The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11CD: Monteverdi: Orfeo (beginning)
12CD: Monteverdi: Orfeo (conclusion)
13CD: La Chanson et la danse – Paris, vers 1540
14CD: La Chanson de Lausanne
15CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16CD: De Lalande: De profundis / Regina cœli
17CD: I Dolci Frutti: Venice before Monteverdi (I)
18CD: I Dolci Frutti: Venice before Monteverdi (II)
19CD: Gabrieli: Sacrae Symphoniae vol. 1
20CD: Gabrieli: Sacrae Symphoniae vol. 2
21CD: Bach: Magnificat / Cantata BWV 187
22CD: Bach: Mass in B minor, BWV 232 (beginning)
23CD: Bach: Mass in B minor, BWV 232 (conclusion)
24CD: Carissimi: Jephté et Trois motets
25CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26CD: Charpentier: Messe pour les trépassés (1)
27CD: Charpentier: Messe pour les trépassés (2)
28CD: Bach: Missae breves I
29CD: Bach: Missae breves II
30CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31CD: Marcello: Seven Psalms I
32CD: Marcello: Seven Psalms II
33CD: Monteverdi: Madrigali I
34CD: Monteverdi: Madrigali II
35CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36CD: Vivaldi: Sacred Music I
37CD: Monteverdi: Madrigali III-V (I)
38CD: Monteverdi: Madrigali III-V (II)
39CD: J.C. Bach: Fortepiano Concertos
40CD: Vivaldi: Sacred Music II
41CD: Vivaldi: Sacred Music III
42CD: Vivaldi: Sacred Music IV
43CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44CD: Vivaldi: Sacred Music V
45CD: Bach: Cantatas I
46CD: Bach: Cantatas II
47CD: Bach: Johannes-Passion, BWV 245 (beginning)
48CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49CD: Vivaldi: Sacred Music VI
50CD: Charpentier: Le jugement dernier / Beatus vir
51CD: Monteverdi: Magrigali VI-VIII (I)
52CD: Monteverdi: Madrigali VI-VIII (II)
53CD: Bach: Mass in B minor, BWV 232 (beginning)
54CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55CD: Cavalli: Ercole amante (beginning)
56CD: Cavalli: Ercole amante (continuing)
57CD: Cavalli: Ercole amante (conclusion)
58CD: Handel: Suites from Rodrigo & Il pastor fido
59CD: Charpentier: David et Jonathas, H. 490 (beginning)
60CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:15
2Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
3Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
4Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:22
5Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:33
6Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:19
7Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:58
8Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:09
9Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
10Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia
producer:
Michel Garcin (French producer)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:16
11Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:33
12Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:21
13Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
14Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
15Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:38
16Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:18
17Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
18Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
19Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:22
20Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
21Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:44
22Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
23Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)
producer:
Michel Garcin (French producer)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1984-01-02 until 1984-01-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
24Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:10
25Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:23
27Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:34
28Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
29Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:40
30Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:27
31Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:21
32Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
33Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (from 1984-01-02 until 1984-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:13
67CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68CD: Monteverdi: Orfeo (beginning)
69CD: Monteverdi: Orfeo (conclusion)
70CD: Purcell: Dido and Aeneas
71CD: Handel: Messiah, KV 572 (beginning)
72CD: Handel: Messiah, KV 572 (conclusion)
73CD: Bach: Mass in B minor, BWV 232 (beginning)
74CD: Bach: Mass in B minor, BWV 232 (conclusion)