Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings

~ Release by Art Tatum (see all versions of this release, 1 available)

Annotation

Previous unissued live recordings made at the Blue Note jazz club in Chicago, IL in 1953

Annotation last modified on 2024-07-10 17:39 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1I Cover The Waterfront
live recording of:
Ballad Medley: Here's That Rainy Day / My Funny Valentine / I Cover the Waterfront
writer:
H. Heyman
composer:
John Green (composer and conductor, often credited as John Green), Richard Rogers (composer) and Jimmy Van Heusen
4:42
2Body And Soul
live recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:21
3Laura
5:51
4Humoresque
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
4:37
5Begin The Beguine
3:27
6There Will Never Be Another You / September Song
4:56
7Just One Of Those Things
live recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:03
8Wrap Your Troubles In Dreams
live recording of:
Wrap Your Troubles in Dreams
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
4:39
9St. Louis Blues
4:12
10After You’ve Gone
live recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
5:23
11Someone To Watch Over Me
live recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:57
12Elegy
live recording of:
Elegy
composer:
Jules Massenet (French Romantic composer)
4:12
3▶CD

Credits

Release

art direction and design:Burton Yount
photography:Skippy Adelman (task: photos by)
Martin H. Chilcott (photographer)
Herman Leonard (photographer) (task: front cover photo by)
Matthew Lutthans (engineer) (task: photo by: booklet back cover)
Bob Parent (photographer) (task: back cover photo by; task: photos by)
legal representation and editor:John Koenig
liner notes:Jean Holzfeind Bystedt (liner notes related)
Kathleen Holzfeind Doherty (liner notes related)
Brent Hayes Edwards
Zev Feldman (producer and author)
Tom Holzfeind (liner notes related)
Michael Weiss (US jazz pianist and composer)
miscellaneous support:Zev Feldman (producer and author) (task: research / photo research)
Cynthia Garcia (works in the capacity of Project Assistance for Resonance Records) (task: project manager / project assistance)
Matthew Lutthans (engineer) (task: restoration / sound restoration)
Zak Shelby-Szyszko (task: production manager; task: research / photo research)
Sydney B. Lanex (task: project manager / project assistance)
associate producer:Zak Shelby-Szyszko
executive producer:George Klabin (engineer and producer)
producer:Zev Feldman (producer and author) (task: produced for release by)
mastering:Matthew Lutthans (engineer)
bass and vocal:Slam Stewart
guitar:Everett Barksdale
piano:Art Tatum (US jazz pianist)
spoken vocals [interviewee]:Monty Alexander
ELEW (US jazz pianist)
Terry Gibbs (jazz vibraphonist)
Ahmad Jamal
Johnny O'Neal (US neo‐bop jazz pianist & vocalist)
Sonny Rollins (American saxophonist)
Spike Wilner
spoken vocals [interviewer]:Zev Feldman (producer and author)
artwork:Gordon H. Jee (task: package graphics / graphics)
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (jazz)
recorded at:Blue Note (Chicago, 1954-1960) in Chicago, Illinois, United States
mastered at:Cohearent Audio (mastering studio) in North Hills, Los Angeles, California, United States
The Mastering Lab (Ojai (2008–2015)) in Ojai, California, United States
glass mastered at:CD Video Manufacturing (full-service CD, DVD, and Blu-ray optical disc manufacturing company located in Southern California) in California, United States
Discogs:https://www.discogs.com/release/30206711 [info]