The Ultimate Collection: 90s Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Boy Is Mine
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
Interpret(in):
Brandy (US R&B singer) und Monica (US R&B singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 115)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
basiert auf:
The Girl Is Mine
Brandy & Monica4.254:54
2Whatta Man
Produzent(in):
Hurby Luv Bug
Gast-Interpret(in):
Salt‐N‐Pepa (US hip‐hop)
Interpret(in):
Salt‐N‐Pepa (US hip‐hop)
recording of:
Whatta Man
Verfasser(in):
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) und Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Version von:
What a Man
Salt‐N‐Pepa feat. En Vogue4:54
36 Underground
Mix:
Nellee Hooper
Keyboard:
Marius de Vries
Samples:
Golden Girl (stereo) von John Barry (English score composer)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 478)
recording of:
6 Underground
Orchestrator(in):
Richard Benbow und Simon Warner
Komponist(in):
John Barry (English score composer), Chris Corner, Liam Howe und Ian Pickering
Sneaker Pimps43:52
4On & On
Assistent recording engineer:
Charles McCrorey
recording engineer, Programmierung und Mix:
Bob Power
zusätzliche(r) Techniker(in) und assistierende(r) Mix:
Tim Donovan
Produzent(in):
JaBorn Jamal und Bob Power
Hintergrundgesang und Sologesang:
Erykah Badu
Interpret(in):
Bob Power
Musikvideos:
On & On von Erykah Badu
a cappella versions:
On & On (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Erykah Badu
recording of:
On & On
Verfasser(in):
Erykah Badu und JaBorn Jamal
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd
Erykah Badu3.653:46
5Optimistic
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
recording of:
Optimistic
Verfasser(in):
Gary Hines, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Sounds of Blackness5:19
6Midnight at the Oasis
recording engineer:
Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
The Brand New Heavies
Mix:
Eric Sarafin
remixer:
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division)
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!)
cover recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Brand New Heavies43:45
7Apparently Nothing
recording of:
Apparently Nothin’
Verfasser(in):
Carleen Anderson und Marco Nelson
Young Disciples43:59
8Always There
Produzent(in):
Jean‐Paul Maunick (British musician Jean‐Paul Maunick)
zusätzliche(r) Produzent(in):
David Morales (US DJ/producer)
Gast vocals:
Jocelyn Brown
vocals:
Jocelyn Brown
remixer:
David Morales (US DJ/producer)
cover recording of:
Always There (with lyrics)
Texter:
Paul Allen (US songwriter)
Komponist(in):
William Jeffrey und Ronnie Laws
Version von:
Always There (instrumental)
Incognito feat. Jocelyn Brown33:30
9There’s Nothing Like This
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1991)
recording of:
There’s Nothing Like This
Texter und Komponist(in):
Omar Hammer
publisher:
Congo Music und PolyGram Music Publishing
Omar3.54:02
10Finally Found
recording of:
Finally Found
Verfasser(in):
Naima Belkhiati, Henry Binns, Célena Cherry, Heavenly Abdi und Yoyo Olugbo
Honeyz4:35
11Don’t You Worry ’bout a Thing
cover recording of:
Don’t You Worry ’Bout a Thing
Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Stein & Van Stock, Inc.
Incognito3:51
12Sleeping Satellite
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Paul Wickens
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Musikvideos:
Sleeping Satellite von Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:37
13Linger
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
zusätzliche(r) Techniker(in):
Aiden McGovern
Akustikgitarre und E-Gitarre:
Noel Hogan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan und Mike Mahoney
Sologesang:
Dolores O’Riordan
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1993)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Linger von The Cranberries
recording of:
Linger
Texter:
Dolores O’Riordan
Komponist(in):
Noel Hogan und Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries4.14:35
14How Do I Live
Produzent(in):
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) und Wilbur C. Rimes
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes34:06
15Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:34
16Show Me Heaven
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:48
17Goodnight Girl
phonographisches Urheberrecht (℗) von:
PolyGram und Mercury Records Ltd. (not for release label use!) (in 1992)
recording of:
Goodnight Girl
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
publisher:
Chrysalis und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:39
18Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.75:10
5▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (Nummer: 31) (Reihenfolge: 22)