The Legend Lives On

~ Release by Bill Monroe (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1I’m Blue I’m Lonesome
banjo:
Rudy Lyle (on 1950-02-03)
double bass:
Joel Price (on 1950-02-03)
fiddle:
Vassar Clements (on 1950-02-03)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1950-02-03)
mandolin and lead vocals and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-02-03)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-02-03)
recording of:
I'm Blue, I'm Lonesome (on 1950-02-03)
composer:
James B. Smith (“The Father of Bluegrass”)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:53
2My Little Georgia Rose
banjo:
Rudy Lyle (on 1950-02-03)
double bass:
Joel Price (on 1950-02-03)
fiddle:
Vassar Clements (on 1950-02-03)
guitar:
Jimmy Martin (US bluegrass musician) (on 1950-02-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-02-03)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-02-03)
recording of:
My Little Georgia Rose (on 1950-02-03)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:08
3I’m on My Way to the Old Home
2:27
4Uncle Pen
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1950-10-15)
double bass and baritone vocals:
Joel Price (on 1950-10-15)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1950-10-15)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1950-10-15)
mandolin and lead vocals and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-10-15)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-10-15)
recording of:
Uncle Pen (on 1950-10-15)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. and Hill and Range Songs, Inc. (publisher) (in 1975)
2:46
5Lord Protect My Soul
producer:
Paul Cohen (Nashville country producer)
double bass and bass vocals:
Joel Price (on 1950-10-15)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1950-10-15)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-10-15)
baritone vocals:
Rudy Lyle (on 1950-10-15)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-10-15)
recording of:
Lord Protect My Soul (on 1950-10-15)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:45
6Rawhide
banjo:
Rudy Lyle (on 1951-01-20)
double bass:
Joel Price (on 1951-01-20)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1951-01-20)
guitar:
Jimmy Martin (US bluegrass musician) (on 1951-01-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1951-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (on 1951-01-20)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:39
7Brakeman’s Blues
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1951-03-29)
double bass:
Joel Price (on 1951-03-29)
fiddle:
Hal Smith (bluegrass fiddler) (on 1951-03-29)
guitar:
Jimmy Martin (US bluegrass musician) (on 1951-03-29)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1951-03-29)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-03-29)
recording of:
The Brakeman’s Blues (on 1951-03-29)
writer:
Jimmie Rodgers (country music pioneer, died in 1933)
2:39
8Sugar Coated Love
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1951-07-06)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1951-07-06)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1951-07-06)
guitar and lead vocals:
Carter Stanley (on 1951-07-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1951-07-06)
vocals:
Bill Monroe (“The Father of Bluegrass”)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-07-06)
recording of:
Sugar Coated Love (on 1951-07-06)
composer:
Audrey Butler
2:26
9Christmas Time’s A-Coming
producer:
Paul Cohen (Nashville country producer)
banjo:
James Bowers (bluegrass banjoist) (on 1951-10-28)
double bass:
Shorty Shehan (on 1951-10-28)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1951-10-28)
guitar:
Edd Mayfield (on 1951-10-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1951-10-28)
vibraphone [vibes]:
Owen Bradley (on 1951-10-28)
lead vocals:
Edd Mayfield (on 1951-10-28) and Bill Monroe (“The Father of Bluegrass”) (on 1951-10-28)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-10-28)
recording of:
Christmas Time's A-Coming (on 1951-10-28)
lyricist and composer:
Tex Logan
publisher:
Bill Monroe Music, Inc.
2:50
10The First Whippoorwill
producer:
Paul Cohen (Nashville country producer)
banjo:
James Bowers (bluegrass banjoist) (on 1951-10-28)
double bass:
Shorty Shehan (on 1951-10-28)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1951-10-28)
guitar and lead vocals:
Edd Mayfield (on 1951-10-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1951-10-28)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-10-28)
recording of:
The First Whippoorwill (on 1951-10-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:55
11In the Pines
producer:
Paul Cohen (Nashville country producer)
banjo:
Sonny Osborne (on 1952-07-18)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
fiddle:
Charlie Cline (on 1952-07-18)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
In the Pines (Black Girl) (on 1952-07-18)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3421)
3:14
12The Little Girl and the Dreadful Snake
producer:
Paul Cohen (Nashville country producer)
banjo:
Sonny Osborne (on 1952-07-18)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
fiddle:
Charlie Cline (on 1952-07-18)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
The Little Girl and the Dreadful Snake (on 1952-07-18)
composer:
Monroe (“The Father of Bluegrass”)
3:07
13Memories of Mother and Dad
producer:
Paul Cohen (Nashville country producer)
banjo:
Sonny Osborne (on 1952-07-18)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
fiddle:
Charlie Cline (on 1952-07-18)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
Memories of Mother and Dad (on 1952-07-18)
lyricist and composer:
Albert Price (“The Father of Bluegrass”)
3:00
14Walking in Jerusalem
producer:
Paul Cohen (Nashville country producer)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
guitar:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
baritone vocals:
Charlie Cline (on 1952-07-18)
bass vocals:
Boudleaux Bryant (on 1952-07-18)
lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18) and Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (on 1952-07-18)
lyricist and composer:
[traditional] (special purpose artist)
previously attributed to:
Bill Monroe (“The Father of Bluegrass”)
1:59