Hits Hits Hits: 80s/90s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

5 cardboard sleeves in a cardboard box.

BIEM/STEMRA on box, MCPS on discs.

Annotation last modified on 2025-05-30 14:14 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Bridge to Your Heart
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1987) and BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1987)
recording of:
Bridge to Your Heart
writer:
Andrew Gold and Graham Gouldman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs and St. Anne’s Music Ltd.
Wax4.54:13
2You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.14:59
3There Must Be an Angel (Playing with My Heart)
assistant engineer:
Jay Willis
engineer:
Don Smith (producer, engineer and mixer) and Adam Williams
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Adam Williams
bass guitar:
Dean Garcia (English multi-instrumentalist; Curve)
drums (drum set):
Olle Romo (Swedish music producer, songwriter, and drummer)
guest harmonica:
Stevie Wonder
keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
strings:
Michael Kamen (American score composer)
background vocals:
Angel Cross
lead vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1991)
remasters:
There Must Be an Angel (Playing With My Heart) by Eurythmics
recording of:
There Must Be an Angel (Playing With My Heart)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics45:21
4Whenever You Need Somebody
keyboard [Fairlight] programming:
Ian Curnow (in 1988)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1988)
guitar [guitars]:
Matt Aitken (in 1988)
keyboard [keyboards]:
Matt Aitken (in 1988) and Mike Stock (of Stock Aitken Waterman) (in 1988)
background vocals [backing vocals]:
Dee Lewis (in 1988), Shirley Lewis (in 1988), Mae McKenna (vocalist) (in 1988) and Suzanne Rhatigan (in 1988)
vocals:
Rick (English singer, songwriter and radio personality) (in 1988)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1987) and Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1988) and PWL Studio 2 (in 1988)
mixed at:
PWL Studio 1 and PWL Studio 2
cover recording of:
Whenever You Need Somebody (O'Chi Brown/ Rick Astley Song) (in 1988)
lyricist and composer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Hammer Music (German publisher) and Terrace Music (in 1986)
Rick Astley23:54
5Girl You Know It’s True
phonographic copyright (℗) by:
Hansa (in 1988) and BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1994)
cover recording of:
Girl You Know It's True
writer:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) and Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Milli Vanilli3:19
6Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:47
7I Can’t Go for That (No Can Do)
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 6)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hall & Oates44:59
8You’re My Heart, You’re My Soul
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1984)
recording of:
You’re My Heart, You’re My Soul
lyricist and composer:
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) and Warner Chappell
Modern Talking3:49
9John Wayne Is Big Leggy
recording of:
John Wayne Is Big Leggy
writer:
Paul Caplin, Kate Garner and Jeremy Healy
publisher:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:21
10Modern Girl
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
writer:
Sarah Durkee and Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf4:25
11Coming Around Again (live)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
live recording of:
Coming Around Again (Carly Simon)
lyricist and composer:
Carly Simon
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) and Famous Music Publishing (in 1986)
Carly Simon3:06
12In a Lifetime
recording of:
In a Lifetime
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
BMG Music Publishing Ltd. and Clannad Music Ltd.
Clannad & Bono3:03
13Friends
phonographic copyright (℗) by:
BMG Ariola S.p.A. (renamed BMG Ricordi S.p.A. in 1995 after merger with Dischi Ricordi S.p.A.) (in 1984)
recording of:
Friends
writer:
Lorenzo Doumani and Mike Francis (Italian singer and composer)
publisher:
Reizner Music Corporation
Amii Stewart4:38
14Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:06
15Land of Make Believe
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
miscellaneous support:
Andy Hill (English producer & songwriter)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs and Universal Music–Z Tunes LLC
Bucks Fizz3.353:47
16Loco in Acapulco
recording engineer:
Rick Ruggieri
drums (drum set) and background vocals:
Phil Collins (of Genesis)
electric bass guitar:
Freddie Washington (US session bassist)
guitar:
Michael Landau, Paul Jackson (bassist) and David Williams (folk guitarist)
keyboard:
Aaron Zigman (American score composer)
choir vocals:
Four Tops (Motown)
guitar arranger and horn arranger:
Paul Riser
percussion arranger:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:32
17Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker Jr.3.94:03
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Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 2000)
licensed to:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!)
Discogs:https://www.discogs.com/release/7556405 [info]