The Complete Sony Recordings

~ Release by Nikolaus Harnoncourt (see all versions of this release, 1 available)

Annotation

Boxed set includes 61 CDs and 3 DVDs.

Annotation last modified on 2020-06-14 09:39 UTC.

Tracklist

1CD: Bach: Cantatas 36 & 26
2CD: Bach: Cantatas BWV 140, 61 & 29
3CD: Bach: Weihnachtsoratorium (Parts I-III)
4CD: Bach: Weihnachtsoratorium (Parts IV-VI)
5CD: Handel: Timotheus oder Die Gewalt der Musik (Part I)
6CD: Handel: Timotheus oder Die Gewalt der Musik (Part II)
7CD: Handel: Messiah (Parts I & II beg.)
8CD: Handel: Messiah (Parts II cont. & III)
9CD: Haydn: Orlando Paladino (Act I)
10CD: Haydn: Orlando Paladino (Acts II & III)
11CD: Haydn: The Paris Symphonies (nos. 82-83)
12CD: Haydn: The Paris Symphonies (nos. 84-85)
13CD: Haydn: The Paris Symphonies (nos. 86-87)
14CD: Haydn: Die Schöpfung (Part I)
15CD: Haydn: Die Schöpfung (Parts II & III)
16CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer)
17CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter)
18CD: Mozart Early Symphonies Vol. 1: nos. 1, 4, 4a, 5, 6 & 43
19CD: Mozart Early Symphonies Vol. 1: nos. 7, 7a, 8, 9, 44 & 55
20CD: Mozart Early Symphonies Vol. 2: nos. 10-12, 42, 45, 47 & 48
21CD: Mozart Early Symphonies Vol. 2: nos. 13-15 & 46
22CD: Mozart Early Symphonies Vol. 3: nos. 16-19
23CD: Mozart Early Symphonies Vol. 3: nos. 20-22, 26 & 50
24CD: Mozart Early Symphonies Vol. 3: nos. 23-25, 27 & 51
25CD: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 1, 4, 4a, 5, 6 & 7a
26CD: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 7-9, 43 & 55
27CD: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 1, 5, 6, 8, 9, 25, 43 & 47 (excerpts)
28CD: Mozart Early Symphonies - Music & Letters Vol. 2: nos. 15, 22, 26, 47, 48 & 50
29CD: Mozart Early Symphonies - Music & Letters Vol. 2: nos. 25, 27, 51 & Sinfonia-Menuett
30CD: Mozart: Zaide (Part I)
31CD: Mozart: Zaide (Part II)
32CD: Mozart: Symphony no. 35 “Haffner” / Posthorn-Serenade
33CD: Mozart: Piano Concertos nos. 23 & 25
34CD: The Mozart Album: Piano Concertos nos. 17 & 24
35CD: The Last Symphonies - Mozart's Instrumental Oratorium: Symphonies nos. 39 & 40
36CD: The Last Symphonies - Mozart's Instrumental Oratorium: Symphony no. 41
37CD: Mozart: Requiem
38CD: Beethoven: Christus am Ölberge
39CD: Beethoven: Symphonies 4 & 5
40CD: Beethoven: Missa solemnis
41CD: Schumann: Das Paradies und die Peri (Parts I & II)
42CD: Schumann: Das Paradies und die Peri (Part III)
43CD: Verdi: Messa da Requiem (I & II)
44CD: Verdi: Messa da Requiem (III-VII)
45CD: Bruckner: Symphony no. 5
46CD: Bruckner: Symphony no. 5 Rehearsal Excerpts
47CD: Bruckner: Symphony no. 9 (Mvts. I-III)
48CD: Bruckner: Symphony no. 9 (Mvt. IV) / A Workshop Concert
49CD: Smetana: Má vlast (Vyšehrad / Vltava / Šárka)
50CD: Smetana: Má vlast (Zčesk ých luhů a hájů / Tábor / Blanik)
51CD: Brahms: Ein deutsches Requiem
52CD: Dvořák: Stabat Mater (nos. 1-4)
53CD: Dvořák: Stabat Mater (nos. 5-10)
54CD: Bartók: Music for Strings, Percussion and Celesta / Divertimento for String Orchestra
55CD: Gershwin: Porgy & Bess (Act I & Act II Scene 1)
56CD: Gershwin: Porgy & Bess (Act II Scenes 2-4)
57CD: Gershwin: Porgy & Bess (Act III)
58CD: New Year's Concert 2003: Johann Strauss II / Josef Strauss / Weber
59CD: New Year's Concert 2003: Johann Strauss I & II / Brahms
60CD: Walzer Revolution: Mozart / Johann Strauss I
61CD: Walzer Revolution: Lanner
62DVD-Video: Mozart: Die Zauberflöte (Act I)
63DVD-Video: Mozart: Die Zauberflöte (Act II)
#TitleArtistRatingLength
1Die Zauberflöte, K 620: Act II. No. 9 March of the Priests
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:35
2Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
spoken vocals [Speaker]:
Martin Gantner (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:19
3Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
4Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
spoken vocals [Speaker]:
Martin Gantner (on 2012-07-27)
tenor vocals [First Priest]:
Lucian Krasznec (tenor) (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:49
5Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 2012-07-27)
soprano vocals [First Lady]:
Sandra Trattnigg (soprano) (on 2012-07-27)
soprano vocals [Second Lady]:
Anja Schlosser (mezzo-soprano) (on 2012-07-27)
soprano vocals [Third Lady]:
Wiebke Lehmkuhl (mezzo-soprano) (on 2012-07-27)
spoken vocals [Speaker]:
Martin Gantner (on 2012-07-27)
tenor vocals [First Priest]:
Lucian Krasznec (tenor) (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:37
6Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
soprano vocals [The Queen of the Night]:
Mandy Fredrich (soprano) (on 2012-07-27)
tenor vocals [Manostatos]:
Rudolf Schasching (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt II. Monolog „Ha, da find’ich ja die spröde Schöne!” (Monostatos) (on 2012-07-27)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:55
7Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
soprano vocals [The Queen of the Night]:
Mandy Fredrich (soprano) (on 2012-07-27)
tenor vocals [Manostatos]:
Rudolf Schasching (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:17
8Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
spoken vocals [Speaker]:
Martin Gantner (on 2012-07-27)
tenor vocals [First Priest]:
Lucian Krasznec (tenor) (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart8:08
9Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
soprano vocals [3 Boys]:
Jakob Göpfert (soloist of the Tölzer Knaben) (on 2012-07-27), Leopold Lampelsdorfer (soloist of the Tölzer Knaben) (on 2012-07-27) and Marvin Vitcu (soloist of the Tölzer Knaben) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:21
10Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:06
11Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:56
12Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:32
13Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
spoken vocals [Speaker]:
Martin Gantner (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart9:21
14Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
soprano vocals [3 Boys]:
Jakob Göpfert (soloist of the Tölzer Knaben) (on 2012-07-27), Leopold Lampelsdorfer (soloist of the Tölzer Knaben) (on 2012-07-27) and Marvin Vitcu (soloist of the Tölzer Knaben) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:09
15Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Second Man in Armour]:
Andreas Hörl (operatic bass) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [First Man in Armour]:
Lucian Krasznec (tenor) (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:11
16Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Second Man in Armour]:
Andreas Hörl (operatic bass) (on 2012-07-27)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 2012-07-27)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (on 2012-07-27)
tenor vocals [First Man in Armour]:
Lucian Krasznec (tenor) (on 2012-07-27)
tenor vocals [Tamino]:
Bernard Richter (tenor) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:21
17Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
soprano vocals [3 Boys]:
Jakob Göpfert (soloist of the Tölzer Knaben) (on 2012-07-27), Leopold Lampelsdorfer (soloist of the Tölzer Knaben) (on 2012-07-27) and Marvin Vitcu (soloist of the Tölzer Knaben) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:05
18Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (on 2012-07-27)
soprano vocals [Papagena]:
Elisabeth Schwarz (soprano) (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
19Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (on 2012-07-27)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 2012-07-27)
soprano vocals [First Lady]:
Sandra Trattnigg (soprano) (on 2012-07-27)
soprano vocals [Second Lady]:
Anja Schlosser (mezzo-soprano) (on 2012-07-27)
soprano vocals [The Queen of the Night]:
Mandy Fredrich (soprano) (on 2012-07-27)
soprano vocals [Third Lady]:
Wiebke Lehmkuhl (mezzo-soprano) (on 2012-07-27)
tenor vocals [Manostatos]:
Rudolf Schasching (on 2012-07-27)
orchestra:
Concentus Musicus Wien (on 2012-07-27)
conductor:
Nikolaus Harnoncourt (conductor) (on 2012-07-27)
chorus master:
Ernst Raffelsberger (chorus master) (on 2012-07-27)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (on 2012-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:49
20Die Zauberflöte, K 620: Curtain Calls and Credits
art direction:
Stefan Bolliger (lighting designer), Ronny Dietrich (dramatic advisor), Mathis Neidhardt (costume and production designer) and Ramses Sigl (choreographer)
creative direction:
Jens-Daniel Herzog (stage director)
bass vocals [Papageno]:
Markus Werba (from 2012-07-25 until 2012-08-06)
bass vocals [Second Man in Armour]:
Andreas Hörl (operatic bass) (from 2012-07-25 until 2012-08-06)
soprano vocals [3 Boys]:
Jakob Göpfert (soloist of the Tölzer Knaben) (from 2012-07-25 until 2012-08-06), Leopold Lampelsdorfer (soloist of the Tölzer Knaben) (from 2012-07-25 until 2012-08-06) and Marvin Vitcu (soloist of the Tölzer Knaben) (from 2012-07-25 until 2012-08-06)
soprano vocals [First Lady]:
Sandra Trattnigg (soprano) (from 2012-07-25 until 2012-08-06)
soprano vocals [Pamina, her daughter]:
Julia Kleiter (from 2012-07-25 until 2012-08-06)
soprano vocals [Papagena]:
Elisabeth Schwarz (soprano) (from 2012-07-25 until 2012-08-06)
soprano vocals [Second Lady]:
Anja Schlosser (mezzo-soprano) (from 2012-07-25 until 2012-08-06)
soprano vocals [The Queen of the Night]:
Mandy Fredrich (soprano) (from 2012-07-25 until 2012-08-06)
soprano vocals [Third Lady]:
Wiebke Lehmkuhl (mezzo-soprano) (from 2012-07-25 until 2012-08-06)
spoken vocals [Speaker]:
Martin Gantner (from 2012-07-25 until 2012-08-06)
tenor vocals, tenor vocals [First Man in Armour] and tenor vocals [First Priest]:
Lucian Krasznec (tenor) (from 2012-07-25 until 2012-08-06)
tenor vocals [Manostatos]:
Rudolf Schasching (from 2012-07-25 until 2012-08-06)
tenor vocals [Sarastro]:
Georg Zeppenfeld (german operatic bass) (from 2012-07-25 until 2012-08-06)
tenor vocals [Tamino]:
Bernard Richter (tenor) (from 2012-07-25 until 2012-08-06)
orchestra:
Concentus Musicus Wien (from 2012-07-25 until 2012-08-06)
conductor:
Nikolaus Harnoncourt (conductor) (from 2012-07-25 until 2012-08-06)
chorus master:
Ernst Raffelsberger (chorus master) (from 2012-07-25 until 2012-08-06)
video director:
Felix Breisach (director)
shot at:
Salzburg Festival 2012 (2012-07-25 – 2012-08-06)
shot at:
Felsenreitschule in Salzburg, Salzburg, Austria
Wolfgang Amadeus Mozart4:55
64DVD-Video: Mission Mozart: A Documentary About Making Music