Bach Edition, Volume 17: Vocal Works / Vokalwerke Vol.II

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: BWV 248, Parts 1, 2
2▶CD: BWV 248, Parts 3, 4
3▶CD: BWV 248, Parts 5, 6
4▶CD: BWV 11, *2a, 238
5▶CD: BWV 1083, 118, 200, 231
6▼CD: BWV 243, Chorales
#TitleRatingLength
1Magnificat in D major BWV 243 - I Magnificat anima mea (chorus)
choir vocals:
The Sixteen (UK choir) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:52
2Magnificat in D major BWV 243 - II Et exultavit (soprano II)
soprano vocals [Sop II]:
Gillian Fisher (soprano) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:24
3Magnificat in D major BWV 243 - III Quia respexit (soprano I)
soprano vocals [Sop I]:
Lynda Russell (soprano) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:13
4Magnificat in D major BWV 243 - IV Omnes generationes (chorus)
choir vocals:
The Sixteen (UK choir) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:12
5Magnificat in D major BWV 243 - V Quia fecit mihi magna (bass)
bass vocals:
Michael George (operatic bass) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:12
6Magnificat in D major BWV 243 - VI Et misericordia (alto, tenor)
alto vocals:
Alison Browner (mezzo-soprano) (in 1991-10)
tenor vocals:
Ian Partridge (tenor) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:37
7Magnificat in D major BWV 243 - VII Fecit potentiam (chorus)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:54
8Magnificat in D major BWV 243 - VIII Deposuit potentes (tenor)
instruments:
Ian Partridge (tenor) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:00
9Magnificat in D major BWV 243 - IX Esurientes (alto)
alto vocals:
Alison Browner (mezzo-soprano) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:56
10Magnificat in D major BWV 243 - X Suscepit Israel (chorus)
choir vocals:
The Sixteen (UK choir) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:10
11Magnificat in D major BWV 243 - XI Sicut locutus est (chorus)
choir vocals:
The Sixteen (UK choir) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:34
12Magnificat in D major BWV 243 - XII Gloria (chorus)
choir vocals:
The Sixteen (UK choir) (in 1991-10)
orchestra:
Orchestra of The Sixteen (in 1991-10)
conductor:
Harry Christophers (conductor) (in 1991-10)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1991-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:07
13Schwing' dich auf zu deinem gott, Cantate BWV 40
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich" (in 1999-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:42
14Seelenbräutigam BWV 409
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 409 "Seelenbräutigam" (in 1999-06)
lyricist:
Adam Drese (German composer, 1620-1701)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 409) and Breitkopf 389 Choralgesänge (number: 306)
0:43
15Singen wir aus Herzensgrund, Cantate BWV 187
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'" (in 1999-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Hans Vogel (in 1563)
part of:
Breitkopf 389 Choralgesänge (number: 308)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
2:17
16Singt dem Herrn ein neues Lied BWV 411
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 411 "Singt dem Herrn ein neues Lied" (in 1999-06)
lyricist:
Matthäus Appeles von Löwenstern (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 411) and Breitkopf 389 Choralgesänge (number: 309)
0:53
17Sollt' ich meinem Gott nicht singen BWV 413
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 413 "Sollt' ich meinem Gott nicht singen" (in 1999-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 413) and Breitkopf 389 Choralgesänge (number: 311)
1:13
18Straf mich nicht in deinem Zorn, Cantate BWV 115
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar" (in 1999-06)
composer:
Johann Burchard Freystein (German lawyer and hymn writer) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 312)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
1:33
19Valet will ich dir gehen BWV 415
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 415 "Valet will ich dir geben" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Valerius Herberger (German hymn writer)
part of:
Bach-Werke-Verzeichnis (number: BWV 415) and Breitkopf 389 Choralgesänge (number: 314)
0:50
20Vater unser im Himmelreich, Cantate BWV 90
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (in 1999-06)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
0:44
21Vater unser im Himmelreich, Cantate BWV 102
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:25
22Von Gott will ich nicht lassen BWV 417
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 417 "Von Gott will ich nicht lassen" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Ludwig Helmbold
part of:
Bach-Werke-Verzeichnis (number: BWV 417) and Breitkopf 389 Choralgesänge (number: 324)
0:55
23Von Gott will ich nicht lassen BWV 418
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 418 "Von Gott will ich nicht lassen" (in 1999-06)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 418) and Breitkopf 389 Choralgesänge (number: 325)
0:58
24Von Gott will ich nicht lassen BWV 419
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 419 "Von Gott will ich nicht lassen" (in 1999-06)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 419) and Breitkopf 389 Choralgesänge (number: 326)
0:58
25Von Gott will ich nicht lassen (unvollständige Cantate)
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Chorale "Von Gott will ich nicht lassen" (from an unfinished Cantata) (in 1999-06)
lyricist:
Ludwig Helmbold
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 327)
0:50
26Von Gott will ich nich lassen, Cantate BWV 73
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": V. Choral "Das ist des Vaters Wille" (in 1999-06)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 328)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
0:52
27Wär' Gott nicht mit uns diese Zeit, Cantate BWV 14
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": V. Choral "Gott Lob und Dank, der nicht zugab" (in 1999-06)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 330)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
1:44
28Warum betrübst du dich, mein Herz BWV 420
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Choralsatz, BWV 420 "Warum betrübst du dich, mein Herz" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 420) and Breitkopf 389 Choralgesänge (number: 331)
0:42
29Warum betrübst du dich, mein Herz Cantate BWV 47
choir vocals:
Chamber Choir of Europe
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicol Matt (conductor)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
0:40
7▶CD: Chorales
8▶CD: Chorales

Credits

Release group

part of:Bach Edition (number: 17) (order: 17)