The History of Classical Music in 24 Hours

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Music of the Middle Ages
2▶CD: Music of the Renaissance
3▶CD: Baroque Vocal
4▶CD: Baroque Instrumental
5▶CD: The Classical Symphony
6▶CD: The Classical Concerto
7▶CD: A Trip to France
8▶CD: The Romantic Symphony
9▶CD: Cycles and Songs
10▶CD: The Virtuoso I
11▶CD: The Virtuoso II
12▶CD: The Romantic Cello
13▶CD: The Virtuoso III
14▼CD: Big Voice, Big Orchestra
#TitleArtistRatingLength
1Rhapsody for Alto, Chorus, and Orchestra, op. 53: “Aber abseits wer ist’s?” Adagio - Poco andante - Adagio
alto vocals:
Anne Sofie von Otter (mezzo-soprano)
choir vocals:
Arnold Schoenberg Chor
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Alto Rhapsody, op. 53
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms12:34
2Wesendonck Lieder, WWV 91: 1. Der Engel “In der Kindheit frühen Tagen”
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:19
3Wesendonck Lieder, WWV 91: 2. Stehe Still “Sausendes, brausendes Rad der Zeit”
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:38
4Wesendonck Lieder, WWV 91: 3. Im Treibhaus “Hochgewölbte Blätterkronen”
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:16
5Wesendonck Lieder, WWV 91: 4. Schmerzen “Sonne, weinest jeden Abend Dir die schönen Augen rot”
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:45
6Wesendonck Lieder, WWV 91: 5. Träume “Sag’, welch wunderbare Träume”
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:24
7Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:56
8Lieder eines fahrenden Gesellen: Ging heut’ Morgen übers Feld
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:02
9Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:16
10Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:11
11Vier letzte Lieder, TrV 296: 1. Frühling
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:20
12Vier letzte Lieder, TrV 296: 2. September
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:39
13Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:12
14Vier letzte Lieder, TrV 296: 4. Im Abendrot
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (in 1993-06)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:45
15▶CD: Get Your Programme!
16▶CD: New Currents
17▶CD: A World Re‐Arranged
18▶CD: ¡Viva España!
19▶CD: Lasting Impressions
20▶CD: Points of View
21▶CD: Minimalism
22▶CD: Opera – Overtures
23▶CD: Opera – Arias
24▶CD: Opera – Duets & Choruses