Hitarchief Top 2000, Volume 4

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Psycho Killer
tecnico di registrazione:
Allen Chinowsky (nel 1983-12)
tecnico di mastering:
Ted Jensen (American mastering engineer) e Jack Skinner (engineer)
assistente tecnico:
Nick Delre, Robin Laine, Linda Randazzo e Glenn Rosenstein
tecnico:
Joel Moss e Mark Wolfson
produttore:
Talking Heads
tecnico di missaggio:
Eric Thorngren
tecnico di missaggio aggiunto:
Chris Frantz e Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads) (nel 1983-12)
registrata presso:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, Stati Uniti (nel 1983-12)
registrazione dal vivo di:
Psycho Killer (nel 1983-12)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.54:19
2Twilight Zone
registrazione di:
Twilight Zone
paroliere e compositore:
George Kooymans
editore:
Nada Music (Dutch publisher) (nel 1982) e Snamyook Music (publisher associated with George Kooymans) (nel 1982)
Golden Earring4:35
3Babooshka
assistente tecnico:
John Barratt (British audio engineer) (dal 1979-09 al 1980-05)
tecnico:
Jon Kelly (engineer at Air London Studios) (dal 1979-09 al 1980-05)
produttore:
Kate Bush e Jon Kelly (engineer at Air London Studios)
balalaika :
Paddy Bush (dal 1979-09 al 1980-05)
basso elettrico :
John Giblin (dal 1979-09 al 1980-05)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1979-09 al 1980-05)
chitarra elettrica :
Brian Bath (dal 1979-09 al 1980-05) e Alan Murphy (UK session guitarist) (dal 1979-09 al 1980-05)
piano Rhodes [Fender Rhodes] :
Max Middleton (dal 1979-09 al 1980-05)
sintetizzatore analogico [CS 80] e voce principale:
Kate Bush (dal 1979-09 al 1980-05)
voce di accompagnamento:
Paddy Bush (dal 1979-09 al 1980-05) e Gary Hurst (dal 1979-09 al 1980-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980), Novercia Ltd. (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05)
registrazione di:
Babooshka (dal 1979-09 al 1980-05)
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kate Bush Music Ltd.
Kate Bush3.553:28
4I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:15
5You Do Something to Me
produttore:
Brendan Lynch (London producer) e Paul Weller (English singer‐songwriter and musician)
tecnico di missaggio:
Brendan Lynch (London producer)
altri strumenti [novatron] , chitarra , pianoforte e voce principale:
Paul Weller (English singer‐songwriter and musician)
batteria :
Steve White (Style Council drummer)
chitarra basso :
Yolanda Charles
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1995)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito e Finsbury Park in Haringey, London (Greater London), England, Regno Unito (il 1996-06-09)
registrazione dal vivo di:
You Do Something to Me (il 1996-06-09)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. e Stylist Music Ltd.
registrazione di:
You Do Something to Me
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. e Stylist Music Ltd.
Paul Weller43:36
6Like a Mountain
registrazione di:
Like a Mountain
autore:
Jan Leyers (Belgian singer & songwriter) e Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
Soulsister3:43
7God Is a DJ
programmazione:
Rollo (Rollo Armstrong of Faithless)
tecnico:
Goetz
produttore:
Rollo (Rollo Armstrong of Faithless) e Sister Bliss
tecnico di missaggio:
Goetz, Rollo (Rollo Armstrong of Faithless) e Sister Bliss
tastiera :
Sister Bliss
voce:
Maxi Jazz
editore:
Champion (UK soul, dance and house music label) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
registrazione di:
God Is a DJ
paroliere:
Maxi Jazz
autore:
Jamie Catto, Maxi Jazz, Rollo (Rollo Armstrong of Faithless) e Sister Bliss
editore:
BMG Music Publishing Ltd., Champion (UK soul, dance and house music label), Champion Management & Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Faithless3.753:32
8Windsurfin’
registrazione di:
Windsurfin'
autore:
Cees Bergman, Lucia Flint, Geertjan Hessing, Aart Mol (bassist, songwriter), Erwin van Prehn e Elmer Veerhoff
The Surfers2:51
9Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:30
10Why
programmazione:
Marius de Vries, Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tecnico:
Heff Moraes
produttore:
Stephen Lipson
assistente tecnico di missaggio:
Will O'Donovan
chitarra :
Stephen Lipson
flauto dolce :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tastiera :
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Ariola Muenchen GmbH (nel 1992) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito e The Church Studios in London (Greater London), England, Regno Unito
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
registrazione di:
Why
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. e Universal Music Publishing MGB Ltd.
Annie Lennox3.54:53
11It’s All Over Now, Baby Blue
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
armonica (a bocca) :
Bob Dylan (nel 1965-01)
batteria :
Bobby Gregg (nel 1965-01)
chitarra :
Bob Dylan (nel 1965-01), Al Gorgoni (nel 1965-01), John Hammond (blues singer and guitarist) (nel 1965-01), Bruce Langhorne (nel 1965-01) e Kenny Rankin (nel 1965-01)
chitarra basso :
John Sebastian (nel 1965-01)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1965-01) e Frank Owens (American pianist) (nel 1965-01)
tastiera :
Bob Dylan (nel 1965-01) e Paul Griffin (American pianist, session musician) (nel 1965-01)
voce:
Bob Dylan (nel 1965-01)
remixer:
Michael Brauer (engineer)
registrazione di:
It’s All Over Now, Baby Blue (il 1965-01-15)
paroliere e compositore:
Bob Dylan (nel 1965-01)
editore:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
Bob Dylan4.54:11
12Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:11
13Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:29
14State of Independence
registrazione cover di:
State of Independence
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Warner Chappell North America, Spheric B.V. (dal 1981 a oggi), Toughknot Ltd. (dal 1981 a oggi) e WB Music Corp. (1929–2019) (dal 1981 a oggi)
parte di:
Spiritual High
Donna Summer24:21
15Instant Replay
registrazione di:
Instant Replay
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc.
Dan Hartman4.53:26
16Do That to Me One More Time
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979)
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:44
17Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.755:08
18Are ‘Friends’ Electric?
registrazione di:
Are ‘Friends’ Electric?
paroliere e compositore:
Gary Numan
editore:
Beggars Banquet Music Ltd., Momentum Music Ltd., Numan Music Ltd., Andrew Heath Music (dal 1979 a oggi) e Beggars Banquet (dal 1979 a oggi)
Tubeway Army4:57
19Breakaway
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1982, nel 1983)
registrazione cover di:
Breakaway
autore:
Jackie DeShannon e Sharon Sheeley
editore:
United Artists Music Ltd.
Tracey Ullman3.652:35
20Alive & Kicking
produttore:
Bob Clearmountain e Jimmy Iovine
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds3.54:41

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parte di:Joe Top 2000 (Series of compilation albums by Belgian radio station Joe) (numero: 4) (ordine: 4)