Top of the Pops: Year by Year Collection 1964‒2006

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Exactly as on covers except belows, see edit history for questions
1.12 No "!" on back cover
2.7 Artist name mispelled in inlay
2.17 Correct name seems to be the one on back cover
2.19 "'" is set as different palce depending of inlay or back cover and pfficial release seems to have none
6.7 "-" appears only on back cover, not inlay
7.9 "," only on back cover and as original release
7.12 No "," like on original release and back cover
7.14 No "The" as in inlay and original release
8.5 Backcover shows is whereas 's in inlay
8.5 Back cover shows Turnaround whereas there is a space in inlay
9.16 Not "?" in inlay
14.7 "." on artist name only appear on back cover
15.11 Missing "," in artist name
16.16 Missing "," in artist name
16.2 Inlay shows The at start of tracname compare to back cover
16.3 "." in artist name are only shown on back cover
18.9 Applying guidelines on no.
23.3 Appears as Debbie Harry on the inlay and as Deborah Harry in the booklet
23.4 Appears as RUN-DMC Feat. Aerosmith on the inlay as as RUN DMC Featuring Aerosmith in the booklet
23.10 Appears as Mel And Kim on the inlay and as Mel & Kim in the booklet
25.15 "a" apears at start of trackname in booklet
26.9 feat. on back cover whereas featuring in booklet
27.11 feat. vs featuring in back cover/booklet
27.12 Rolling vs Rollin’ in back cover/booklet
29.3 "?" appears only in booklet
30.4 "." only appearing on back cover
30.9 "with you" is added to track name in booklet
30.12 "The" only appearing in booklet
31.12 The Reggae Revolution dont appear on back cover
38.13 Removing space next to "/"

Anmerkung zuletzt geändert am 2020-12-19 12:11 UTC.

Titelliste

1CD: 1964
2CD: 1965
3CD: 1966
4CD: 1967
5CD: 1968
6CD: 1969
7CD: 1970
8CD: 1971
9CD: 1972
10CD: 1973
11CD: 1974
12CD: 1975
13CD: 1976
14CD: 1977
15CD: 1978
16CD: 1979
17CD: 1980
18CD: 1981
Nr.TitelKünstlerBewertungLänge
1That’s Entertainment
Techniker(in):
George Chambers (engineer a/k/a George “Chappie” Chambers) und Alan Douglas (Scottish born engineer)
Produzent(in):
Vic Coppersmith‐Heaven und The Jam (late 70s/early 80s UK punk/mod revival band)
Akustikgitarre, E-Gitarre [backwards] und Sologesang:
Paul Weller (English singer‐songwriter and musician) (am 1980-10-22)
Bassgitarre:
Bruce Foxton (am 1980-10-22)
kleine Trommel / Snare und Tamburin:
Rick Buckler (am 1980-10-22)
vocals:
Bruce Foxton (am 1980-10-22)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1980-10-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 306)
recording of:
That’s Entertainment (am 1980-10-22)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und And Son Music Ltd. (vom 1980 bis heute)
The Jam3.353:35
2Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:28
3Reward
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:42
4Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:42
5Favourite Shirts (Boy Meets Girl)
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10053:05
6Stand and Deliver
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Adam Ant (English new wave singer and actor) und Gary Tibbs
Gitarre:
Marco Pirroni (British musician and producer)
Mundharmonika und Sologesang:
Adam Ant (English new wave singer and actor)
Schlagzeug:
Merrick (ex Adam & The Ants) und Terry Lee Miall
Musikvideos:
Stand and Deliver von Adam and the Ants (English new wave band)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 10)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants53:35
7Spellbound
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
recording of:
Spellbound
Texter:
Steven Severin
Komponist(in):
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie & the Banshees54:39
8Just Can’t Get Enough
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Depeche Mode und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan (in 1981-07)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) und Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
aufgenommen bei:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 66) und Indie 88: Top 500 Indie Rock Songs (Nummer: 460)
recording of:
Just Can’t Get Enough
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (beendet), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.33:42
9Chant no. 1 (I Don’t Need This Pressure On)
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:05
10Souvenir
Produzent(in):
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
recording of:
Souvenir
Verfasser(in):
Martin Cooper (OMD and The Listening Pool) und Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark33:35
11Labelled With LoveSqueeze44:34
12Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.93:42
13The Lunatics (Have Taken Over the Asylum)
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
recording of:
The Lunatics (Have Taken Over the Asylum)
Texter und Komponist(in):
Lynval Golding, Terry Hall und Neville Staple
The Fun Boy Three43:14
14Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
recording of:
Vienna
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) und Sing Sing Songs Ltd.
Ultravox4.354:54
15Keep On Loving You
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer
Produzent(in):
Kevin Beamish, Kevin Cronin und Gary Richrath
Akustikgitarre:
Kevin Cronin
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath
Hammond-Orgel:
Neal Doughty
Schlagzeug:
Alan Gratzer
Hintergrundgesang:
Kevin Cronin, Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 67)
recording of:
Keep On Loving You
Texter und Komponist(in):
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:21
16Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
17Making Your Mind Up
Produzent(in):
Andy Hill (English producer & songwriter)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1981)
Teil von:
United Kingdom in the Eurovision Song Contest (Nummer: 1981) und Winners of the Eurovision Song Contest (Nummer: 1981)
recording of:
Making Your Mind Up
Texter und Komponist(in):
John Danter und Andy Hill (English producer & songwriter)
publisher:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:40
18It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:48
19Going Back to My Roots
Produzent(in):
Steve Tyrell (American producer and vocalist)
cover recording of:
Going Back to My Roots
Texter und Komponist(in):
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey55:27
20Intuition
recording of:
Intuition
Verfasser(in):
David Grant (pop singer) und Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
publisher:
RSM Music Ltd. und Solid Music Ltd.
Linx43:21
21Rapture
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Rapture (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie3.65:01
19CD: 1982
20CD: 1983
21CD: 1984
22CD: 1985
23CD: 1986
24CD: 1987
25CD: 1988
26CD: 1989
27CD: 1990
28CD: 1991
29CD: 1992
30CD: 1993
31CD: 1994
32CD: 1995
33CD: 1996
34CD: 1997
35CD: 1998
36CD: 1999
37CD: 2000
38CD: 2001
39CD: 2002
40CD: 2003
41CD: 2004
42CD: 2005
43CD: 2006

Nennungen

Veröffentlichung

ASIN:UK: B001AI93J0 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001920994 [Info]