05)
recording of:
Hank's Shout (on 1956-11-05)
composer:
Hank Mobley (US jazz tenor saxophonist)
7:01
8Nostalgia
recording engineer and engineer:
Rudy van Gelder (on 1956-11-07)
producer:
Ozzie Cadena
bass and double bass:
Doug Watkins (on 1956-11-07)
drums (drum set):
Art Taylor (on 1956-11-07)
piano:
Hank Jones (piano) (on 1956-11-07)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-07)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-07)
recording of:
Nostalgia (on 1956-11-07)
composer:
Navarro
8:53
9Bet
recording engineer:
Rudy van Gelder (on 1956-11-07)
engineer:
Rudy van Gelder (on 1956-11-05)
bass:
Doug Watkins (on 1956-11-05)
double bass:
Doug Watkins (on 1956-11-07)
drums (drum set):
Art Taylor (on 1956-11-05, on 1956-11-07)
piano:
Hank Jones (piano) (on 1956-11-05, on 1956-11-07)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05, on 1956-11-07)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-05, on 1956-11-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05, on 1956-11-07)
recording of:
Bet (on 1956-11-05)
composer:
Watkins
recording of:
Bet (on 1956-11-07)
composer:
Watkins
7:56
10Softly, As in a Morning Sunrise
engineer:
Rudy van Gelder (on 1956-05-11)
bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-05-11, on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1956-11-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1956-11-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:32
11P.S I Love You
engineer:
Rudy van Gelder (on 1956-11-05)
bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05)
recording of:
P.S. I Love You (on 1956-11-05)
lyricist:
Johnny Mercer
composer:
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
part of:
The Real Book (compilation of jazz standards, volume I)
4:22
12Easy Living (1956)
engineer:
Rudy van Gelder (on 1956-11-05)
bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05)
instrumental recording of:
Easy Living (on 1956-11-05)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
2:49
13That's All
engineer:
Rudy van Gelder (on 1956-11-05)
bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-05-11, on 1956-11-05)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-05)
instrumental recording of:
That’s All (on 1956-11-05)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
recording of:
That’s All (on 1956-11-05)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
2:44
14Whisper Not
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (from 1956-02-02 until 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Whisper Not (original instrumental composition) (on 1956-12-02)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
instrumental recording of:
Whisper Not (original instrumental composition)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
7:21
15Latin Hangover
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Latin Hangover (on 1956-12-02)
composer:
Benny Golson (American jazz saxophonist and composer)
6:45
16His Sister
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
His Sister (on 1956-12-02)
composer:
Marshall (American Jazz Composer and Musician)
6:31
17Slightly Hep
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Slightly Hep (on 1956-12-02)
composer:
Golson (American jazz saxophonist and composer)
46:28
18Where Am I
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Where Am I (on 1956-12-02)
composer:
Golson (American jazz saxophonist and composer)
5:50
19D's Fink
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (saxophone) (on 1956-12-02)
bass:
Paul Chambers (US jazz bassist) (on 1956-12-02)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-12-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1956-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
D's Fink (on 1956-12-02)
composer:
Marshall (American Jazz Composer and Musician)
47:44
20Hasaan's Dream
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Hasaan's Dream (on 1957-03-24)
composer:
Golson (American jazz saxophonist and composer)
8:45
21Domingo
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Domingo (on 1957-03-24)
composer:
Benny Golson (American jazz saxophonist and composer)
9:23
22I Remember Clifford
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
I Remember Clifford (on 1957-03-24)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
7:07
23Mesabi Chant
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Mesabi Chant (on 1957-03-24)
composer:
Golson (American jazz saxophonist and composer)
6:10
24Tip Toeing
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
bass:
Paul Chambers (US jazz bassist) (on 1957-05-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24, on 1957-05-24)
piano:
Wynton Kelly (on 1957-03-24, on 1957-05-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24, on 1957-05-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24, on 1957-05-24)
woodwind:
Gigi Gryce (on 1957-05-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24, on 1957-05-24)
recording of:
Tip Toeing (on 1957-03-24)
composer:
Golson (American jazz saxophonist and composer)
recording of:
Tip Toeing (on 1957-05-24)
composer:
Golson (American jazz saxophonist and composer)
6:39
25City Lights
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-08-25)
drums (drum set):
Art Taylor (on 1957-08-25)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-08-25)
saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-25)
recording of:
City Lights (on 1957-08-25)
composer:
Golson (American jazz saxophonist and composer)
5:46
26Tempo De Waltz
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-08-25)
drums (drum set):
Art Taylor (on 1957-08-25)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-08-25)
saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-25)
recording of:
Tempo de Waltz (on 1957-08-25)
composer:
Golson (American jazz saxophonist and composer)
6:25
27You're Mine You
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-08-25)
drums (drum set):
Art Taylor (on 1957-08-25)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-08-25)
saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-25)
instrumental recording of:
You’re Mine, You (on 1957-08-25)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
6:03
28Just by Myself
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-08-25)
drums (drum set):
Art Taylor (on 1957-08-25)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-08-25)
saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-25)
recording of:
Just by Myself (on 1957-08-25)
composer:
Benny Golson (American jazz saxophonist and composer)
9:26
29Kin Folks
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-08-25)
drums (drum set):
Art Taylor (on 1957-08-25)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-08-25)
saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-25)
recording of:
Kin Folks (on 1957-08-25)
composer:
Gigi Gryce
9:44
30Touch and Go
9:17
31Double Whammy
recording engineer:
Rudy van Gelder (on 1956-11-25)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1956-11-25)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-11-25)
piano:
Horace Silver (on 1956-11-25)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-25)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-11-25), Lee Moran (on 1956-11-25) and Lee Morgan (jazz trumpeter / composer) (on 1956-11-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-25)
8:12
32Barrel of Funk
11:21
33Mobleymania
recording engineer:
Rudy van Gelder (on 1956-11-25)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1956-11-25)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-11-25)
piano:
Horace Silver (on 1956-11-25)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-25)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-11-25), Lee Moran (on 1956-11-25) and Lee Morgan (jazz trumpeter / composer) (on 1956-11-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-25)
8:28
34A Night in Tunisia (1958)
recording engineer:
Rudy van Gelder (on 1957-09-29)
producer:
Alfred Lion
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-29)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-29)
piano:
Bobby Timmons (on 1957-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-29)
recording of:
Night in Tunisia (instrumental) (on 1957-09-29)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
9:24
35Heavy Dipper
recording engineer:
Rudy van Gelder (on 1957-09-29)
producer:
Alfred Lion
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-29)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-29)
piano:
Bobby Timmons (on 1957-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-29)
recording of:
Heavy Dipper (on 1957-09-29)
composer:
Morgan (jazz trumpeter / composer)
7:05
36Just One of Those Things
recording engineer:
Rudy van Gelder (on 1957-09-29)
producer:
Alfred Lion
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-29)
drums (drum set):
"Philly" Joe Jones (US jazz drummer) (on 1957-09-29)
piano:
Bobby Timmons (on 1957-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-29)
instrumental recording of:
Just One of Those Things (on 1957-09-29)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
cover recording of:
Just One of Those Things (on 1957-09-29)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
57:18
37Lover Man
recording engineer:
Rudy van Gelder (on 1957-09-29)
producer:
Alfred Lion
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-29)
drums (drum set):
"Philly" Joe Jones (US jazz drummer) (on 1957-09-29)
piano:
Bobby Timmons (on 1957-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-29)
recording of:
Lover Man (on 1957-09-29)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
cover recording of:
Lover Man (on 1957-09-29)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
56:50
38New-Ma
recording engineer:
Rudy van Gelder (on 1957-09-29)
producer:
Alfred Lion
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-29)
drums (drum set):
"Philly" Joe Jones (US jazz drummer) (on 1957-09-29)
piano:
Bobby Timmons (on 1957-09-29)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-29)
recording of:
New-Ma (on 1957-09-29)
composer:
Lee Morgan (jazz trumpeter / composer)
8:15
39Candy
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1958-02-02)
drums (drum set):
Art Taylor (on 1958-02-02)
piano:
Sonny Clark (on 1958-02-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-02)
instrumental recording of:
Candy (on 1958-02-02)
lyricist:
Mack David (American lyricist and songwriter) (in 1944) and Joan Whitney (in 1944)
writer:
David (American lyricist and songwriter), Kramer and Whitney
composer:
Alex Kramer (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), EMI Feist Catalog Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
7:04
40Since I Fell for You
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1957-11-18)
drums (drum set):
Art Taylor (on 1957-11-18)
piano:
Sonny Clark (on 1957-11-18)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-11-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-11-18)
instrumental recording of:
Since I Fell for You (on 1957-11-18)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
45:37
41C.T.A.
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1958-02-02)
drums (drum set):
Art Taylor (on 1958-02-02)
piano:
Sonny Clark (on 1958-02-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-02)
recording of:
C.T.A. (on 1958-02-02)
composer:
Jimmy Heath
5:06
42All the Way
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1958-02-02)
drums (drum set):
Art Taylor (on 1958-02-02)
piano:
Sonny Clark (on 1958-02-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-02)
instrumental recording of:
All the Way (from “The Joker Is Wild”) (on 1958-02-02)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
47:23
43Who Do You Love, I Hope
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
bass:
Doug Watkins
double bass:
Doug Watkins (on 1958-02-02)
drums (drum set):
Art Taylor (on 1958-02-02)
piano:
Sonny Clark (on 1958-02-02)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-02)
recording of:
Who Do You Love, I Hope? (from “Annie Get Your Gun”, stage version only) (on 1958-02-02)
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
instrumental recording of:
Who Do You Love, I Hope? (from “Annie Get Your Gun”, stage version only) (on 1958-02-02)
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
4:59
44Personality
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1957-11-18)
drums (drum set):
Art Taylor (on 1957-11-18)
piano:
Sonny Clark (on 1957-11-18)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-11-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-11-18)
instrumental recording of:
Personality (1946 song) (on 1957-11-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
6:15
45All at Once You Love Her
recording engineer:
Rudy van Gelder (on 1957-11-18)
producer:
Alfred Lion (on 1957-11-18)
double bass:
Doug Watkins (on 1957-11-18)
drums (drum set):
Art Taylor (on 1957-11-18)
piano:
Sonny Clark (on 1957-11-18)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-11-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-11-18)
recording of:
All at Once (on 1957-11-18)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
instrumental recording of:
All at Once You Love Her (Pipe Dream) (on 1957-11-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Pipe Dream (1955 stage musical)
45:29
46High and Flighty
recording engineer:
Rudy van Gelder (on 1958-02-09)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1958-02-09)
piano:
Wynton Kelly (on 1958-02-09)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-02-09)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-09)
6:09
47Speak Low
recording engineer:
Rudy van Gelder (on 1958-02-09)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1958-02-09)
piano:
Wynton Kelly (on 1958-02-09)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-02-09)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-09)
instrumental recording of:
Speak Low (One Touch of Venus) (on 1958-02-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
7:12
48Peckin' Time
recording engineer:
Rudy van Gelder (on 1958-02-09)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1958-02-09)
piano:
Wynton Kelly (on 1958-02-09)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-02-09)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-09)
6:53
49Stretchin' Out
recording engineer:
Rudy van Gelder (on 1958-02-09)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1958-02-09)
piano:
Wynton Kelly (on 1958-02-09)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-02-09)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-09)
9:04
50Git-Go Blues
recording engineer:
Rudy van Gelder (on 1958-02-09)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1958-02-09)
piano:
Wynton Kelly (on 1958-02-09)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-02-09)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-09)
12:25
51Terrible "T"
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Terrible “T” (on 1960-02-08)
composer:
Morgan (jazz trumpeter / composer)
45:25
52Mogie
double bass:
Paul Chambers (US jazz bassist) (on 1960-02-08)
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1960-02)
drums (drum set):
Art Blakey (in 1960-02, on 1960-02-08)
piano:
Wynton Kelly (in 1960-02, on 1960-02-08)
tenor saxophone:
Clifford Jordan (in 1960-02) and Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1960-02)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Mogie (on 1960-02-08)
composer:
Morgan (jazz trumpeter / composer)
recording of:
Mogie (in 1960-02)
composer:
Morgan (jazz trumpeter / composer)
47:50
53I'm a Fool to Want You
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
instrumental recording of:
I’m a Fool to Want You (on 1960-02-08)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
recording of:
I’m a Fool to Want You (on 1960-02-08)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
55:43
54Running Brook
double bass:
Paul Chambers (US jazz bassist) (in 1960-02, on 1960-02-08)
drums (drum set):
Art Blakey (in 1960-02, on 1960-02-08)
piano:
Wynton Kelly (in 1960-02, on 1960-02-08)
saxophone:
Clifford Jordan (in 1960-02)
tenor saxophone:
Clifford Jordan (in 1960-02) and Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1960-02)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Running Brook (in 1960-02)
composer:
Wayne Shorter (US jazz saxophonist and composer)
46:10
55Off Spring
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
saxophone:
Clifford Jordan (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Off Spring (on 1960-02-08)
composer:
Milt Jackson
6:19
56Bess
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Bess (on 1960-02-08)
composer:
Morgan (jazz trumpeter / composer)
46:29
57Seeds of Sin
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Louis Hayes (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-04-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Seeds of Sin (on 1960-04-25)
composer:
Shorter (US jazz saxophonist and composer)
5:45
58Scourn'
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass:
Bob Cranshaw (on 1960-04-25)
double bass:
Bob Cranshaw
drums (drum set):
Louis Hayes (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-04-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Scourn' (on 1960-04-25)
composer:
Shorter (US jazz saxophonist and composer)
5:58
59Fat Lady
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-04-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Fat Lady (on 1960-04-25)
composer:
Timmons
5:03
60Peaches and Cream
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-04-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Peaches and Cream (on 1960-04-25)
composer:
Shorter (US jazz saxophonist and composer)
6:53
61That's Right
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-04-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
That's Right (on 1960-04-25)
composer:
Morgan (jazz trumpeter / composer)
11:38
62These Are Soulful Days
producer:
Alfred Lion (on 1960-04-25)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1960-04-25, on 1960-04-28)
double bass:
Paul Chambers (US jazz bassist) (on 1960-04-25, on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-25, on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-25, on 1960-04-28)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
These Are Soulful Days (on 1960-04-25)
composer:
Massey
9:27
63The Lion and the Wolf
producer:
Alfred Lion (on 1960-04-28)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1960-04-28)
double bass:
Paul Chambers (US jazz bassist) (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
The Lion and the Wolff (on 1960-04-28)
composer:
Morgan (jazz trumpeter / composer)
9:52
64Midtown Blues
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1960-04-28)
double bass:
Paul Chambers (US jazz bassist) (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
Midtown Blues (on 1960-04-28)
composer:
McLean (jazz saxophonist)
12:12
65Nakatini Suite
producer:
Alfred Lion (on 1960-04-28)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1960-04-28)
double bass:
Paul Chambers (US jazz bassist) (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-04-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
Nakatini Serenade (on 1960-04-28)
composer:
Cal Massey
8:10
66Expoobident
double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Expoobident (on 1960-10-14)
composer:
Higgins
5:02
67Easy Living (1960)
bass, double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
instrumental recording of:
Easy Living (on 1960-10-14)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
5:58
68Fire
bass, double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Fire (on 1960-10-14)
composer:
Shorter (US jazz saxophonist and composer)
4:51
69Just in Time
bass, double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Just in Time (Bells Are Ringing) (on 1960-10-14)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
instrumental recording of:
Just in Time (Bells Are Ringing) (on 1960-10-14)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
3:33
70Lost & Found
bass, double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Lost and Found (on 1960-10-14)
composer:
Clifford Jordan
3:36
71The Hearing
double bass and double bass [bass]:
Art Davis (US jazz double bassist) (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Clifford Jordan (on 1960-10-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-10-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-14)
recording of:
The Hearing (on 1960-10-14)
composer:
Jordan
3:36
72A Night in Tunisia (1961) [Live]
7:04
73Bouncing with Bud (Live)
11:38
74Dance of the Infidels (Live)
12:28
75The Midget (Live)
recording of:
The Midget
composer:
Lee Morgan (jazz trumpeter / composer)
11:06
76A Waltz for Fran
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
A Waltz for Fran (on 1962-01-24)
composer:
Morgan (jazz trumpeter / composer)
55:00
77Lee-Sure Time
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
Lee-Sure Time (on 1962-01-24)
composer:
Morgan (jazz trumpeter / composer)
8:31
78Little Spain
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
Little Spain (on 1962-01-24)
composer:
Jordan
7:51
79Raggedy Ann
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
Raggedy Ann (on 1962-01-24)
composer:
Morgan (jazz trumpeter / composer)
56:52
80Second's Best
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
Second's Best (on 1962-01-24)
composer:
Morgan (jazz trumpeter / composer)
7:31
81Take Twelve
engineer:
Ray Fowler (US recording engineer) (on 1962-01-24)
producer:
Orrin Keepnews (on 1962-01-24)
double bass:
Bob Cranshaw (on 1962-01-24)
drums (drum set):
Louis Hayes (on 1962-01-24)
piano:
Barry Harris (Jazz pianist) (on 1962-01-24)
tenor saxophone:
Clifford Jordan (on 1962-01-24)
engineered at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-24)
recording of:
Take Twelve (on 1962-01-24)
composer:
Hope
5:00
82A Bid for Sid
recorded in:
New York, New York, United States (in 1960-07)
producer:
Teddy Reig
double bass:
Jimmy Rowser (in 1960-07)
double bass [bass]:
Jimmy Rowser (in 1960-06)
drums (drum set):
Art Taylor (in 1960-06, in 1960-07)
piano:
Bobby Timmons (in 1960-06, in 1960-07)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1960-06, in 1960-07)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1960-06, in 1960-07)
remixer:
Tristan Powell
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
remixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
4:28
83Minor Strain
producer:
Teddy Reig
double bass [bass]:
Jimmy Rowser (in 1960-06)
drums (drum set):
Art Taylor (in 1960-06)
piano:
Bobby Timmons (in 1960-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1960-06)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1960-06)
6:24
84Suspended Sentence
recorded in:
New York, New York, United States (in 1960-07)
producer:
Teddy Reig
double bass:
Jimmy Rowser (in 1960-07)
double bass [bass]:
Jimmy Rowser (in 1960-06)
drums (drum set):
Art Taylor (in 1960-06, in 1960-07)
piano:
Bobby Timmons (in 1960-06, in 1960-07)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1960-06, in 1960-07)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1960-06, in 1960-07)
remixer:
Tristan Powell
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
remixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
5:23

Credits

Release group

includes:Candy
City Lights
Expoobident
Here's Lee Morgan
Indeed!
Introducing Lee Morgan by Lee Morgan (jazz trumpeter / composer) with Hank Mobley Quintet
Leeway
Take Twelve by Lee Morgan Quintet
The Cooker
The Young Lions by The Young Lions (Supergroup featuring jazz musicians Wayne Shorter, Frank Strozier, Lee Morgan, Bobby Timmons, Bob Cranshaw, Albert Heath and Louis Hayes.)
Vol. 3
Volume 2, Sextet