Masterworks: The 1954-61 Albums (de-luxe edition box-set)

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

This is a fabulous collection of 9 CDS comprising 227 tracks of 15 classic LPs plus bonus tracks, all wonderfully 24 Bit digtally remastered.
Each CD is housed in a cardboard sleeve with the original release artwork. The outer box is thick cardboard (clamshell style).

Annotation last modified on 2016-06-01 19:57 UTC.

Tracklist

1CD: Swing Easy / Songs for Young Lovers
2CD: In the Wee Small Hours
3CD: Songs for Swingin' Lovers!
4CD: Only the Lonely
5CD: Come Dance With Me! / Come Fly With Me
6CD: Nice 'n' Easy / Look to Your Heart
7CD: Sinatra's Swingin' Session!!! / A Swingin' Affair
8CD: Come Swing With Me! / Swing Along With Me
9CD: Ring-A-Ding Ding! / I Remember Tommy...
#TitleRatingLength
1Ring-A-Ding-Ding
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
recording of:
Ring-a-Ding Ding (on 1960-12-19)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
2:46
2Let's Fall in Love
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
Let’s Fall in Love (on 1960-12-19)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
32:13
3Be Careful, It's My Heart
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Skip Martin
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (on 1960-12-20)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Company and Irving Berlin Music Corp.
2:06
4A Foggy Day
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (on 1960-12-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:18
5A Fine Romance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (on 1960-12-20)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:13
6In the Still of the Night
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (on 1960-12-19)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
3:26
7The Coffee Song
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (on 1960-12-20)
lyricist:
Bob Hilliard
composer:
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
42:53
8When I Take My Sugar to Tea
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
When I Take My Sugar to Tea (on 1960-12-21)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:06
9Let's Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1960-12-20)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
52:59
10You'd Be So Easy to Love
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Easy to Love (on 1960-12-20)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:25
11You and the Night and the Music
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
You and the Night and the Music (on 1960-12-21)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
1.252:37
12I've Got My Love to Keep Me Warm
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1960-12-21)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:54
13I'm Getting Sentimental Over You
recorded in:
Los Angeles, California, United States (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-01)
cover recording of:
I’m Getting Sentimental Over You (on 1961-05-01)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:45
14Imagination
recorded in:
Los Angeles, California, United States (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-01)
cover recording of:
Imagination (on 1961-05-01)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:07
15There Are Such Things
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
cover recording of:
There Are Such Things (on 1961-05-03)
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:15
16East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (on 1961-05-03)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:25
17Daybreak
recorded in:
Los Angeles, California, United States (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-02)
cover recording of:
Daybreak (on 1961-05-02)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
is based on:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
2:45
18Without a Song
recorded in:
Los Angeles, California, United States (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-02)
cover recording of:
Without a Song (on 1961-05-02)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:41
19I'll Be Seeing You
recorded in:
Los Angeles, California, United States (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-01)
cover recording of:
I’ll Be Seeing You (on 1961-05-01)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
2:51
20Take Me
recorded in:
Los Angeles, California, United States (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-01)
cover recording of:
Take Me (on 1961-05-01)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Mack David (American lyricist and songwriter)
publisher:
Bregman, Vocco & Conn, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and WB Music Corp. (1929–2019)
2:21
21It's Always You
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
cover recording of:
It’s Always You (on 1961-05-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:51
22Polka Dots and Moonbeams
recorded in:
Los Angeles, California, United States (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-02)
cover recording of:
Polka Dots and Moonbeams (on 1961-05-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
43:45
23It Started All Over Again
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1961-03-20 until 1961-03-21)
conductor:
Sy Oliver (from 1961-03-20 until 1961-03-21)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
recording of:
It Started All Over Again (on 1961-05-03)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
2:34
24The One I Love Belongs to Somebody Else
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
cover recording of:
The One I Love (Belongs to Somebody Else) (on 1961-05-03)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild and Milton Weil Music Co. (on 1924-01-07)
2:49
25Reprise: I'm Getting Sentimental Over You
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Harold Schneier (cellist) and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Harry Klee, Joe Koch and Irving “Babe” Russin
trombone:
Dick Gould, Dick Nash, Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Conte Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player) and Alexander Neiman (violist)
violin:
Victor Arno, Arnold Belnick, James Getzoff (American concertmaster and violinist), Leonard Malarsky and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Sy Oliver
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961-03-20 until 1961-03-21, from 1961-05-02 until 1961-05-03)
recording of:
I’m Getting Sentimental Over You (on 1961-05-01)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
0:49

Credits

Release

manufactured in:EU (Europe)
photography:Getty Images
Michael Ochs Archives
copyrighted (©) by and phonographic copyright (℗) by:Masterworks Series (in 2013)
ASIN:UK: B00PO4ZCSW [info]