| # | Title | Artist | Rating | Length |
|---|
| 1 | Love Is a Battlefield- assistant engineer:
- Dave Hernandez
- producer and mixer:
- Pete Coleman and Neil Giraldo
- assistant mixer:
- Murray Dvorkin and Bino Espinoza
- bass guitar:
- Roger Capps and Donnie Nossov
- drums (drum set):
- Myron Grombacher
- guitar and harmonica:
- Neil Giraldo
- keyboard:
- Charles Giordano
- percussion:
- Charles Giordano , Neil Giraldo and Myron Grombacher
- lead vocals:
- Pat Benatar
- mixed at:
- Soundcastle in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 30)
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 3.65 | 5:21 |
| 2 | Cuts Like a Knife- recording engineer:
- Bob Clearmountain (from 1982-08-13 until 1982-08-23)
- assistant engineer:
- Mike Fraser , Jeff Hendrickson , Paul Northfield and Robbie Whelan
- engineer:
- Bob Clearmountain
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (from 1982-10-14 until 1982-10-20)
- drums (drum set):
- Mickey Curry (from 1982-08-13 until 1982-08-23)
- electric bass guitar [bass]:
- Dave Taylor (from 1982-08-13 until 1982-08-23)
- guitar:
- Bryan Adams (from 1982-08-13 until 1982-08-23) and Keith Scott (from 1982-08-13 until 1982-08-23)
- organ:
- Tommy Mandel (from 1982-08-13 until 1982-08-23)
- solo guitar:
- Keith Scott (from 1982-08-13 until 1982-08-23)
- background vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23), Bruce Allen (from 1982-08-13 until 1982-08-23), Bob Clearmountain (from 1982-08-13 until 1982-08-23), K. Davies (from 1982-08-13 until 1982-08-23), L. Frenette (from 1982-08-13 until 1982-08-23), Keith Scott (from 1982-08-13 until 1982-08-23), M. Simpson (from 1982-08-13 until 1982-08-23), Dave Taylor (from 1982-08-13 until 1982-08-23) and Jimmy Wesley (from 1982-08-13 until 1982-08-23)
- lead vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983) and UMG Recordings, Inc. (in 1983)
- additionally recorded at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-08-13 until 1982-08-23)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1982-08-13 until 1982-08-23)
- additionally mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-10-14 until 1982-10-20)
- mixed at:
- Le Studio in Morin‐Heights, Québec , Canada (from 1982-10-14 until 1982-10-20)
- part of:
- The Downloader’s Music Source Book (number: 159)
- recording of:
- Cuts Like a Knife (from 1982-08-13 until 1982-08-23)
- written in:
- Vancouver, British Columbia, Canada (in 1982-04)
- writer:
- Bryan Adams (in 1982-04) and Jim Vallance (in 1982-04)
- publisher:
- Almo Music of Canada, Irving Music of Canada, Some Guy Songs, Adams Communications Inc. (in 1983), Almo Music Corp. (in 1983), Calypso Toonz (in 1983), Irving Music, Inc. (in 1983) and Testatyme Music (in 1983)
| Bryan Adams | 3.5 | 5:13 |
| 3 | Sweet Dreams | Eurythmics | 4.15 | 3:33 |
| 4 | Take On Me | a‐ha | 4.5 | 3:46 |
| 5 | Relax | Frankie Goes to Hollywood | 4.05 | 3:57 |
| 6 | One Thing Leads to Another | The Fixx | | 3:24 |
| 7 | In a Big Country | Big Country | 3.95 | 3:54 |
| 8 | Come On Eileen | Dexys Midnight Runners | 4.75 | 4:14 |
| 9 | Our House | Madness | 3.9 | 3:20 |
| 10 | Weird Science | Oingo Boingo | 3.65 | 6:13 |
| 11 | Suddenly Last Summer | The Motels | 4 | 3:39 |
| 12 | Sister Christian | Night Ranger | 3.65 | 5:02 |
| 13 | Hold Me Now- recording engineer, engineer and mixer:
- Phil Thornalley
- drums (drum set) programming:
- Tom Bailey
- producer:
- Tom Bailey and Alex Sadkin
- congas and synthesizer [Prophet V]:
- Joe Leeway
- double bass [contrabass], guitar, harmonica, piano and synthesizer:
- Tom Bailey
- drums (drum set), marimba, percussion and xylophone:
- Alannah Currie
- background vocals:
- Alannah Currie and Joe Leeway
- vocals:
- Tom Bailey
- phonographic copyright (℗) by:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) and Arista Records, Inc. (in 1984)
- music videos:
- Hold Me Now by Thompson Twins
- recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Thompson Twins | 4.5 | 4:45 |
| 14 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 5 | 4:01 |
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