Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▼CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Atto Secondo. “Tutto è come il lasciai” (Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:37
2Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Esci omai, garzon malnato” (Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:56
3Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:25
4Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Sussana, son morta” (Contessa, Susanna, Conte)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live partial recording of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:31
5Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:54
6Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:06
7Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Ah! signore… signor” - “Cosa è stato?” (Antonio, Conte, Susanna, Contessa, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Antonio, giardiniere del Conte, e zio di Susanna]:
Julian Clarkson (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena X. (no. 16) Finale “Ah signor… signor” (Antonio, Il Conte, La Contessa, Susanna, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:37
8Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, Conte, Figaro, Susanna, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Antonio, giardiniere del Conte, e zio di Susanna]:
Julian Clarkson (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live partial recording of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart2:55
9Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Basilio, maestro di musica]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:05
10Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Che imbarazzo èmai questo!” (Conte, Contessa, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:41
11Le nozze di Figaro, K. 492: Atto Terzo. N. 17 Duettino: “Crudel! Perché finora farmi languir così?” (Conte, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:24
12Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “E perché fosti meco stamattina sì austera?” (Conte, Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:58
13Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed Aria: “Hai già vinta la causa!” (Conte)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:24
14Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed Aria: “Vedrò mentr'io sospiro” (Conte)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Count Amalviva]:
Rodney Gilfry (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:16
15Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Andiamo, andiam, bel paggio” (Barbarina, Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Barbarina, sua figlia]:
Constanze Backes (German Soprano vocalist) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “Andiam, andiam, bel paggio” (Barbarina, Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:38
16Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed Aria: “E Susanna non vien!” (Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:44
17Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed Aria: “Dove sono i bei momenti” (Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Countess Amaliva] and soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:36
18Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Count Amalviva]:
Rodney Gilfry (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
tenor vocals [Don Curzio, giudice]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:52
19Le nozze di Figaro, K. 492: Atto Terzo. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Count Amalviva]:
Rodney Gilfry (baritone) (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro] and soprano vocals [Susanna]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Don Curzio, giudice]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:30
20Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Evvoci, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:15
21Le nozze di Figaro, K. 492: Atto Terzo. “Io vi dico, signor” (Antonio, Conte, Contessa, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Antonio, giardiniere del Conte, e zio di Susanna]:
Julian Clarkson (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart1:18
22Le nozze di Figaro, K. 492: Atto Terzo. N. 21 Duettino: [“Su l'aria…”] - “Che soave zeffiretto” (Susanna, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:32
23Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Queste sono, madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Antonio, giardiniere del Conte, e zio di Susanna]:
Julian Clarkson (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Barbarina, sua figlia]:
Constanze Backes (German Soprano vocalist) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart0:23
24Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:10
25Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Queste sono, madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Antonio, giardiniere del Conte, e zio di Susanna]:
Julian Clarkson (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Barbarina, sua figlia]:
Constanze Backes (German Soprano vocalist) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:58
26Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Ecco la marcia… andiamo” (Figaro, Susanna, Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:00
27Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: Allegretto - “Amanti costanti” (contadine, contadini)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [contadinelle]:
Sarah Connolly (mezzo-soprano) (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:16
28Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: Andante - “Eh già, la solita usanza” (Conte, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:26
29Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Andate, amici” (Conte, contadine, contadini)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
mezzo-soprano vocals [contadinelle]:
Sarah Connolly (mezzo-soprano) (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live partial recording of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart1:41
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]