Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
3▶CD: Messen, BWV 233 & 234
4▶CD: Messen, BWV 235 & 236
5▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7▶CD: Motetten
8▶CD: Osteroratorium, BWV 249
9▶CD: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
12▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13▶CD: Secular Cantatas, BWV 205 & 207; Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14▶CD: Secular Cantatas, BWV 206 & 215; Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15▼CD: Secular Cantatas, BWV 211 & 212; Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
#TitleRatingLength
1Schweigt stille, plaudert nicht BWV 211 - I Recitativo (Tenore)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:43
2Schweigt stille, plaudert nicht BWV 211 - II Aria (Schlendrian)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:21
3Schweigt stille, plaudert nicht BWV 211 - III Recitativo (Schlendrian, Liesgen)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:42
4Schweigt stille, plaudert nicht BWV 211 - IV Aria (Liesgen)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:51
5Schweigt stille, plaudert nicht BWV 211 - V Recitativo (Schlendrian, Liesgen)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
1:12
6Schweigt stille, plaudert nicht BWV 211 - VI Aria (Schlendrian)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:06
7Schweigt stille, plaudert nicht BWV 211 - VII Recitativo (Schlendrian, Liesgen)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:53
8Schweigt stille, plaudert nicht BWV 211 - VIII Aria (Liesgen)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
7:24
9Schweigt stille, plaudert nicht BWV 211 - IX Recitativo (Tenore)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:47
10Schweigt stille, plaudert nicht BWV 211 - X Coro, Terzetto
bass vocals:
Theo Adam (German classical bass-baritone) and Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
5:54
11Mer hahn en neue Oberkeet BWV 212 - I Sinfonia
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:33
12Mer hahn en neue Oberkeet BWV 212 - II Aria, Duetto (Soprano, Basso)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:37
13Mer hahn en neue Oberkeet BWV 212 - III Recitativo (Basso, Soprano)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:55
14Mer hahn en neue Oberkeet BWV 212 - IV Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:00
15Mer hahn en neue Oberkeet BWV 212 - V Recitativo (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
16Mer hahn en neue Oberkeet BWV 212 - VI Aria (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:12
17Mer hahn en neue Oberkeet BWV 212 - VII Recitativo (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:25
18Mer hahn en neue Oberkeet BWV 212 - VIII Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:05
19Mer hahn en neue Oberkeet BWV 212 - IX Recitativo (Basso, Soprano)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:29
20Mer hahn en neue Oberkeet BWV 212 - X Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:16
21Mer hahn en neue Oberkeet BWV 212 - XI Recitativo (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:42
22Mer hahn en neue Oberkeet BWV 212 - XII Aria (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:46
23Mer hahn en neue Oberkeet BWV 212 - XIII Recitativo (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:31
24Mer hahn en neue Oberkeet BWV 212 - XIV Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:53
25Mer hahn en neue Oberkeet BWV 212 - XV Recitativo (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:18
26Mer hahn en neue Oberkeet BWV 212 - XVI Aria (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:38
27Mer hahn en neue Oberkeet BWV 212 - XVII Recitativo (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
28Mer hahn en neue Oberkeet BWV 212 - XVIII Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:47
29Mer hahn en neue Oberkeet BWV 212 - XIX Recitativo (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:18
30Mer hahn en neue Oberkeet BWV 212 - XX Aria (Basso)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:24
31Mer hahn en neue Oberkeet BWV 212 - XXI Recitativo (Soprano, Basso)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:18
32Mer hahn en neue Oberkeet BWV 212 - XXII Aria (Soprano)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:50
33Mer hahn en neue Oberkeet BWV 212 - XXIII Recitativo (Basso, Soprano)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:34
34Mer hahn en neue Oberkeet BWV 212 - XXIV Coro, Duetto (Soprano, Basso)
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:25
16▶CD: Secular Cantatas, BWV 213 & 241; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17▶CD: Matthäus-Passion, BWV 244 (disc 1)
18▶CD: Matthäus-Passion, BWV 244 (disc 2)
19▶CD: Matthäus-Passion, BWV 244 (disc 3)
20▶CD: Johannes-Passion, BWV 245 (disc 1)
21▶CD: Johannes-Passion, BWV 245 (disc 2)
22▶CD: Markus Passion, BWV 247 (disc 1)
23▶CD: Markus Passion, BWV 247 (disc 2)
24▶CD: Lukas Passion, BWV 246 (disc 1)
25▶CD: Lukas Passion, BWV 246 (disc 2)
26▶CD: Weihnachtsoratorium, BWV 248 (disc 1)
27▶CD: Weihnachtsoratorium, BWV 248 (disc 2)
28▶CD: Weihnachtsoratorium, BWV 248 (disc 3)
29▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
30▶CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
31▶CD: Magnificat, BWV 243; Choräle
32▶CD: Choräle (disc 1)
33▶CD: Choräle (disc 2)
34▶CD: Choräle (disc 3)
35▶CD: Choräle (disc 4)
36▶CD: Choräle (disc 5)
37▶CD: Choräle (disc 6)

Credits

Release group

included in:Complete Edition (Brilliant 2010 Bach edition)
part of:Bach Edition: Complete Works (2001 version) (number: 5)