Sacred Masterpieces and Cantatas

~ Release by Johann Sebastian Bach; Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▶CD: Christmas Oratorio, BWV 248, Part One, Two and Three
2▶CD: Christmas Oratorio, BWV 248, Part Four, Five and Six
3▶CD: St. Matthew Passion, BWV 244, Part One
4▶CD: St. Matthew Passion, BWV 244, Part Two
5▶CD: St. Matthew Passion, BWV 244, Part Two (cont.)
6▶CD: St. John Passion, BWV 245, Part One and Two
7▶CD: St. John Passion, BWV 245, Part Two (cont.)
8▶CD: Mass, BWV 232
9▶CD: Mass, BWV 232 (cont.)
10▶CD: Magnificat, BWV 243; Jauchzet Gott in allen Landen, Cantata BWV 51
11▶CD: Advent Cantatas, BWV 36, 61 & 62
12▼CD: Christmas Cantatas, BWV 63, 64, 121 & 133
#TitleArtistRatingLength
1Christen, aetzet diesen Tag, BWV 63: I. Chorus "Christen, aetzet diesen Tag"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:55
2Christen, aetzet diesen Tag, BWV 63: II. Recitative (contralto) "O selger Tag! o ungemeines Heute"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:18
3Christen, aetzet diesen Tag, BWV 63: III. Duet (soprano, bass) "Gott, du hast es wohl gefüget"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:49
4Christen, aetzet diesen Tag, BWV 63: IV. Recitative (tenor) "So kehret sich num heut das bange Leid"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:45
5Christen, aetzet diesen Tag, BWV 63: V. Duet (contralto, tenor) "Ruft und fleht den Himmel an"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:19
6Christen, aetzet diesen Tag, BWV 63: VI. Recitative (bass) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
7Christen, aetzet diesen Tag, BWV 63: VII. Chorus "Höchster, schau in Gnaden an"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:37
8Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: I. Chorus "Sehet, welch eine Liebe hat uns der Vater erzeiget"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:33
9Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: II. Chorale "Das hat er alles uns getan"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1998-12)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
10Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: III. Recitative (contralto) "Geh, Welt! behalte nur das Deine"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
11Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: IV. Chorale "Was frag ich nach der Welt"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1998-12)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
12Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: V. Aria (soprano) "Was die Welt in sich hãlt"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:36
13Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: VI. Recitative (bass) "Der Himmel bleibet mir gewiss"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:00
14Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: VII. Aria (contralto) "Von der Welt verlang ich nichts"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:33
15Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: VIII. Chorale "Gute Nacht, o Wesen"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1998-12)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:11
16Christum wir sollen loben schon, BWV 121: I. Chorus "Christum wir sollen loben schon"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:40
17Christum wir sollen loben schon, BWV 121: II. Aria (tenor) "O du von Gott erhörte Kreature"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach4:39
18Christum wir sollen loben schon, BWV 121: III. Recitative (contralto) "Der Gnade unermesslichs Wesen"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
19Christum wir sollen loben schon, BWV 121: IV. Aria (bass) "Johannis freudenvolles Springen"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
20Christum wir sollen loben schon, BWV 121: V. Recitative (soprano) "Doch wie erblickt es dich in deiner Krippe?"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:50
21Christum wir sollen loben schon, BWV 121: VI. Chorale "Lob, Ehr und Dank sei dir gesagt"
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 1998-12)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:04
22Ich freue mich in dir, BWV 133: I. Chorale "Ich freue mich in dir"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:11
23Ich freue mich in dir, BWV 133: II. Aria (countertenor) "Getrost! es fasst ein heilger Leib"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:06
24Ich freue mich in dir, BWV 133: III. Recitative (tenor) "Ein Adam mag sich voller Schrecken"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
25Ich freue mich in dir, BWV 133: IV. Aria (soprano) "Wie lieblich klingt es in den Ohren"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:25
26Ich freue mich in dir, BWV 133: V. Recitative (bass) "Wohlan, des Todes Furcht und Schmerz"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
bass vocals:
Gotthold Schwarz (bass-baritone/conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:58
27Ich freue mich in dir, BWV 133: VI. Chorale "Wohlan, so will ich mich"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 1998-12)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:05
13▶CD: New Year Cantata, BWV 16; Cantatas for the 21st and 23rd Sunday after Trinity, BWV 98 & 139
14▶CD: Cantatas for the 3rd Sunday after Epiphany, BWV 72, 73, 111 & 156
15▶CD: Cantatas for the Feast of the Purification of Mary (2 February), BWV 82, 83, 125 & 200
16▶CD: Easter Cantatas, BWV 6 & 66
17▶CD: Cantatas for Ascension Day, BWV 11, 37, 43 & 128
18▶CD: Cantatas for the 1st day of Whitsun, BWV 34, 59, 74 & 172
19▶CD: Cantatas for the 9th Sunday after Trinity, BWV 94, 105 & 168
20▶CD: Cantatas for the 11th Sunday after Trinity, BWV 113, 179 & 199
21▶CD: Cantatas for the 27th Sunday after Trinity, BWV 140 & for the Feast of the Visitation of Mary (2 July), BWV 147
22▶CD: Cantatas BWV 106; 118/231 & 198