The Ultimate Party Album II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1You Took the Words Right Out of My Mouth
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bass:
Kasim Sultan
guitar family und Perkussion:
Todd Rundgren
Keyboard und Klavier:
Roy Bittan
Keyboard und Perkussion:
Jim Steinman
membranophone:
Max Weinberg
Perkussion:
Marvin Lee
Saxophon:
Edgar Winter
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd, Ellen Foley und Todd Rundgren
Sologesang:
Meat Loaf
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Kompilation von:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) von Meat Loaf und You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) von Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf45:05
2Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
3Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:23
4White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.84:12
5What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.752:56
6Counting the Beat
Produzent(in):
David Tickle
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1981) und Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2002)
recording of:
Counting the Beat
Verfasser(in):
Bones Hillman, Phil Judd und Buster Stiggs
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Teil von:
APRA Silver Scroll Awards Winners (Nummer: 1981) und APRA Top 100 New Zealand Songs of All Time (Nummer: 4)
The Swingers3:01
7Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:49
8I Want That Man
recording of:
I Want That Man
Texter und Komponist(in):
Tom Bailey (Thompson Twins) und Alannah Currie
publisher:
BMG Music, Point Music Ltd. und Point Music America Inc. (in 1989)
Deborah Harry3:38
9No Say in It
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1982)
recording of:
No Say in It
Verfasser(in):
Tim Doyle (Machinations), Fred Loneragan, Tony Starr (Machinations) und Nick Swan (Machinations)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Machinations3:19
10Modern Girl
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1980)
recording of:
Modern Girl
Verfasser(in):
James Freud
publisher:
Mushroom Music Publishing
James Freud3:21
11Eveyrone's a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:00
12Come on Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
13Mickey
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 43), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 57) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 497)
cover recording of:
Kitty (more well known as "Mickey")
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
übersetzte Version von:
Mickey
Toni Basil3.84:12
14Pop Muzik
M3:17
15Love Is in the Air
recording of:
Love Is in the Air
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young3:25
16Love Really Hurts Without You
vocals:
Billy Ocean
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
Texter und Komponist(in):
Ben Findon (songwriter and producer) und Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:01
17Swing the Mood
cover recording of:
Swing the Mood
Verfasser(in):
Jive Bunny (Jive Bunny)
Medley von:
Let’s Twist Again
Medley von:
In the Mood
Medley von:
Rock Around the Clock (Bill Haley’s version)
Medley von:
Rock‐a‐Beatin’ Boogie
Medley von:
Tutti Frutti
Medley von:
Wake Up Little Susie
Medley von:
C’mon Everybody
Medley von:
Hound Dog
Medley von:
Shake, Rattle and Roll
Medley von:
All Shook Up
Medley von:
Jailhouse Rock
Medley von:
At the Hop
Jive Bunny & the Mastermixers44:48

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