La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
#TitleArtistRatingLength
1La sonnambula: Act I, Scene 1. “Vica! Viva Amina!…Tutto è gioia, tutto è festa” (Coro, Lisa, Alessio)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Cavatina “Tutto è gioia” (Coro, Lisa, Alessio) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
recording of:
La sonnambula: Atto I, scena 1. Coro d’introduzione “Viva Amina!” [1] (voci lontane) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:35
2La sonnambula: Act I, Scene 1. “In Elvezia non v'ha rosa” (Coro, Lisa, Alessio)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “In Elvezia non v’ha rosa” (Coro, Lisa, Alessio) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:29
3La sonnambula: Act I, Scene 1. “Care compagne” (Amina, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:10
4La sonnambula: Act I, Scene 1. “Come per me sereno…Sempre a felice Amina” (Amina, Tutti)
recorded in:
Milano (Milan), Milano, Lombardia, Italy
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:02
5La sonnambula: Act I, Scene 1. “Savra il sen la man mi posa” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:38
6La sonnambula: Act I, Scene 1. “Io più di tutti, o Amina” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo “Io più di tutti” (Alessio, Amina, Lisa, Teresa, Coro, Notaro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:19
7La sonnambula: Act I, Scene 1. “Perdona, o mia diletta” (Elvino, Amina, Tutti, Notaro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Perdona, o mia diletta” (Elvino, Amina, Notaro, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:45
8La sonnambula: Act I, Scene 1. “Prendi: l'anel ti dono” (Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono” (Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:17
9La sonnambula: Act I, Scene 1. “Scritti nel ciel già sono…Ah! vorrei travar parola” (Tutti, Elvino, Amina, Lisa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Scritti nel ciel già sono” … “Ah! Vorrei trovar parole” (Tutti, Elvino, Amina, Lisa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:16
10La sonnambula: Act I, Scene 1. “Domani, appena aggiorni” (Elvino, Tutti, Amina)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, Scena 1. Recitativo e cavatina “Domani, appena aggiorni” (Elvino, Tutti, Amina) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini0:23
11La sonnambula: Act I, Scene 1. “Come noioso e lunga il cammin…Vi ravviso, o luoghi ameni…È gentil leggiadra molto” (Rodolfo, Lisa, Tutti)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Come noioso e lungo il cammin” … “Vi ravviso, o luoghi ameni” … “È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini6:26
12La sonnambula: Act I, Scene 1. “Contezza del paese” (Elvino, Rodolfo, Teresa, Lisa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e coro “Contezza del paese avete voi?” (Elvino, Rodolfo, Teresa, Lisa, coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:19
13La sonnambula: Act I, Scene 1. “A faso cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:57
14La sonnambula: Act I, Scene 1. “Basta così Ciascuna si attenga” (Rodolfo, Teresa, Tutti, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Basta così” (Rodolfo, Teresa, Elvino, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:22
15La sonnambula: Act I, Scene 1. “Elvino! E me tu lasci” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Elvino! E me tu lasci” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:26
16La sonnambula: Act I, Scene 1. “Son geloso del zefira errante” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Duetto “Son geloso del zefiro errante” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:56
17La sonnambula: Act I, Scene 2. “Davver, non mi dispiace” (Rodolfo, Lisa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2: “Davver, non mi dispiace” (Rodolfo, Lisa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:06
18La sonnambula: Act I, Scene 2. “Che veggio?” (Rodolfo, Emina, Lisa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “Che veggio?” (Rodolfo, Amina, Lisa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:30
19La sonnambula: Act I, Scene 2. “O ciel! che tento?” (Rodolfo, Amina)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “O ciel! Che tento” (Rodolfo, Amina) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:39
20La sonnambula: Act I, Scene 2. “Osserevate l'uscio è aperta” (Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto” (Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:56
21La sonnambula: Act I, Scene 2. “È menzogna” (Elvino, Coro, Lisa, Amina)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “È menzogna” … “Oh me, infelice” (Elvino, Coro, Lisa, Amina, Alessio, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:05
22La sonnambula: Act I, Scene 2. “D'un pensiero e d'un accento” (Amina, Elvino, Coro, Alessio, Teresa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:21
23La sonnambula: Act I, Scene 2. “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. Stretta del finale primo “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:48
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets