The Collection 3: Chamber Ensembles

~ Release by Martha Argerich (see all versions of this release, 1 available)

Annotation

Each disc is in a cardboard sleeve with the original artwork this disc was released first.

Annotation last modified on 2012-12-07 20:49 UTC.

Tracklist

1▶CD: Rachmaninov: Symphonic Dances, op. 45 / Tchaikovsky: Nutcracker Suite, op. 71a
2▼CD: Bartók: Sonata for 2 Pianos and Percussion / Ravel: Rapsodie espagnole; Ma mère l'Oye
#TitleArtistRatingLength
1Sonata for Two Pianos and Percussion, Sz 110: I. Assai lento - Allegro molto
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók12:59
2Sonata for Two Pianos and Percussion, Sz 110: II. Lento, ma non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:36
3Sonata for Two Pianos and Percussion, Sz 110: III. Allegro non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:24
4Ma mère l'Oye: I. Pavane de la Belle au bois dormant (Pavan of the Sleeping Beauty). Lent
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant. Lent (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel1:38
5Ma mère l'Oye: II. Petit Poucet (Tom Thumb). Très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: II. Petit Poucet. Très modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:00
6Ma mère l'Oye: III. Laideronnette, impératrice des pagodes (Laideronnette, Empress of the Pagodas). Mouvement de m marche
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:17
7Ma mère l'Oye: IV. Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast). Mouvement de valse tres modere
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse tres modere (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel4:22
8Ma mère l'Oye: V. Le Jardin féerique (The Fairy Garden). Lent et grave
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: V. Le Jardin féerique. Lent et grave (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:26
9Rapsodie Espagnole: I. Prélude à la nuit. Modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel3:56
10Rapsodie Espagnole: II. Malagueña. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel1:49
11Rapsodie Espagnole: III. Habanera. En demi-teinte et d'un rythme las
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: III. Habanera. En demi-teinte et d’un rythme las (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel2:39
12Rapsodie Espagnole: IV. Feria. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: IV. Feria. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel5:26
3▶CD: Shostakovich / Tchaikovsky: Piano Trios
4▶CD: Brahms: Piano Quartet no. 1 / Schumann: Fantasiestücke
5▶CD: Prokofiev: Cinderella / Ravel: Ma mère l'Oye
6▶CD: Argerich, Freire: Salzburg

Credits

Release

art direction:Nikolaus Boddin
additional photography:Susesch Bayat (photographer)
photography:Klaus Zimmermann (photographer)
mastering:Lennart Jeschke (engineer)
ASIN:DE: B003W16TBS [info]