| # | Title | Artist | Rating | Length |
|---|
| 1 | Do Wah Diddy Diddy | Manfred Mann | 4 | 2:25 |
| 2 | She’s Not There- producer:
- Ken Jones
- recorded at:
- Decca Studios: Studio 2 in West Hampstead, Camden , London , England, United Kingdom (on 1964-06-12)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 37), Billboard: The 500 Best Pop Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (number: 291)
- recording of:
- She’s Not There (on 1964-06-12)
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| The Zombies | 4.15 | 2:26 |
| 3 | What Kind of Fool | The Tams | 1 | 2:03 |
| 4 | You Never Can Tell | Chuck Berry | 4.15 | 2:44 |
| 5 | How Do You Do It | Gerry & the Pacemakers | 3.5 | 1:57 |
| 6 | Come See About Me | The Supremes | 5 | 2:45 |
| 7 | Needles and Pins | The Searchers | 4 | 2:15 |
| 8 | I Get Around | The Beach Boys | 4.6 | 2:11 |
| 9 | Farmer John | The Premiers | 2.5 | 2:16 |
| 10 | Out of Limits | The Marketts | | 2:06 |
| 11 | Nobody I Know | Peter & Gordon | 3 | 2:31 |
| 12 | I’m So Proud | The Impressions | 4 | 2:51 |
| 13 | Hippy Hippy Shake | The Swinging Blue Jeans | 3.75 | 1:47 |
| 14 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 4.25 | 2:16 |
| 15 | Bread and Butter | The Newbeats | 4.35 | 1:59 |
| 16 | Dead Man’s Curve | Jan & Dean | 4 | 2:32 |
| 17 | Bad to Me | Billy J. Kramer & The Dakotas | | 2:22 |
| 18 | The Way You Do the Things You Do | The Temptations | 4 | 2:46 |
| 19 | Fun, Fun, Fun- engineer:
- Chuck Britz
- producer:
- Brian Wilson
- baritone saxophone:
- Jay Migliori
- bass guitar:
- Al Jardine and Brian Wilson
- bass guitar [6-string electric bass guitar]:
- Ray Pohlman
- drums (drum set):
- Hal Blaine and Dennis Wilson
- guitar:
- Al Jardine and Carl Wilson
- Hammond organ and piano:
- Brian Wilson
- tambourine:
- Hal Blaine
- tenor saxophone:
- Steve Douglas
- background vocals:
- Al Jardine, Brian Wilson , Carl Wilson and Dennis Wilson
- bass vocals:
- Mike Love
- lead vocals:
- Mike Love (on 1964-01-01)
- recorded at:
- United Western Recorders Studio 3 in Hollywood, Los Angeles, California, United States
- recording of:
- Fun, Fun, Fun (on 1964-01-01)
- lyricist and composer:
- Mike Love and Brian Wilson
- publisher:
- Almo Music Corporation , Elmwin Music Inc., EMI Music , EMI Music Publishing Ltd. , Irving Music, Inc. and Sea of Tunes Publishing Co.
| The Beach Boys | 3.65 | 2:06 |
| 20 | I Like It | Gerry & the Pacemakers | 2 | 2:17 |
| 21 | Come a Little Bit Closer | Jay & the Americans | 3.5 | 2:48 |
| 22 | A World Without Love | Peter & Gordon | 3 | 2:42 |
| 23 | Stop and Think It Over | Dale & Grace | | 2:36 |
| 24 | Remember (Walkin’ in the Sand) | The Shangri‐Las | 4.4 | 2:17 |