Annotation

60-CD collection celebrating the 60th anniversary of the Academy of St. Martin in the Fields.

Annotation last modified on 2020-07-09 10:01 UTC.

Tracklist

1CD: The First Recordings I: Corelli / Torelli / Locatelli / Albicastro / Handel et al
2CD: The First Recordings II: Avison / Handel / Telemann / Vivaldi / Geminiani et al
3CD: Vivaldi: The Four Seasons (1970 and 1980 recordings)
4CD: Vivaldi: Concertos for Wind & Strings
5CD: Vivaldi: Concertos
6CD: Geminiani: 6 Concerti Grossi
7CD: Trumpet Concertos: Telemann / Albinoni / Hertel / Fasch / Vivaldi / Albrechtsberger / L. Mozart / Hummel
8CD: Telemann: Violin Concertos / Overture in C major “Hamburger Ebb und Flut”
9CD: Handel: Concerti Grossi, op. 3 / Alcina, HWV 34 - incidental music
10CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (1)
11CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (2)
12CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (3)
13CD: J.S. Bach: Keyboard Concertos nos 1, 2 & 4, BWV 1052, 1053, 1055
14CD: J.S. Bach: Keyboard Concertos nos. 3, 5 & 6, BWV 1054, 1056-1058
15CD: J.S. Bach: Violin Concertos
16CD: J.S. Bach: The Art of Fugue (beginning), BWV 1080
17CD: J.S. Bach: The Art of Fugue (conclusion) / Sonata for Flute, Violin and Continuo
18CD: Arne / C.P.E. Bach / J.C. Bach: Harpsichord Concertos
19CD: J.C. Bach: 6 Symphonies, op. 3 / Mozart: March in D major, K408 no. 2 / Haydn: Symphony no. 52 in C minor
20CD: Wassenaer: 6 Concerti Armonici (formerly attrib. to Pergolesi)
21CD: Baroque Horn Concertos: Knechtl / Reinhardt / Quantz / Graun / Röllig
22CD: Gluck: Don Juan - ballet / Handel: Ariodante & Il pastor fido - ballet music
23CD: Haydn: Cello Concertos nos. 1 & 2 / Trumpet & Harpsichord Concertos
24CD: Haydn: Overture in D major / Acide e Galatea Overture / 6 Allemandes Hob. IX:9 / 6 Allemandes from Hob. IX / Organ & Horn Concertos
25CD: Haydn: Symphonies nos. 53, 99 & 102
26CD: M. Haydn: Horn Concerto in D major / 6 Minuets / Duo Concertante for Viola and Organ in C major
27CD: Mozart: Serenades & Divertimenti
28CD: Mozart: Sinfonia Concertante K297b & K364 / Adagio and Fugue in C minor, K546
29CD: Mozart: Eine kleine Nachtmusik / Posthorn Serenade / Serenata notturna
30CD: Mozart: Gran Partita / Divertimento in C major, K188
31CD: Beethoven: 2 Minuets WoO 7 / 12 German Dances WoO 8 / 12 Contredances WoO 14 / Große Fuge in B-flat major, op. 133
32CD: Beethoven: Symphonies nos. 4 & 7
33CD: Weber: Clarinet Concertos nos. 1 & 2 / Clarinet Concertino
34CD: Rossini: Complete Overtures I
35CD: Rossini: Complete Overtures II
36CD: Rossini: Complete Overtures III
37CD: Concert à la carte: Clarke / Handel / Purcell / Rossini / Boccherini / Mozart / Haydn / Tchaikovsky / Schubert / Medelssohn / Bree / Ricciotti / Locatelli
38CD: Mendelssohn: String Symphonies nos. 9, 10, 12 / Concerto for Piano & Strings in A major
39CD: Mendelssohn: Symphonies nos. 3 “Scottish” & no. 4 “Italian”
40CD: Gounod: The 2 Symphonies / Faust Ballet Music
41CD: Dvořák: Serenades
42CD: Tchaikovsky: Nutcracker Suite / Serenade for Strings / Violin Concerto
43CD: Grieg: Holberg Suite / Elegiac Melodies / Sibelius: Valse triste / Rakastava / Nielsen: Little Suite / Wirén: Serenade etc.
44CD: Bruch & Mendelssohn: Violin Concertos
45CD: R. Strauss: Le bourgeois gentilhomme suite / Couperin Suite
46CD: Bruch: Scottish Fantasy / Violin Concerto no. 1
47CD: Popular French Orchestra Works: Berlioz / Ravel / Saint-Saëns / Debussy / Chabrier / Canteloube / Satie / Fauré
48CD: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals / The Birds
49CD: Bartók: Music for Strings, Percussion & Celesta / Divertimento
50CD: Stravinsky: Pulcinella - Suite / Apollon musagète / Capriccio for Piano and Orchestra
51CD: Elgar / Warlock / Butterworth: Orchestral Works
52CD: Delius / Holst / Elgar: Orchestral Works / Vaughan Williams: Concerto for Oboe & Strings
53CD: Vaughan Williams: The Wasps - Overture / Fantasia on a Theme by Thomas Tallis / Variations for Orchestra / Romance for Harmonica and Strings etc.
54CD: Vaughan Williams: The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite etc.
55CD: English Seasons: Delius / Bridge / Foulds / Grainger / Bax
56CD: Finzi: Clarinet Concerto / Dies Natalis / Nocturne / Romance for String Orchestra
57CD: Tippett: Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli / Little Music for String Orchestra / Walton: Façade (Highlights)
58CD: Mahler: Lieder eines fahrenden Gesellen / Britten: Nocturne / Variations on a Theme of Frank Bridge
#TitleArtistRatingLength
1Lieder eines fahrenden Gesellen: “Wenn mein Schatz Hochzeit macht”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (from 1973-07-10 until 1973-07-13)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:58
2Lieder eines fahrenden Gesellen: “Ging heut' Morgens übers Feld”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (from 1973-07-10 until 1973-07-13)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:43
3Lieder eines fahrenden Gesellen: “Ich hab' ein glühend Messer”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (from 1973-07-10 until 1973-07-13)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler2:59
4Lieder eines fahrenden Gesellen: “Die zwei blauen Augen von meinem Schatz”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (from 1973-07-10 until 1973-07-13)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:18
5Nocturne, op. 60: “On a poet's lips I slept”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: I. On a poet's lips I slept (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten3:51
6Nocturne, op. 60: “Below the thunders of the upper deep”
producer:
Michael Bremner (producer/engineer)
bassoon:
Cecil James (bassoonist) (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: II. Below the thunders of the upper deep (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten3:15
7Nocturne, op. 60: “Encinctured with a twine of leaves”
producer:
Michael Bremner (producer/engineer)
harp:
David Watson (harpist) (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: III. Encinctured (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten2:18
8Nocturne, op. 60: “Midnight's bell goes ting, ting, ting”
producer:
Michael Bremner (producer/engineer)
horn:
Ifor James (horn player) (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: IV. Midnight's bell (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten2:20
9Nocturne, op. 60: “But that night when on my bed I lay”
producer:
Michael Bremner (producer/engineer)
timpani:
Tristan Fry (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: V. But that night (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten2:58
10Nocturne, op. 60: “She sleeps on soft, last breaths”
producer:
Michael Bremner (producer/engineer)
cor anglais:
Neil Black (oboist) (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: VI. She sleeps (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten4:46
11Nocturne, op. 60: “What is more gentle than a wind in summer?”
producer:
Michael Bremner (producer/engineer)
clarinet:
Dame Thea King (British clarinettist) (from 1973-07-10 until 1973-07-13)
flute:
William Bennett (flautist) (from 1973-07-10 until 1973-07-13)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: VII. What is more gentle (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten3:44
12Nocturne, op. 60: “When most I wing, then do mine eyes best see”
producer:
Michael Bremner (producer/engineer)
tenor vocals:
Robert Tear (tenor) (from 1973-07-10 until 1973-07-13)
orchestra:
Academy of St Martin in the Fields (from 1973-07-10 until 1973-07-13)
conductor:
Sir Neville Marriner (conductor) (from 1973-07-10 until 1973-07-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973-07-10 until 1973-07-13)
recording of:
Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see (from 1973-07-10 until 1973-07-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
Benjamin Britten3:58
13Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme: Lento maestoso - Allegretto poco lento
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:01
14Variations on a Theme of Frank Bridge, op. 10: Adagio
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: II. Adagio (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:12
15Variations on a Theme of Frank Bridge, op. 10: March: Presto alla marcia
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:13
16Variations on a Theme of Frank Bridge, op. 10: Romance: Allegretto grazioso
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:24
17Variations on a Theme of Frank Bridge, op. 10: Aria Italiana: Allegro brillante
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:25
18Variations on a Theme of Frank Bridge, op. 10: Bourée Classique: Allegro e pesante
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:22
19Variations on a Theme of Frank Bridge, op. 10: Wiener Walzer: Vivace
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:56
20Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo: Allegro molto
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:07
21Variations on a Theme of Frank Bridge, op. 10: Funeral March: Andante ritmico
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten3:39
22Variations on a Theme of Frank Bridge, op. 10: Chant: Lento
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:24
23Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale: allegro molto vivace - Lento e solenne
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten7:11
59CD: Williamson: The Happy Prince / Walton: Sonata for String Orchestra
60CD: Mozart: Exsultate Jubilate, K165 / Clarinet Concerto / Piano Concerto no. 21