La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
#TitleArtistRatingLength
1Aida: Preludio (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:48
2Aida: Act I, Scene 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:33
3Aida: Act I, Scene 1. “Se quel guerriero io fossi!” (Radamès)
producer:
Walter Legge (British classical producer)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi1:00
4Aida: Act I, Scene 1. “Celeste Aida” (Radamès)
producer:
Walter Legge (British classical producer)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:29
5Aida: Act I, Scene 1. “Quale isolita gioia nel tuo sguardo!” (Amneris, Radamès)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:26
6Aida: Act I, Scene 1. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:56
7Aida: Act I, Scene 1. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:16
8Aida: Act I, Scene 1. “Su! del Nilo al sacro lida” (Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:57
9Aida: Act I, Scene 1. “Ritorna vincitor!” (Aida)
producer:
Walter Legge (British classical producer)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:43
10Aida: Act I, Scene 2. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:09
11Aida: Act I, Scene 2. “Immenso Fthà!…Mortal, diletto ai numi” (Sacerdotesse, Ramfis, Sacerdoti)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:59
12Aida: Act I, Scene 2. “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:56
13Aida: Act II, Scene 1. “Chi mai fra gi'inni e i plausi” (Schiave, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:01
14Aida: Act II, Scene 1. Danza di piccoli schiavi mori (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:31
15Aida: Act II, Scene 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:40
16Aida: Act II, Scene 1. “Fu la sorte dell'armi a'tuoi funesta” (Amneris, Aida)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:33
17Aida: Act II, Scene 1. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:50
18Aida: Act II, Scene 1. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:36
19Aida: Act II, Scene 2. “Gloria, all'Egitto, ad Iside” (Papolo, Sacerdoti)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:24
20Aida: Act II, Scene 2. Marcia trionfale (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:39
21Aida: Act II, Scene 2. Ballabile (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:19
22Aida: Act II, Scene 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:12
23Aida: Act II, Scene 2. “Salvator della patria” (Re, Radamès, Ramfis, Sacerdoti)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:08
24Aida: Act II, Scene 2. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Schiave, Prigioineri, Ramfis, Sacerdoti, Amneris, Amonasro, Re, Popolo)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:25
25Aida: Act II, Scene 2. “Il dolor che in quel volto favella” (Tutti)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro dell’Opera di Roma and Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
26Aida: Act II, Scene 2. “O Re, pei sacri numi…Gloria all'Egitto” (Tutti)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:15
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets