John Williams: Conductor

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

1CD: Music of the Night: Pops on Broadway 1990
2CD: John Williams Conducts John Williams: The Star Wars Trilogy
3CD: The Spielberg / Williams Collaboration: John Williams Conducts his Classic Scores for the Films of Steven Spielberg
4CD: I Love a Parade
5CD: The Green Album
6CD: Joy to the World
7CD: Night and Day: Celebrate Sinatra
8CD: Unforgettable
9CD: Music for Stage and Screen
#TitleArtistRatingLength
1The Red Pony: I. Morning on the Ranch
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: I. Morning on the Ranch (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:41
2The Red Pony: II. The Gift
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: II. The Gift (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:58
3The Red Pony: IIIa. Dream March
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland2:30
4The Red Pony: IIIb. Circus March
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland1:55
5The Red Pony: IV. Walk to the Bunkhouse
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: IV. Walk to the Bunkhouse (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland2:49
6The Red Pony: V. Grandfather’s Tale
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: V. Grandfather’s Story (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:47
7The Red Pony: VI. Happy Ending
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: VI. Happy Ending (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland3:24
8Born on the Fourth of July: I. Theme
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Born on the Fourth of July (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams6:21
9Born on the Fourth of July: II. Cua Viet River, Vietnam, 1968
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Cua Viet River, Vietnam 1968 (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams3:37
10Born on the Fourth of July: III. The Early Days, Massapequa, 1957
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Massapequa... The Early Days (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams4:10
11Quiet City for Strings, Trumpet & English Horn
recording engineer:
Bud Graham (classical sound engineer) (on 1991-02-11)
producer:
Thomas Z. Shepard
cor anglais:
Laurence Thorstenberg (on 1991-02-11)
trumpet:
Tim Morrison (trumpeter) (on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1991-02-11)
conductor:
John Williams (American score composer) (on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-11)
recording of:
Quiet City (suite for English horn, trumpet and string orchestra) (on 1991-02-11)
premiered in:
New York, New York, United States (on 1941-01-28)
composer:
Aaron Copland (composer) (in 1940)
premiered by:
Daniel Saidenberg (on 1941-01-28)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
is based on:
Quiet City (incidental music)
Aaron Copland10:39
12The Reivers
recording engineer:
Bud Graham (classical sound engineer) (from 1991-02-09 until 1991-02-11)
engineer:
Milton Cherin (audio engineer)
producer:
Michael Matessino and Thomas Z. Shepard
editor:
Michael Matessino and Robert Takagi
spoken vocals [narrator]:
Burgess Meredith (from 1991-02-09 until 1991-02-11)
orchestra:
Boston Pops Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
John Williams (American score composer) (from 1991-02-09 until 1991-02-11)
phonographic copyright (℗) by:
Sony Music Corporation
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1991-02-09 until 1991-02-11)
recording of:
The Reivers: Suite
miscellaneous support:
Harriet Ravetch (task: narration adapted by) and Irving Ravetch (task: narration adapted by)
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer)
librettist:
William Faulkner
John Williams18:42
10CD: It Don’t Mean a Thing if It Ain’t Got That Swing
11CD: Williams on Williams: The Classic Spielberg Scores
12CD: Summon the Heroes
13CD: Cinema Serenade
14CD: The Five Sacred Trees
15CD: The Hollywood Sound
16CD: Gershwin Fantasy
17CD: Cinema Serenade 2: The Golden Age
18CD: Yo‐Yo Ma Plays the Music of John Williams
19CD: American Journey
20CD: The Spielberg / Williams Collaboration Part III

Credits

Release

ASIN:DE: B07713PKXN [info]

Release group

includes:American Journey
Cinema Serenade by Itzhak Perlman (violinist and conductor), Pittsburgh Symphony Orchestra, John Williams (American score composer)
Cinema Serenade 2: The Golden Age by Itzhak Perlman (violinist and conductor), Boston Pops Orchestra, John Williams (American score composer)
Gershwin Fantasy by George Gershwin (composer); Joshua Bell (violinist), London Symphony Orchestra, John Williams (American score composer)
I Love a Parade by The Boston Pops Orchestra, John Williams (American score composer)
It Don’t Mean a Thing If It Ain’t Got That Swing! by John Williams (American score composer) & The Boston Pops Orchestra
John Williams Conducts John Williams: The Star Wars Trilogy (Star Wars / The Empire Strikes Back / Return of the Jedi) by John Williams (American score composer); The Skywalker Symphony, John Williams (American score composer)
John Williams: The Five Sacred Trees / Hovhaness: Mysterious Mountain by John Williams (American score composer), Alan Hovhaness (American composer); London Symphony Orchestra, Judith LeClair (bassoonist), John Williams (American score composer)
Joy to the World by John Williams (American score composer) & Boston Pops Orchestra
Music for Stage and Screen by John Williams (American score composer), Aaron Copland (composer); The Boston Pops Orchestra, John Williams (American score composer)
Music of the Night: Pops on Broadway 1990 by The Boston Pops Orchestra, John Williams (American score composer)
Night and Day by John Williams (American score composer) & The Boston Pops Orchestra
Summon the Heroes by John Williams (American score composer), Boston Pops Orchestra
The Green Album by Boston Pops Orchestra, John Williams (American score composer)
The Hollywood Sound by London Symphony Orchestra, John Williams (American score composer)
The Spielberg / Williams Collaboration by John Williams (American score composer) & Boston Pops Orchestra
The Spielberg/Williams Collaboration Part III
Unforgettable by John Williams (American score composer) & The Boston Pops Orchestra
Williams on Williams: The Classic Spielberg Scores by John Williams (American score composer) & the Boston Pops Orchestra
Yo-Yo Ma Plays the Music of John Williams by John Williams (American score composer); Yo‐Yo Ma (cellist)