The Platinum Collection

~ Veröffentlichung von Blondie (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1CD
2CD
Nr.TitelBewertungLänge
1Union City Blue
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Blondie Music, Inc. (in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Union City Blue (von 1979-05 bis 1979-06)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Blue, BMG Monarch, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated) und Monster Island Music Publishing Corporation
3.23:20
2The Hardest Part
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
The Hardest Part (Blondie) (von 1979-05 bis 1979-06)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
2.53:41
3Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
43:49
4Die Young Stay Pretty
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Mike Chapman (Australian producer and songwriter) (von 1979-05 bis 1979-06)
Hintergrundgesang:
Jimmy Destri (von 1979-05 bis 1979-06) und Frank Infante (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Die Young Stay Pretty (von 1979-05 bis 1979-06)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
2.53:33
5Slow Motion
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Hintergrundgesang:
Deborah Harry (von 1979-05 bis 1979-06) und Lorna Luft (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979) und Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Slow Motion (Blondie) (von 1979-05 bis 1979-06)
Verfasser(in):
Ann Davis (Student Teachers) und Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
43:27
6Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
4.23:32
7The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
4.453:53
8Susie and Jeffrey
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Bassgitarre [bass]:
Nigel Harrison (in 1980-08)
Gitarre:
Frank Infante (in 1980, in 1980-08) und Chris Stein (in 1980, in 1980-08)
Glocken [bells], Orgel und Synthesizer:
Jimmy Destri (in 1980-08)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Pauke [tympani]:
Clem Burke (in 1980-08)
Schlagzeug:
Clem Burke (in 1980, in 1980-08)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
vocals:
Debbie Harry (in 1980-08)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!), Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980), United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980) und United/Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980-08)
recording of:
Susie and Jeffrey (in 1980-08)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs und Monster Island Music Publishing Corporation
recording of:
Susie and Jeffrey (in 1980)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs und Monster Island Music Publishing Corporation
2.754:08
9Rapture
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Rapture (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
3.64:58
10Walk Like Me
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Walk Like Me (in 1980)
Verfasser(in):
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
43:50
11Island of Lost Souls
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1981-12)
Gast-Horn:
Rick Davies (US trombonist, member of Grupo Sabor) (in 1981-12), Mac Gollehon (in 1981-12), Ray Maldonado (in 1981-12) und Luis “Perico” Ortiz (in 1981-12)
Gitarre:
Frank Infante (in 1981-12) und Chris Stein (in 1981-12)
Keyboard:
Jimmy Destri (in 1981-12)
Schlagzeug:
Clem Burke (in 1981-12)
Sologesang:
Deborah Harry (in 1981-12)
instruments arranger:
Robert Aaron
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1981-12)
recording of:
Island of Lost Souls (in 1981-12)
Texter:
Deborah Harry
Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1982)
3.153:50
12Dragonfly
Techniker(in):
Markie Iannello und Doug Schwartz (mastering engineer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1981)
Gast-Saxophon:
Robert Aaron (in 1981)
Gitarre:
Frank Infante (in 1981) und Chris Stein (in 1981)
Keyboard:
Jimmy Destri (in 1981)
Schlagzeug:
Clem Burke (in 1981)
Sologesang:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1981-12)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dragonfly (Blondie) (in 1981)
Texter:
Deborah Harry
Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1982)
35:58
13War Child
Techniker(in):
Markie Iannello und Doug Schwartz (mastering engineer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1981)
Gast-Saxophon:
Robert Aaron (in 1981)
Gitarre:
Frank Infante (in 1981) und Chris Stein (in 1981)
Keyboard:
Jimmy Destri (in 1981)
Schlagzeug:
Clem Burke (in 1981)
Sologesang:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
War Child (in 1981)
Texter:
Deborah Harry
Komponist(in):
Nigel Harrison
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, Monster Island Music Publishing Corporation, Rare Blue Music Inc (in 1982) und Red Admiral Music Inc. (publisher) (in 1982)
14:00
14Little Caesar
Techniker(in):
Markie Iannello und Doug Schwartz (mastering engineer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1981)
Gast-Saxophon:
Robert Aaron (in 1981)
Gitarre:
Frank Infante (in 1981) und Chris Stein (in 1981)
Keyboard:
Jimmy Destri (in 1981)
Schlagzeug:
Clem Burke (in 1981)
Sologesang:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Little Caesar (in 1981)
Texter:
Deborah Harry
Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1982)
3:01
15Out in the Streets
Produzent(in):
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
phonographisches Urheberrecht (℗) von:
Shake Records (in 1975)
cover recording of:
Out in the Streets (in 1975)
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
Malt Shoppe Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Steeplechase Music, Tender Tunes Inc., Tender Tunes Music Co., Inc., Trio Music Co., Inc. und Universal–Songs of PolyGram International, Inc.
42:22
16Platinum Blonde
phonographisches Urheberrecht (℗) von:
Shake Records (in 1975)
recording of:
Platinum Blonde
Verfasser(in):
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Monster Island Music Publishing Corporation
2:19
17The Thin Line
Produzent(in):
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
phonographisches Urheberrecht (℗) von:
Shake Records (in 1975)
recording of:
The Thin Line (Blondie) (in 1975)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Monster Island Music Publishing Corporation
42:27
18Puerto Rico
phonographisches Urheberrecht (℗) von:
Shake Records (in 1975)
recording of:
Puerto Rico
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Monster Island Music Publishing Corporation
2:07
19Once I Had a Love
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
Bassgitarre und Gitarre:
Frank Infante (in 1975-06) und Chris Stein (in 1975-06)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (in 1975-06)
E-Gitarre [rhythm guitar]:
Frank Infante (in 1975-06)
Farfisa-Orgel, Flügel, Keyboard, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (in 1975-06)
Schlagzeug:
Clem Burke (in 1975-06)
Hintergrundgesang:
Clem Burke (in 1975-06) und Jimmy Destri (in 1975-06)
Sologesang:
Deborah Harry (in 1975-06)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!), Capitol Records (imprint of Capitol Records, Inc.) (in 1975), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975) und Shake Records (in 1975)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (in 1975-06)
recording of:
Once I Had a Love (in 1975-06)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Monster Island Music Publishing Corporation
23:58
20Atomic (Diddy remix)
Techniker(in):
Republica (UK alternative rock band)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
zusätzliche(r) Produzent(in):
Diddy (UK electronic producer/DJ Richard Dearlove)
remixer:
Diddy (UK electronic producer/DJ Richard Dearlove)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979, in 1994) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1994)
Remix von:
Atomic (single version) von Blondie (US rock band)
recording of:
Atomic
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
4.54:03
21Rapture (K‐Klass remix)
zusätzliche(r) Produzent(in):
K‐Klass
remixer:
K‐Klass
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1994)
Remix von:
Rapture von Blondie (US rock band)
recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
3.354:22