Archiv Produktion Analogue Stereo Recordings 1959–1981

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▶cd: Johann Sebastian Bach: Cantatas, Magnificat
2▶cd: Nicolas-Marie Dalayrac, Pierre Vachon: String Quartets
3▶cd: Johann Sebastian Bach: Inventions & Sinfonia
4▶cd: Johann Sebastian Bach: Suites For Cello Solo Nos. 1–6
5▶cd: Johann Sebastian Bach: Suites For Cello Solo Nos. 1–6
6▶cd: Johann Sebastian Bach: Mass In B Minor 1
7▼cd: Johann Sebastian Bach: Mass In B Minor 2
#TitelArtiestWaarderingDuur
1Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1III. Credo in unum Deum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
2Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IV. Patrem omnipotentem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1V. Et in unum Dominum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
sopraanvocalen:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
uitvoerend artiest:
Maria Stader (soprano) (in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
4Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VI. Et incarnatus est
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:41
5Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VII. Crucifixus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
6Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VIII. Et resurrexit
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
7Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IX. Et in Spiritum Sanctum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
8Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 20. Confiteor unum baptisma
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
9Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 2I. Et expecto resurrectionem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
10Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2II. Sanctus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
11Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2III. Osanna in excelsis
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
12Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2IV. Benedictus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
tenorvocalen:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
13Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2V. Osanna in excelsis
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
14Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VI. Agnus Dei
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
15Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VII. Dona nobis pacem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Dona nobis pacem
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25
8▶cd: George Fridric Handel: Music For The Royal Fireworks / Concerti A Due Cori
9▶cd: Georg Philipp Telemann, Johann Christian Bach, Leopold Mozart, Michael Haydn: Concertos
10▶cd: Jean-Philippe Rameau: Pigmalion
11▶cd: Jean-Philippe Rameau: Music Of The Court Of Emperor Maximilian I
12▶cd: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 1
13▶cd: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 2
14▶cd: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 3
15▶cd: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 4
16▶cd: F. X. Richter, Joseph Haydn, Michael Haydn, J. M. Molter: Trompetenkonzerte = Trumpet Concertos / Klarinettenkonzert = Clarinet Concerto
17▶cd: Henry Purcell: Dido & Aeneas
18▶cd: Gregorianischer Choral = Gregorian Chant = Chant Grégorian
19▶cd: Pasquini, Zipoli, Casini, Frescobaldi, Bencini, Porpora: Altitalienische Orgelmusik = Ancient Italian Organ Music = Musique Ancienne D'Italie Pour Orgue
20▶cd: António Teixeira, Carlos De Seixas, Francisco António de Almeida: Portugaliae Musica - Motetten Des Barock Für Soli, Chor Und Instrumente = Motets Of The Baroque For Soloists, Choir And Instruments = Motets Dubaroque Pour Soloistes, Chœur Et Instruments
21▶cd: Johann Sebastian Bach: Violinkonzerte = Violin Conceertos = Concertos Pour Violin BWV 1041 - 1043
22▶cd: Heinrich Schütz: Psalmen Davids 1
23▶cd: Heinrich Schütz: Psalmen Davids 2
24▶cd: Gamelan Music From Bali
25▶cd: Anon., Franz Schubert, Ignaz Moscheles, Joseph Lanner, Ludwig Van Beethoven, Michael Palmer: Wiener Tänze Des Biedermeier = Viennese Dances From The Biedermeier Period
26▶cd: Anthony Holborne, Baruch Bulman, Daniel Batchelar, Francis Cutting, John Dowland, Robert Johnson, Thomas Morley: Renaissance Lute Music: Music For Lute I. England
27▶cd: Claudio Monteverdi: L’Orfeo 1
28▶cd: Claudio Monteverdi: L’Orfeo 2
29▶cd: Luigi Cherubini: Complete String Quartets 1
30▶cd: Luigi Cherubini: Complete String Quartets 2
31▶cd: Luigi Cherubini: Complete String Quartets 3
32▶cd: Franz Schubert: Arpeggione Sonata Etc.
33▶cd: Anonymous, Léonin, Pérotin: Music Of The Gothic Era: Notre Dame / Ars Antiqua / Ars Nova 1
34▶cd: Adam De La Halle, Anonymous, Bernard De Cluny, Guillaume De Machaut, Henri Gilles De Pusiex, Petrus De Cruce, Philippe De Vitry, Philippe Royllart: Music Of The Gothic Era: Notre Dame / Ars Antiqua / Ars Nova 2
35▶cd: Hieronymus Vinders, Josquin Desprez, Nicolas Gombert: Missa “L’homme Armé” • Laments
36▶cd: Dieterich Buxtehude, Samuel Scheidt, Vincent Lübeck: Organ Masters Before Bach 1
37▶cd: Dieterich Buxtehude, Franz Tunder, Georg Böhm, Jan Pieterszoon Sweelinck, Nicolaus Bruhns, Samuel Scheidt, Vincent Lübeck: Organ Masters Before Bach 2
38▶cd: Dieterich Buxtehude, Johann Pachelbel, Nicolaus Bruhns, Vincent Lübeck: Organ Masters Before Bach 3
39▶cd: Carl Maria von Weber: Lieder = Songs
40▶cd: Joseph Haydn: Trios For Baryton, Viola And Cello
41▶cd: George Frideric Handel: Acis And Galatea 1
42▶cd: George Frideric Handel: Acis And Galatea 2
43▶cd: Johann Jacob Froberger: Keyboard Works / Lamentation Sur la Mort de Ferdinand III / 6 Suites For Harpsichord
44▶cd: Johann Sebastian Bach: The Orchestral Suites (Overtures BWV 1066 - 1069)
45▶cd: Johann Sebastian Bach: Das Musikalsiche Opfer = Musical Offering BWV · Kanons · Verschiedene canones
46▶cd: Henry Purcell: Choral Works 1
47▶cd: Henry Purcell: Choral Works 2
48▶cd: Unico Wilhelm van Wassenaer: 6 Concerti Armonici (Formerly Attr. To Pergolesi)
49▶cd: Alessandro Marcello: 6 Concerti "La Cetra"
50▶cd: Annibale Padovano, Anon., Barbara Strozzi, Bastiano Chilese, Francesco Usper, Giovanni Gabrieli, Jacopo Peri, Nicolò Fontei: Battaglie E Lamenti

Relaties

Uitgavegroep

bevat:Bali: Gamelan Music From Sebatu van Gong Kebyar, Sebatu (unnamed gong kebyar from the village of Sebatu, Tegallalang, Bali)