The Radio Essential Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1The Future’s So Bright, I Gotta Wear Shades
Timbuk 33:21
2Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:47
3Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:21
4Don’t You Forget About Me
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
5Just a Gigolo
Techniker(in):
Jeff Hendrickson (sound engineer)
Produzent(in):
Ted Templeman
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Eddie Martinez (guitar) und Sid McGinnis (American musician and guitarist)
Keyboard, Saxophon und Hintergrundgesang:
Edgar Winter
Perkussion:
Sammy Figueroa
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Brian Mann (keyboardist, accordionist, composer)
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
cover recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
David Lee Roth3.44:39
6In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.355:28
7The Heat Is On
Produzent(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
Bass und Keyboard:
Harold Faltermeyer
Gitarre:
Rick Vito
Schlagzeug und Hintergrundgesang:
Keith Forsey (drummer, producer and songwriter)
Solo-Gitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals und Interpret(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
live cover recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:44
8Rock Lobster
recording of:
Rock Lobster
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson und Ricky Wilson (The B‐52’s)
publisher:
Boo-fant Tunes, Inc. (publisher)
The B‐52s5:21
9What You Need
INXS3:34
10Hurts So Good
John Mellencamp3:35
11The Heart of Rock and Roll
Huey Lewis and the News4:00
12Let’s Go Crazy
recording engineer:
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Programmierung und Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], elektronisches Schlagzeug / E-Drums [Simmons SDS-V] und Perkussion:
Bobby Z. (am 1983-08-07)
E-Bass:
Brown Mark (am 1983-08-07)
E-Gitarre:
Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07) und Dr. Fink (am 1983-08-07)
Hintergrundgesang:
Brown Mark (am 1983-08-07), Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07), Dr. Fink (am 1983-08-07), Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
The Warehouse in St. Louis Park, Minnesota, Vereinigte Staaten (am 1983-08-07)
recording of:
Let’s Go Crazy (am 1983-08-07)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince3.654:38
13Money for Nothing
Produzent(in):
Neil Dorfsman und Mark Knopfler
zusätzlich Gast vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Money for Nothing (Dire Straits song)
Texter und Komponist(in):
Mark Knopfler
zusätzliche(r) Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. und Virgin Music (Publishers) Ltd.
quotes music from:
Don’t Stand So Close to Me
Dire Straits3.854:04
14One Thing Leads to Another
The Fixx3:15
15Summer of ‘69
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-22)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-22)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-22)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-22)
Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocal]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-22)
Schlagzeug [drums]:
Pat (von 1984-03-27 bis 1984-09-22)
Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-22)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 10) und The Downloader’s Music Source Book (Nummer: 179)
recording of:
Summer of ’69 (von 1984-03-27 bis 1984-09-22)
geschrieben in:
Vancouver, British Columbia, Kanada (am 1984-01-25)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1984-01-25) und Jim Vallance (am 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) und Testatyme Music (in 1984)
Bryan Adams4.43:33
16Pride in the Name of Love
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (publisher as Warner/Chappell Music)
U23:46
17All I Need Is a Miracle
Mike + the Mechanics3:40
18Burning Down the House
assistierende(r) Techniker(in):
John Convertino (engineer), Franklin Gibson (recording engineer) und Jay Mark
Techniker(in):
Butch Jones und Alex Sadkin (Aufgabe: final overdubs)
Produzent(in):
Talking Heads
Mix:
Alex Sadkin
Bass-Synthesizer:
Tina Weymouth
Bassgitarre, Gitarre, Keyboard und Perkussion:
David Byrne (Talking Heads)
Gast-Perkussion:
Steve Scales
Gast-Synthesizer:
Wally Badarou
Gitarre und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug und Synthesizer:
Chris Frantz
Hintergrundgesang:
Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
vocals:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983)
aufgenommen bei:
Blank Tapes in New York, New York, Vereinigte Staaten, Compass Point Studios in Nassau, Bahamas und Sigma Sound (New York) in New York, New York, Vereinigte Staaten
mixed at:
Compass Point Studios in Nassau, Bahamas und Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 29) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 29)
recording of:
Burning Down the House
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Talking Heads4.53:58
19My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:01
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