Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▼CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
#TitleArtistRatingLength
1“Bleib bei uns, denn es will Abend werden”, BWV 6: 1. Chorus: “Bleib bei uns, denn es will Abend werden”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:52
2“Bleib bei uns, denn es will Abend werden”, BWV 6: 2. Aria (alto): “Hochgelobter Gottessohn”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:37
3“Bleib bei uns, denn es will Abend werden”, BWV 6: 3. Chorale (sopranos): “Ach bleib bei uns, Herr Jesu Christ”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals [sopranos]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:53
4“Bleib bei uns, denn es will Abend werden”, BWV 6: 4. Recitative (bass): “Es hat die Dunkelheit an vielen Orten”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
bass vocals:
Julian Clarkson (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:44
5“Bleib bei uns, denn es will Abend werden”, BWV 6: 5. Aria (tenor): “Jesu, lass uns auf duch sehen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
tenor vocals:
Steve Davislim (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
6“Bleib bei uns, denn es will Abend werden”, BWV 6: 6. Chorale: “Beweis dein Macht, Herr Jesu Christ”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:47
7“Erfreut euch, ihr Herzen”, BWV 66: 1. Chorus: “Erfreut euch, ihr Herzen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Coro "Erfreut euch, ihr Herzen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach9:14
8“Erfreut euch, ihr Herzen”, BWV 66: 2. Recitative (bass): “Es bricht das Grab und damit unsre Not”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
bass vocals:
Dietrich Henschel (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Bass) "Es bricht das Grab und damit unsre Not" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:32
9“Erfreut euch, ihr Herzen”, BWV 66: 3. Aria (bass): “Lasset dem Höchsten ein Danklied erschallen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
bass vocals:
Dietrich Henschel (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Bass) "Lasset dem Höchsten ein Danklied erschallen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach6:18
10“Erfreut euch, ihr Herzen”, BWV 66: 4. Recitative (dialogue) & Arioso (alto, tenor): “Bei Jesu Leben freudig sein”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1999-04)
tenor vocals:
Mark Padmore (British tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo à 2 (Tenor, Alt) "Bei Jesu Leben freudig sein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach4:16
11“Erfreut euch, ihr Herzen”, BWV 66: 5. Duet (alto, tenor): “Ich fürchte zwar/nicht des Grabes Finsternissen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1999-04)
tenor vocals:
Mark Padmore (British tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Duetto Alt, Tenor) "Ich furchte zwar nicht des Grabes Finsternissen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach8:11
12“Erfreut euch, ihr Herzen”, BWV 66: 6. Chorale: “Halleluja! Des solln wir alle froh sein”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Alleluja! Alleluja! Alleluja!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 37)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:48
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]