The Music of Bill Monroe from 1936 to 1994

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Contains 96 page booklet describing Bill Monroe, his life and recording career. Many color photos. Full discography on enclosed tunes.

Anmerkung zuletzt geändert am 2021-07-15 21:31 UTC.

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1▼CD: The Music of Bill Monroe from 1936 to 1952
Nr.TitelKünstlerBewertungLänge
1My Long Journey Home
Produzent(in):
Eli Oberstein
Gitarre und Sologesang:
Charlie Monroe (am 1936-02-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1936-02-17)
aufgenommen bei:
Southern Radio Building in Charlotte, North Carolina, Vereinigte Staaten (am 1936-02-17)
recording of:
My Long Journey Home (am 1936-02-17)
Verfasser(in):
[traditional] (special purpose artist)
The Monroe Brothers2:29
2What Would You Give in Exchange for Your Soul
Produzent(in):
Eli Oberstein
Gitarre und Sologesang:
Charlie Monroe (am 1936-02-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1936-02-17)
arranger:
Bill Monroe (“The Father of Bluegrass”) und Charlie Monroe
aufgenommen bei:
Southern Radio Building in Charlotte, North Carolina, Vereinigte Staaten (am 1936-02-17)
recording of:
What Would You Give in Exchange? (am 1936-02-17)
Texter:
F. J. Berry (in 1911)
Komponist(in):
James H. Carr (gospel songwriter) (in 1911)
publisher:
The Trio Music Company (Waco, Texas) (am 1912-06-14) und Stamps Baxter Music & Printing Co. (am 1940-06-14)
recording of:
Little Red Shoes (am 1937-02-17)
Texter und Komponist(in):
Charlie Monroe
Version von:
Who’s Gonna Shoe Your Pretty Little Feet?
recording of:
My Dear Old Southern Home (am 1937-02-17)
Verfasser(in):
Ellsworth T. Cozzens (Jimmie Rodgers accompanist) und Jimmie Rodgers (country music pioneer, died in 1933)
recording of:
My Long Journey Home (am 1937-02-17)
Verfasser(in):
[traditional] (special purpose artist)
recording of:
New River Train (am 1937-02-17)
Verfasser(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 4568)
recording of:
Nine Pound Hammer (am 1937-02-17)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Elvis Presley Music und Hill and Range Songs, Inc. (publisher)
recording of:
What Is Home Without Love (am 1937-02-17)
Texter und Komponist(in):
Charlie Monroe
recording of:
Drifting Too Far From the Shore
Texter und Komponist(in):
Charles Ernest Moody (20th-century American gospel songwriter)
recording of:
Foggy Mountain Top
Texter und Komponist(in):
A.P. Carter
recording of:
This World Is Not My Home
Texter und Komponist(in):
J.R. Baxter
Verfasser(in):
[traditional] (special purpose artist)
The Monroe Brothers3:13
3Muleskinner Blues
Fiddle:
Art Wooten (American fiddler) (am 1939-11-25)
Gitarre:
Bill Monroe (“The Father of Bluegrass”) (am 1939-11-25)
Kontrabass:
Amos Garren (US bluegrass bassist and comedian) (am 1939-11-25)
Mandoline:
J.C. "Cleo" Davis (US bluegrass guitarist) (am 1939-11-25)
vocals:
Bill Monroe (“The Father of Bluegrass”) (am 1939-11-25)
recording of:
Blue Yodel No. 8 (Mule Skinner Blues) (am 1939-11-25)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
Teil von:
Blue Yodels by Jimmie Rodgers
Bill Monroe3:09
4Cryin’ Holy Unto My Lord
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1940-10-07)
Gitarre und Bass-Gesang:
Clyde Moody (am 1940-10-07)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1940-10-07)
Baritongesang:
Tommy Magness (am 1940-10-07)
Tenor-Gesang:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (am 1940-10-07)
recording of:
On the Rock Where Moses Stood (am 1940-10-07)
Verfasser(in):
The Carter Family (the original Carter Family, 1927–1943)
Bill Monroe2:33
5Back Up and Push
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1941-10-02)
Fiddle:
Art Wooten (American fiddler) (am 1941-10-02)
Gitarre:
Pete Pyle (am 1941-10-02)
Kontrabass [string bass]:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (am 1941-10-02)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1941-10-02)
recording of:
Back Up and Push (am 1941-10-02)
Komponist(in):
[traditional] (special purpose artist)
Bill Monroe2:52
6Goodbye Old Pal
Produzent(in):
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (country singer and accordionist) (am 1945-02-13)
Banjo:
Stringbean (US banjo player Dave Akeman) (am 1945-02-13)
Fiddle:
Chubby Wise (am 1945-02-13)
Gitarre:
Curley Bradshaw (US harmonica player/guitarist) (am 1945-02-13)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1945-02-13)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1945-02-13)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1945-02-13)
recording of:
Goodbye Old Pal (am 1945-02-13)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Bill Monroe Music
Bill Monroe2:43
7Heavy Traffic Ahead
Produzent(in):
Art Satherly
Banjo:
Earl Scruggs (am 1946-09-16)
Fiddle:
Chubby Wise (am 1946-09-16)
Gitarre:
Lester Flatt (am 1946-09-16)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1946-09-16)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1946-09-16)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1946-09-16)
recording of:
Heavy Traffic Ahead (am 1946-09-16)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Bill Monroe Music
Bill Monroe2:52
8Wicked Path of Sin
Produzent(in):
Art Satherly
Gitarre und Sologesang:
Lester Flatt (am 1946-09-17)
Kontrabass und Baritongesang:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1946-09-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1946-09-17)
Bass-Gesang:
Birch Monroe (am 1946-09-17)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1946-09-17)
recording of:
Wicked Path of Sin
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:41
9It’s Mighty Dark to Travel
Produzent(in):
Art Satherly
Banjo:
Earl Scruggs (am 1947-10-27)
Fiddle:
Chubby Wise (am 1947-10-27)
Gitarre und Sologesang:
Lester Flatt (am 1947-10-27)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1947-10-27)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1947-10-27)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1947-10-27)
recording of:
It's Mighty Dark to Travel (am 1947-10-27)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe2:54
10Bluegrass Breakdown
Produzent(in):
Art Satherly
Banjo:
Earl Scruggs (am 1947-10-27)
Fiddle:
Chubby Wise (am 1947-10-27)
Gitarre:
Lester Flatt (am 1947-10-27)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1947-10-27)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1947-10-27)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1947-10-27)
recording of:
Blue Grass Breakdown (am 1947-10-27)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe2:18
11Can’t You Hear Me Callin’
Produzent(in):
Art Satherly
Banjo:
Rudy Lyle (am 1949-10-22)
Fiddle:
Chubby Wise (am 1949-10-22)
Gitarre und Sologesang:
Mac Wiseman (am 1949-10-22)
Kontrabass:
Jack Thompson (US bluegrass bassist) (am 1949-10-22)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1949-10-22)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1949-10-22)
recording of:
Can't You Hear Me Callin' (am 1949-10-22)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe3:18
12My Little Georgia Rose
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
My Little Georgia Rose (am 1950-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe3:08
13I’m on My Way to the Old Home
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
I'm on My Way Back to the Old Home (am 1950-02-03)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:27
14I’m Blue, I’m Lonesome
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
I'm Blue, I'm Lonesome (am 1950-02-03)
Komponist(in):
James B. Smith (“The Father of Bluegrass”)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Bill Monroe2:52
15Uncle Pen
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1950-10-15)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1950-10-15)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Baritongesang:
Joel Price (am 1950-10-15)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Uncle Pen (am 1950-10-15)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. und Hill and Range Songs, Inc. (publisher) (in 1975)
Bill Monroe2:46
16Lord Protect My Soul
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Bass-Gesang:
Joel Price (am 1950-10-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
Baritongesang:
Rudy Lyle (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Lord Protect My Soul (am 1950-10-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe2:44
17Raw Hide
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:38
18Brakeman’s Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
The Brakeman’s Blues (am 1951-03-29)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
Bill Monroe2:38
19Sugar Coated Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-06)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
vocals:
Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Sugar Coated Love (am 1951-07-06)
Komponist(in):
Audrey Butler
Bill Monroe2:26
20Christmas Time’s a Coming
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
Vibraphon [vibes]:
Owen Bradley (am 1951-10-28)
Sologesang:
Edd Mayfield (am 1951-10-28) und Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
Christmas Time's A-Coming (am 1951-10-28)
Texter und Komponist(in):
Tex Logan
publisher:
Bill Monroe Music, Inc.
Bill Monroe2:50
21The First Whippoorwill
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre und Sologesang:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
The First Whippoorwill (am 1951-10-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe2:55
22In the Pines
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
In the Pines (Black Girl) (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
Bill Monroe3:13
23Footprints in the Snow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Footprints in the Snow (am 1952-07-18)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
Bill Monroe2:43
24Walking in Jerusalem
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe1:59
2▶CD: The Music of Bill Monroe from 1952 to 1959
3▶CD: The Music of Bill Monroe from 1958 to 1969
4▶CD: The Music of Bill Monroe from 1970 to 1994

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/983673 [Info]