Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)

2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)

3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)

4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)

5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)

6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)

7▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)

8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)

9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)

10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)

11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)

12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)

13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)

14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)

15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)

16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio

17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63

18▼CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
#	Title	Artist	Rating	Length
1	“Christum wir sollen loben schon”, BWV 121: 1. Chorus: “Christum wir sollen loben schon” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		2:30
2	“Christum wir sollen loben schon”, BWV 121: 2. Aria: “O du von Gott erhöhte Kreatur” (tenor) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) tenor vocals: Peter Schreier (German tenor and conductor) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1971-06 until 1971-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		5:02
3	“Christum wir sollen loben schon”, BWV 121: 3. Recitative: “Der Gnade unermesslichs Wesen” (alto) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) alto vocals: Anna Reynolds (alto) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1971-06 until 1971-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		1:32
4	“Christum wir sollen loben schon”, BWV 121: 4. Aria: “Johannis freudenvolles Springen” (bass) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) bass vocals: Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1971-06 until 1971-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		8:50
5	“Christum wir sollen loben schon”, BWV 121: 5. Recitative: “Doch wie erblickt es dich in deiner Krippe?” (soprano) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) soprano vocals: Edith Mathis (soprano) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1971-06 until 1971-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		1:23
6	“Christum wir sollen loben schon”, BWV 121: 6. Chorale: “Lob, Ehr und Dank sei dir gesagt” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03) oboe d'amore: Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03) recording of: Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07) lyricist: Martin Luther (German theologian of the Reformation) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) premiered at: Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26) part of: Breitkopf 389 Choralgesänge (number: 42) part of: Kantate, BWV 121 "Christum wir sollen loben schon"	Johann Sebastian Bach		1:11
7	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 1. Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		2:23
8	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 2. Chorale: “Das hat er alles uns getan” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1970-06 until 1970-07) composer: Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Breitkopf 389 Choralgesänge (number: 108) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		0:49
9	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 3. Recitative: “Geh, Welt! behalte nur das Deine” (alto) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) alto vocals: Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		0:55
10	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 4. Chorale: “Was frag ich nach der Welt” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1970-06 until 1970-07) lyricist: Georg Michael Pfefferkorn composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Breitkopf 389 Choralgesänge (number: 280) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		1:02
11	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 5. Aria: “Was die Welt in sich hält” (soprano) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) soprano vocals: Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		5:24
12	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 6. Recitative: “Der Himmel bleibet mir gewiss” (bass) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) bass vocals: Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		1:33
13	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 7. Aria: “Von der Welt verlang ich nichts” (alto) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) alto vocals: Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		6:45
14	“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 8. Chorale: “Gute Nacht, o Wesen” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04) oboe d'amore: Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07) and Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1970-06 until 1970-07) lyricist: Johann Franck (German poet of the 17th century) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Breitkopf 389 Choralgesänge (number: 200) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach		1:29
15	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 1. Aria: “Gottlob! nun geht das Jahr zu Ende” (soprano) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) soprano vocals: Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: Erdmann Neumeister (from 1714 until 1717) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		3:44
16	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 2. Chorus: “Nun lob, mein Seel, den Herren” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: Johann Gramann (in 1530) is based on: Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		4:25
17	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 3. Recitative and Arioso: “So spricht der Herr: Es soll mir eine Lust sein” (bass) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) bass vocals: Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		1:55
18	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 4. Recitative: “Gott ist ein Quell” (tenor) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) tenor vocals: Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: Erdmann Neumeister (from 1714 until 1717) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		1:31
19	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 5. Duet: “Gott hat uns im heurigen Jahre gesegnet” (alto, tenor) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) alto vocals: Hertha Töpper (mezzo soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) tenor vocals: Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: Erdmann Neumeister (from 1714 until 1717) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		2:50
20	“Gottlob! nun geht das Jahr zu Ende”, BWV 28: 6. Chorale: “All solch dein Güt wir preisen” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) double bass [Kontrabaß]: Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) organ: Elmar Schloter (organist) (in 1972-04) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07) recording of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: Paul Eber (in 1580) part of: Breitkopf 389 Choralgesänge (number: 124) part of: Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"	Johann Sebastian Bach		1:14
21	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 1. Chorus: “Gott, wie dein Name, so ist auch dein Ruhm” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		2:06
22	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 2. Aria: “Herr, so weit die Wolken gehen” (tenor) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) tenor vocals: Peter Schreier (German tenor and conductor) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		4:30
23	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 3. Recitative: “Du süsser Jesus-Name du” (alto) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) alto vocals: Hertha Töpper (mezzo soprano) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		1:17
24	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 4. Aria: “Jesus soll mein erstes Wort” (soprano) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) soprano vocals: Edith Mathis (soprano) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		6:16
25	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 5. Recitative: “Und da du, Herr, gesagt” (bass) sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) bass vocals: Dietrich Fischer‐Dieskau (baritone) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		2:22
26	“Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171: 6. Chorale: “Dein ist allein die Ehre” sound engineer: Hans‐Peter Schweigmann (engineer) producer: Hansjoachim Reiser (engineer/producer) bassoon [Fagott]: Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07) cello [Violoncello]: Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07) double bass [Kontrabaß]: Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe I]: Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07) oboe [Oboe II]: Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07) organ [Orgel]: Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07) solo instruments: Trompetenensemble Edward H. Tarr (in 1970-06) violin [Violine]: Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07) choir vocals: Münchener Bach‐Chor (Munich Bach Choir) (in 1970-06, from 1971-06 until 1971-07) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 1970-06) premiered in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Johannes Herman (in 1593) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach		2:22

19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13

20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82

21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23

22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182

23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67

24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12

25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87

26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34

27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129

28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135

29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24

30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93

31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10

32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178

33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102

34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137

35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17

36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27

37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148

38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56

39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55

40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26

41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140

42▶CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106

43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51

44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202

45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book

46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050

47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067

48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044

49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R

50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055

51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061

52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065

53▶CD: Bach: Musical Offering, BWV 1079

54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016

55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019

56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)

57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013

58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988

59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435

60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548

61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588

62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582

63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548

64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597

65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183

66▶CD: Beethoven: Mass in C major, op. 86

67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)

68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)

69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)

70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)

71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)

72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)

73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)

74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)

75▶CD: Handel: Samson, HWV 57 (Act II)

76▶CD: Handel: Samson, HWV 57 (Act III)

77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)

78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)

79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)

80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)

81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281

82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna

83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334

84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b

85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323

86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327

87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318

88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1

89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)

90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323

91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327

92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330

93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101

94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti

95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260

96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46

97▶CD: In dulci jubilo: 18 European Christmas Carols

98▶Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)

99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)

100▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

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photography:	Siegfried Lauterwasser Werner Neumeister (photographer)
miscellaneous support:	Nicole Albring (art director and designer) (task: creative production manager) Martin Dirnberger (project manager) (task: product manager) Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:	Mareike Walter (designer)
booklet editor:	Annette Nubbemeyer Eva Reisinger texthouse (liner notes)

purchase for mail-order:	https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info] https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]

Complete Recordings on Archiv Produktion and Deutsche Grammophon

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