Great Choral Favourites

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: St Matthew Passion, BWV244 (1727)
2▶CD: St Matthew Passion cont.
3▶CD: St Matthew Passion cont.
4▼CD: Messiah, HW56 (1742) (arr. Mozart, K572, 1789)
#TitleArtistRatingLength
1Messiah (arr. Mozart, K572): Part I. Overture
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (from 1998-01-01 until 1998-01-05)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:27
2Messiah (arr. Mozart, K572): Part I. Allegro moderato
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (from 1998-01-01 until 1998-01-05)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:13
3Messiah (arr. Mozart, K572): Part I. Recitative: Comfort ye (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:13
4Messiah (arr. Mozart, K572): Part I. Aria: Every Valley (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:25
5Messiah (arr. Mozart, K572): Part I. Chorus: And the Glory of the Lord
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:54
6Messiah (arr. Mozart, K572): Part I. Recitative: Thus saith the Lord (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:28
7Messiah (arr. Mozart, K572): Part I. Aria: But who may abide (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart4:30
8Messiah (arr. Mozart, K572): Part I. Chorus: And He shall purify
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:33
9Messiah (arr. Mozart, K572): Part I. Recitative: Behold! A Virgin (alto)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Felicity Palmer (mezzo-soprano) (from 1998-01-01 until 1998-01-05)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:23
10Messiah (arr. Mozart, K572): Part I. Aria: O thou that tellest good tidings to Zion (alto)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Felicity Palmer (mezzo-soprano) (from 1998-01-01 until 1998-01-05)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart5:38
11Messiah (arr. Mozart, K572): Part I. Recitative: For behold, darkness shall cover the earth (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:10
12Messiah (arr. Mozart, K572): Part I. Aria: The people that walked in darkness (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:24
13Messiah (arr. Mozart, K572): Part I. Chorus: For unto us a Child is born
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart4:00
14Messiah (arr. Mozart, K572): Part I. Pastoral Symphony: Recitative: There were shepherds (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:17
15Messiah (arr. Mozart, K572): Part I. Accompagnato: And lo!, the Angel (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:23
16Messiah (arr. Mozart, K572): Part I. Recitative: And the Angel said unto them (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:34
17Messiah (arr. Mozart, K572): Part I. Accompagnato: And suddenly there was with the Angel (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:16
18Messiah (arr. Mozart, K572): Part I. Chorus: Glory to God
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:49
19Messiah (arr. Mozart, K572): Part I. Aria: Rejoice greatly (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart4:35
20Messiah (arr. Mozart, K572): Part I. Recitative: Then shall the eyes of the blind (alto)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Felicity Palmer (mezzo-soprano) (from 1998-01-01 until 1998-01-05)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:22
21Messiah (arr. Mozart, K572): Part I. Aria: He shall feed His flock Aria: Come unto him (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart5:41
22Messiah (arr. Mozart, K572): Part I. Chorus: His yoke is easy
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:29
5▶CD: Messiah (arr. Mozart, K572)
6▶CD: The Crucifixion (1887) Words selected and written by Rev.J.Sparrow-Simpson
7▶CD: Requiem in D Minor, K626 (1791) (cptd Süssmayr)

Credits

Release group

includes:Messiah by G.F. Handel (George Frideric Handel, German‐British baroque composer) arr. W.A. Mozart (Wolfgang Amadeus Mozart, classical composer); Lott (soprano), Palmer (mezzo-soprano), Langridge (tenor), Lloyd (operatic bass), The Huddersfield Choral Society, Royal Philharmonic Orchestra, Sir Charles Mackerras (Australian conductor)
St. Matthew Passion by Johann Sebastian Bach (German Baroque period composer & musician); Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)
The Crucifixion by John Stainer; Peterborough Cathedral Choir, Stanley Vann