The New Stravinsky Complete Edition (All 30 CDs)

~ Release by Igor Stravinsky (see all versions of this release, 1 available)

Tracklist

1▶CD: Stage Works
2▶CD: Stage Works
3▶CD: Stage Works
4▶CD: Stage Works
5▶CD: Stage Works
6▶CD: Stage Works
7▶CD: Stage Works
8▶CD: Stage Works
9▶CD: Stage Works
10▶CD: Stage Works
11▶CD: Stage Works
12▶CD: Stage Works
13▶CD: Orchestral Music
14▶CD: Orchestral Music
15▶CD: Orchestral Music
16▶CD: Orchestral Music
17▶CD: Orchestral Music
18▶CD: Orchestral Music
19▶CD: Choral Music
20▶CD: Choral Music
21▶CD: Choral Music
22▶CD: Solo Vocal
23▼CD: Solo Vocal
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14 Russian Songs - I. The Drake
piano:
John Constable (pianist)
soprano vocals:
Lucy Shelton (American soprano)
recording of:
Four Russian Songs: No. 1. The Drake
lyricist:
[traditional] (special purpose artist)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
part of:
Four Russian Songs
1:16
24 Russian Songs - II. Counting Song
piano:
John Constable (pianist)
soprano vocals:
Lucy Shelton (American soprano)
recording of:
Four Russian Songs: No. 2. Counting Song
lyricist:
[traditional] (special purpose artist)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
part of:
Four Russian Songs
0:54
34 Russian Songs - III. The Sparrow
piano:
John Constable (pianist)
soprano vocals:
Lucy Shelton (American soprano)
recording of:
Four Russian Songs: No. 3. Tablemat Song
lyricist:
[traditional] (special purpose artist)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
part of:
Four Russian Songs
1:06
44 Russian Songs - IV. Dissident Song
piano:
John Constable (pianist)
soprano vocals:
Lucy Shelton (American soprano)
recording of:
Four Russian Songs: No. 4. Dissident Song
lyricist:
[traditional] (special purpose artist)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
part of:
Four Russian Songs
1:44
5Song of Parasha
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Mavra: Parasha's Song (catch-all for arrangements) (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber) and Дмитрий Ситковецкий (Dmitry Sitkovetsky, violinist)
arrangement of:
Mavra: Parasha's Song (original aria)
2:17
6Tilim-bom
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
1:18
7Pastorale
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pastorale (for soprano and four winds) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1907)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1923)
arrangement of:
Pastorale (for soprano and piano)
2:01
83 Little Songs 'Recollections of My Childhood' - I. The Magpie
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): I. The Magpie (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
1:03
93 Little Songs 'Recollections of My Childhood' - II. The Rook
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): II. The Rook (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
1:04
103 Little Songs 'Recollections of My Childhood' - III. The Jackdaw
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): III. The Jackdaw (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
1:08
11Petit Ramusianum harmonique
producer:
Susan Napodano DelGiorno
baritone vocals:
Martin Bruns (violinist / baritone)
balance engineer:
Silas Brown
recorded at:
Presbyterian Church, Madison Avenue, New York in New York, New York, United States (in 1996-01)
2:11
12Hommage à Nadia Boulanger: 'Diex, com leur avient'
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Ronnita Miller (mezzo soprano)
soprano vocals:
Heidi Stober (soprano)
balance engineer:
Julian Schwenkner (engineer)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2015-06)
0:35
133 Songs from William Shakespeare - I. Musick to heare
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: I. Music to hear (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
2:54
143 Songs from William Shakespeare - II. Full fadom five
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: II. Full fathom five (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
1:58
153 Songs from William Shakespeare - III. When Dasies pied
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: III. When daisies pied (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
2:27
164 Songs - I. The Drake
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: I. The Drake (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Four Russian Songs: No. 1. The Drake
part of:
Four Songs (for voice, flute, harp and guitar)
1:15
174 Songs - II. A Russian Spiritual
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: II. A Russian Spiritual (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Four Russian Songs: No. 4. Dissident Song
part of:
Four Songs (for voice, flute, harp and guitar)
2:05
184 Songs - III. Geese and Swans
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: III. Geese and Swans (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1917)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Three Tales for Children: No. 2. Geese, Swans...
part of:
Four Songs (for voice, flute, harp and guitar)
0:32
194 Songs - IV. Tilim-bom
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: IV. Tilim-bom (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1917)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Three Tales for Children: No. 1. Tilimbom
part of:
Four Songs (for voice, flute, harp and guitar)
1:18
202 Poems of Konstantin Balmont - I. Forget-me-nots
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Konstantin Bal'mont: I. The Flower (in 1980-10)
lyricist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Konstantin Balmont (voice + piano)
1:16
212 Poems of Konstantin Balmont - II. The Dove
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Konstantin Bal'mont: II. The Dove (in 1980-10)
lyricist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Konstantin Balmont (voice + piano)
1:46
22In memoriam Dylan Thomas: 'Do not go gentle into that good night'
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
tenor vocals:
Robert Tear (tenor) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
In Memoriam Dylan Thomas: Do not go gentle into that good night (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arrangement of:
Do Not Go Gentle Into That Good Night
part of:
In memoriam Dylan Thomas
7:56
23Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim
baritone vocals:
David Wilson‐Johnson (baritone)
orchestra:
London Sinfonietta
conductor:
Oliver Knussen (British composer and conductor) (from 1994-10 until 1994-11)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
partial recording of:
Abraham and Isaac
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1962 until 1963)
3:24
24Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah
baritone vocals:
David Wilson‐Johnson (baritone)
orchestra:
London Sinfonietta
conductor:
Oliver Knussen (British composer and conductor) (from 1994-10 until 1994-11)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
partial recording of:
Abraham and Isaac
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1962 until 1963)
4:20
25Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh
baritone vocals:
David Wilson‐Johnson (baritone)
orchestra:
London Sinfonietta
conductor:
Oliver Knussen (British composer and conductor) (from 1994-10 until 1994-11)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
partial recording of:
Abraham and Isaac
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1962 until 1963)
3:40
26Elegy for J.F.K.: 'When a just man dies'
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Elegy for J. F. K. (in 1980-10)
lyricist:
W. H. Auden
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1964)
part of:
K Catalog (number: K100)
1:53
27The Owl and the Pussy-Cat
piano:
John Constable (pianist)
soprano vocals:
Lucy Shelton (American soprano)
recording of:
The Owl and the Pussy-Cat
lyricist:
Edward Lear (English poet)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1966)
dedicated to:
Vera de Bosset
is based on:
The Owl and the Pussycat
3:11
282 Sacred Songs - I. Herr, was trägt der Boden hier
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 9. Herr, was trägt der Boden hier (in 1980-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
librettist:
Franz Emanuel August Geibel (poet) and Paul Johann Ludwig von Heyse (German writer)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
2:34
292 Sacred Songs - II. Wunden prägst du, mein Geliebter
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 10. Wunden trägst du, mein Geliebter (in 1980-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
5:07
24▶CD: Chamber Music
25▶CD: Chamber Music
26▶CD: Piano Music
27▶CD: Piano Music
28▶CD: Historical Recordings
29▶CD: Historical Recordings
30▶CD: Bonus