Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▼CD: Schumann: Das Paradies und die Peri (Parts II & III)
#TitleArtistRatingLength
1Das Paradies und die Peri, op. 50: Part Two. No. 10 “Die Peri tritt mit schüchterner Gebärde vor Edens Tor” (tenor solo) - “Gern grüßen wir, die so gegangen” (The Angel, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
solo tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 10 „Die Peri tritt mit schüchterner Gebärde“ (Tenor, Engel, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:02
2Das Paradies und die Peri, op. 50: Part Two. No. 11 “Ihr erstes Himmelschoffen schwand” (tenor solo) - “Hervor aus den Wässern geschwind” - “Ach Eden, ach Eden” (chorus, The Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 11 „Ihr erstes Himmelshoffen schwand“ (Tenor, Chor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:35
3Das Paradies und die Peri, op. 50: Part Two. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor solo) - “Für euren ersten Fall” (The Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 12 „Fort streit von hier das Kind der Lüfte“ (Tenor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:47
4Das Paradies und die Peri, op. 50: Part Two. No. 13 “Die Peri weint” (tenor solo, vocal quartet)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 13 „Die Peri weint, von ihrer Tränen scheint“ (Tenor) – „Denn in der Trän' ist Zaubermacht“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:35
5Das Paradies und die Peri, op. 50: Part Two. No. 14 “Im Waldesgrün am stillen See” (alto) - “Ach, einen Tropfen nur aus der See” (The Young Man)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 14 „Im Waldesgrün am stillen See“ (Alt, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:11
6Das Paradies und die Peri, op. 50: Part Two. No. 15 “Verlassener Jüngling” (mezzo-soprano solo) - “Doch sieh, wer naht dort leise schleichend” (tenor solo) - “Du hier?” (The Young Man)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 15 „Verlassener jüngling, nur das eine“ (Mezzosopran, Tenor, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:03
7Das Paradies und die Peri, op. 50: Part Two. No. 16 “O lass mich von der Luft durchdringen” (The Maiden)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Maiden]:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 16 „O lass mich von der Luft durchdringen“ (Jungfrau, Tenor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:20
8Das Paradies und die Peri, op. 50: Part Two. 4 bars before No. 17 “Schlaf nun und ruhe in Träumen voll Duft” (The Peri, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 17 „Schlaf nun und ruhe in Träumen voll Duft“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:05
9Das Paradies und die Peri, op. 50: Part Three. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus) - “Auch der Geliebten vergesset nicht” (vocal quartet: sopranos I & II, altos I & II) - “Seht da, die Bahn zum ew'gen Licht” (sopranos I & II, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Constanze Backes (German Soprano vocalist) (from 1997-03 until 1997-04), Donna Deam (soprano) (from 1997-03 until 1997-04), Katherine Fuge (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 18 „Schmücket die Stufen zu Allahs Thron“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:50
10Das Paradies und die Peri, op. 50: Part Three. 3 bars before No. 19 “Dem Sang von ferne lauschend” (tenor solo) - “Noch nicht! Treu war die Maid” (The Angel)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
solo alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 19 „Dem Sang von ferne lauschend“ (Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:58
11Das Paradies und die Peri, op. 50: Part Three. No. 20 “Verstoßen! Verschlossen aufs neu das Goldportal!” (The Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 20 „Verstoßen! Verschlossen auf's neu das Goldportal!“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:14
12Das Paradies und die Peri, op. 50: Part Three. No. 21 “Jetzt sank des Abends goldner Schein” (baritone solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 21 „Jetzt sank des Abends goldner Schein“ (Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:21
13Das Paradies und die Peri, op. 50: Part Three. No. 22 “Und wie sie niederwärts sich schwingt” (tenor solo) - “Peri, ist's wahr, dass du in den Himmel willst?” (vocal quartet: sopranos I & II, altos I & II) - “Mit ihrer Schwestern Worten wächst ihr Schmerz” (baritone solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Donna Deam (soprano) (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 22 „Und wie sie niederwärts sich schwingt“ (Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:54
14Das Paradies und die Peri, op. 50: Part Three. No. 23 “Hinab zu jenem Sonnentempel!” (The Peri) - “Sie schwebt herab im frohen Hoffen” (tenor solo) - “Doch horch, wie Vesperruf zum Beten” (mezzo-soprano solo) - “Und was fühlt er, der sünd'ge Mann” (tenor solo) - “'s war eine Zeit, due selig Kind” (The Man)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
solo baritone vocals [The Man]:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 23 „Hinab zu jenem Sonnentempel!“ (Peri, Mezzosopran, Tenor, Der Mann) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann5:52
15Das Paradies und die Peri, op. 50: Part Three. No. 24 “O heil'ge Tränen inn'ger Reue” (vocal quartet, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 24 „O heil'ge Tränen inniger Reue“ (Quartett – Sopran, Alt, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann3:16
16Das Paradies und die Peri, op. 50: Part Three. No. 25 “Es fällt ein Tropfen aufs Land Ägypten” (The Peri) - “Und sieh, demütig betend kniet der Mann” (tenor solo, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 25 „Es fällt ein Tropfen aufs Land“ (Peri, Tenor, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann7:14
17Das Paradies und die Peri, op. 50: Part Three. No. 26 “Freud', ew'ge Freude, mein Werk ist getan” - “Willkommen, willkommen unter den Frommen!” (The Peri, chorus)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 26 „Freud’, ew'ge Freude, mein Werk ist getan“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann6:23
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]