| # | Title | Artist | Rating | Length |
|---|
| 1 | At Last | Etta James | 4.5 | 3:02 |
| 2 | Don’t Know Why | Norah Jones | 3.45 | 3:06 |
| 3 | Ev’ry Time We Say Goodbye | Ella Fitzgerald | 3.5 | 3:34 |
| 4 | Desafinado | Stan Getz | | 2:02 |
| 5 | It Don’t Mean a Thing | Zoot Sims | | 5:04 |
| 6 | Moody’s Mood for Love / Teo Licks- recording engineer and mixer:
- Commissioner Gordon and Gary Noble
- assistant engineer:
- Steve Nowa
- producer:
- Commissioner Gordon and Salaam Remi
- alto flute, baritone saxophone and tenor saxophone:
- Vincent Henry
- baritone horn, bass trumpet, flugelhorn and trumpet:
- Bruce Purse
- bass:
- Gregory Jackson
- drums (drum set):
- Troy Auxilly-Wilson and Errol Campbell
- electric bass guitar:
- Salaam Remi
- guitar:
- Earl “Chinna” Smith and Amy Winehouse
- keyboard:
- Donovan Jackson
- organ:
- John F. Adams
- percussion:
- Commissioner Gordon
- vocals:
- Amy Winehouse
- arranger:
- Salaam Remi
- recorded at:
- Creative Space in Miami, Florida, United States and The Headquarters in Teaneck, New Jersey, United States
- mixed at:
- Circle House Studios in North Miami, Florida, United States and The Headquarters in Teaneck, New Jersey, United States
- cover recording of:
- Moody’s Mood for Love
- lyricist:
- Eddie Jefferson
- additional composer:
- James Moody
- composer:
- Jimmy McHugh
- publisher:
- EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. , EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- is based on:
- I’m in the Mood for Love
- version of:
- Moody’s Mood for Love
- recording of:
- Moody’s Mood for Love
- composer:
- Dorothy Fields , Jimmy McHugh and James Moody
- publisher:
- EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. , フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- is based on:
- I’m in the Mood for Love
- recording of:
- Teo Licks
- writer:
- Amy Winehouse
- publisher:
- EMI Music Publishing Ltd.
| Amy Winehouse | 3 | 3:30 |
| 7 | Your Heart Is as Black as Night | Melody Gardot | 5 | 2:44 |
| 8 | The Look of Love- assistant recording engineer:
- Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
- recording engineer and mixer:
- Al Schmitt
- producer:
- Tommy LiPuma
- assistant mixer:
- John Hendrickson
- bass:
- Christian McBride
- drums (drum set):
- Peter Erskine (in 2001)
- guitar:
- Romero Lubambo (in 2001)
- percussion:
- Luis Conte (in 2001)
- piano:
- Diana Krall (in 2001)
- vocals:
- Diana Krall (in 2001)
- orchestra:
- London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
- conductor:
- Claus Ogerman (in 2001)
- arranger:
- Claus Ogerman
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 2001-03-09 until 2001-03-11)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
- cover recording of:
- The Look of Love (in 2001)
- lyricist:
- Hal David
- writer:
- Burt Bacharach and Hal David
- composer:
- Burt Bacharach
- publisher:
- Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- The 40th Academy Award for Best Original Song (number: 2)
| Diana Krall | | 4:44 |
| 9 | What a Difference a Day Made | Jamie Cullum | 4 | 5:10 |
| 10 | Stormy Monday | Marlena Shaw | | 3:03 |
| 11 | Dance Me to the End of Love | Madeleine Peyroux | 4.35 | 3:57 |
| 12 | Black Gold | Esperanza Spalding | | 5:16 |
| 13 | Mad About the Boy | Dinah Washington | 5 | 2:49 |
| 14 | Georgia on My Mind | Ray Charles | 5 | 4:37 |
| 15 | Nature Boy | George Benson | | 2:39 |
| 16 | Moanin’ | Art Blakey & The Jazz Messengers | 4 | 9:34 |
| 17 | Painted on Canvas | Gregory Porter | | 4:47 |
| 18 | Let’s Call the Whole Thing Off- recorded in:
- Los Angeles, California, United States (on 1957-07-23)
- double bass:
- Ray Brown (on 1957-07-23)
- drums (drum set):
- Louie Bellson (in 1957, on 1957-07-23)
- guitar:
- Herb Ellis (in 1957, on 1957-07-23)
- piano:
- Oscar Peterson (in 1957, on 1957-07-23)
- trumpet:
- Louis Armstrong (in 1957, on 1957-07-23)
- vocals:
- Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (in 1957, on 1957-07-23)
- performer:
- Ella Fitzgerald
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
- cover recording of:
- Let’s Call the Whole Thing Off (on 1957-07-23)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Gershwin Publishing Corp (in 1937)
- translated version of:
- Vamos a dejarlo ya (Let's Call the Whole Thing Off)
- part of:
- Shall We Dance
| Ella Fitzgerald & Louis Armstrong | 3.5 | 4:14 |
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