Ludwig van Beethoven Complete Works, Volume 16

~ Release by Ludwig van Beethoven (see all versions of this release, 90 available)

Tracklist

1▼CD
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1Leonore, Hess 109: Overture "Leonore II"
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
14:02
2Leonore, Hess 109: Act I, Fidelio kommt nicht zurück!
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:35
3Leonore, Hess 109: Act I, No. 1. Aria "O wär' ich schon mit dir vereint" (Marzelline)
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:23
4Leonore, Hess 109: Act I, Wenn ich diese Tür nicht
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:23
5Leonore, Hess 109: Act I, No. 2. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:04
6Leonore, Hess 109: Act I, Höre, Jaquino - So habt ihr denn
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:00
7Leonore, Hess 109: Act I, No. 3. Trio "Ein Mann ist bald genommen" (Rocco, Marzelline, Jaquino)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:40
8Leonore, Hess 109: Act I, Ist Fidelio noch nicht nach Hause gekommen? - Lieber Gott
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ist Fidelio noch nicht nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:18
9Leonore, Hess 109: Act I, No. 4. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jacquino)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:52
10Leonore, Hess 109: Act I, Höre, Fidelio
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:48
11Leonore, Hess 109: Act I, No. 5. Aria "Hat man nicht auch Gold beineben" (Rocco)
bass vocals:
Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:46
12Leonore, Hess 109: Act I, Ihr könnt das leicht sagen, Meister Rocco
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:37
13Leonore, Hess 109: Act I, No. 6. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
7:08
14Leonore, Hess 109: Act II, No. 7a. March in B-flat major
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 7 March
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:57
15Leonore, Hess 109: Act II, Drei Schildwachen auf dem Wall
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:35
16Leonore, Hess 109: Act II, No. 8. Aria "Ha! Welch ein Augenblick!" (Pizarro, choir)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:58
17Leonore, Hess 109: Act II, Rocco
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Rocco!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:09
18Leonore, Hess 109: Act II, No. 9. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:59
19Leonore, Hess 109: Act II, Nun ist es endlich entschieden
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:09
20Leonore, Hess 109: Act II, No. 10. Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
6:05
21Leonore, Hess 109: Act II, Sieh doch, wie du so schnell - Wie rührend
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:17
22Leonore, Hess 109: Act II, No. 11. Recitation "Ach, brich noch nicht, du mattes Herz!" (Leonore) - Aria "Komm, Hoffnung, lass den letzen Stern" (Leonore)
soprano vocals:
Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
8:18

Credits

Release group

Allmusic:https://www.allmusic.com/album/mw0001401293 [info]
standalone website:http://beethoven-complete-works.com/ [info] (from 2007 until 2021)