111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 2009 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2025-01-22 12:22 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Carmen, WD 31: Act 1: Prelude to Act 1 (excerpt)
orchestra:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:06
2Boogie Woogie Etude
producer:
Klaus Fischer-Dieskau (in 1955-12)
piano:
Shura Cherkassky (American pianist) (in 1955-12)
balance engineer:
Werner Grimme (in 1955-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-12)
recording of:
Boogie-Woogie Etude
composer:
Morton Gould (American composer and conductor)
Morton Gould2:09
3Il trovatore, Act III: Di quella pira
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Günther Breest (producer for classical music) and Robert Leslie (producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
mezzo-soprano vocals:
Rosalind Plowright (soprano / mezzo soprano)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1984-04)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1984)
tenor vocals:
Plácido Domingo (tenor) (in 1984-04) and Walter Gullino (tenor) (in 1984-04)
tenor vocals [Manrico]:
Plácido Domingo (tenor) (in 1984)
tenor vocals [Ruiz]:
Walter Gullino (tenor) (in 1984)
vocals:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1984-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1984-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-04)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:43
4Evening Bells
choir vocals:
Don Cossack Choir (in 1959-02)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1959-02)
arranger:
Сергей Жаров (Serge Jaroff)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-02)
recording of:
Вечерний звон («Вечерний звон, вечерний звон! Как много дум наводит он…»)
composer:
Александр Алябьев (Alexander Alyabyev, Russian composer) (in 1828)
translator:
Иван Козлов (Ivan Kozlov, Russian Romantic poet and translator) (in 1827)
[anonymous]2:47
5Estancia / Danzas del Ballet: II. Danza del trigo (live at Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008)
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra)
conductor:
Gustavo Dudamel (conductor and violinist)
recorded at:
Centro de Acción Social por la Música in Caracas, Venezuela (in 2008-01)
recording of:
Danzas de “Estancia”, op. 8a: II. Danza del trigo
composer:
Alberto Ginastera (Argentinean composer) (in 1941)
part of:
Danzas de “Estancia”, op. 8a
Alberto Ginastera3:44
6String Quartet no. 4, BB 95, Sz.91: IV. Allegretto pizzicato
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
cello:
David Finckel (in 1988-02)
string quartet:
Emerson String Quartet (in 1988-02)
viola:
Lawrence Dutton (violist) (in 1988-02)
violin:
Eugene Drucker (in 1988-02) and Philip Setzer (violinist) (in 1988-02)
balance engineer:
Peter Laenger (engineer/producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1988-02)
recording of:
String Quartet no. 4, Sz. 91, BB 95: IV. Allegretto pizzicato (in 1988-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1928)
part of:
String Quartet no. 4, Sz. 91, BB 95
Béla Bartók2:40
7Winterreise, D. 911: No. 5, Der Lindenbaum
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1971-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1971-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1971-08)
recording of:
Winterreise, op. 89, D. 911: V. Der Lindenbaum (in 1971-08)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:39
8Cello Suite no. 1 in G major, BWV 1007: I. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:48
9Messa da Requiem: IV. Sanctus
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (from 1953-09-22 until 1953-09-26) and RIAS-Kammerchor (German chamber choir) (from 1953-09-22 until 1953-09-26)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1953-09-22 until 1953-09-26)
conductor:
Ferenc Fricsay (conductor) (from 1953-09-22 until 1953-09-26)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-09-22 until 1953-09-26)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1953-09-22 until 1953-09-26)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:28
10Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito)
producer:
Fred Hamel
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1951-12-04 until 1951-12-05)
conductor:
Wilhelm Furtwängler (conductor) (from 1951-12-04 until 1951-12-05)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-12-04 until 1951-12-05)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (from 1951-12-04 until 1951-12-05)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:38
11Lucrezia Borgia: Act II: "Il segreto per esser felici"
choir vocals:
Coro del Teatro Comunale di Bologna (in 2008-11)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2008-11)
orchestra:
Filarmonica del Teatro Comunale di Bologna (in 2008-11)
conductor:
Roberto Abbado (conductor) (in 2008-11)
recorded at:
Teatro Auditorium Manzoni in Bologna, Emilia-Romagna, Italy (in 2008-11)
Gaetano Donizetti2:40
12Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (live)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) and His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arrangement of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:08
13Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn (Vivacissimamente)
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Johannesstift in Berlin, Germany (in 1974-12)
recording of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” (in 1974-12)
composer:
Ludwig van Beethoven (German composer) (from 1809 until 1810)
part of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”
Ludwig van Beethoven5:58
14Pictures At An Exhibition: The Old Castle
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:32
15The Well-Tempered Clavier, Book I, BWV 846-869: Prelude and Fugue no. 1 in C major, BWV 846
piano:
Hélène Grimaud (French pianist) (in 2003-09)
recorded at:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach2:46
16Canon and Gigue in D major: I. Canon
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1980-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 1980-09)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1980-09)
partial recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:11
17Piano Sonata no. 16 in B-flat major, K. 570: III. Allegretto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1978-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1978-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-09)
recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto (in 1978-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart3:58
18String Quartet no. 15 in D minor, K. 421: 3. Minuetto (Allegretto)
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 1995-04)
recorded at:
Rittersaal in Rapperswil, Sankt Gallen (Canton of St. Gallen), Switzerland (in 1995-04)
recording of:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”: III. Minuetto. Allegretto & Trio (in 1995-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”
Wolfgang Amadeus Mozart4:45
19Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:25
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