Fritz Wunderlich: Musical Pearls

~ Release by Fritz Wunderlich (see all versions of this release, 2 available)

Tracklist

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1Holdes Laubgezweig, schattige Ruh'
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:26
2Der Gedanke an die Flammen der Liebe
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:58
3Bleibt ihr treu dem, der euch so verachtet?
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:48
4Finstre Furien, ihr Geister der Hölle
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:58
5Nur einen Wunsch, nur ein Verlangen
tenor vocals and tenor vocals [Pylades]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
3:38
6"O unverhofftes Glück" - "Das höre ich von dir"
baritone vocals [Orestes]:
Hermann Prey (baritone)
tenor vocals [Pylades]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
4:07
7Ma se il nostro gioir
baritone vocals [Dritter Hirte]:
Clemens Kaiser-Breme
tenor vocals [Zweiter Hirte]:
Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
recording of:
L'Orfeo: Atto primo. Alcun non sia che disperato in preda (Due pastori)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
2:37
8Perché a lo sdegno
tenor vocals [Apollo]:
Fritz Wunderlich (operatic tenor)
tenor vocals [Orfeo]:
Helmut Krebs (tenor)
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
recording of:
L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Si non vedrò più mai (Orfeo, Apollo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto quinto
4:59
9Erwacht in meinem Herzen
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17: Akt I (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation)
4:22
10Nur weinen lernte ich
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
mezzo-soprano vocals [Cornelia]:
Christa Ludwig (mezzo-soprano)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:58
11Keine Schlange läßt sich töten
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:33
12O schweige still, o lasse dich erbitten
tenor vocals [Sylvain]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Das Glöckchen des Eremiten: „O schweige still, o lasse dich erbitten“ (Romanze des Sylvain)
composer:
Aimé Maillart (French composer)
2:58
13"Doch nun zu dir" - "Trenne nicht das Band der Liebe"
baritone vocals [Jäger]:
Hermann Prey (baritone)
soprano vocals [Gabriele]:
Erika Köth (soprano)
tenor vocals and tenor vocals [Gomez]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
partial recording of:
Das Nachtlager in Granada
composer:
Conradin Kreutzer
librettist:
Karl Johann Braun von Brauntha
5:49
14Man wird ja einmal nur geboren
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
3:35
15Nr.9 Lied mit Chor:"Lebe wohl, mein flandrisch Mädchen
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Hans Ritter
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
soprano vocals [Marie]:
Ingeborg Hallstein (soprano) (in 1966-09)
tenor vocals [Marquis]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 1966-09)
conductor:
Hans Gierster (conductor) (in 1966-09)
chorus master:
Wolfgang Schubert (conductor) (in 1966-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-09)
recorded at:
Kulturraum in Bamberg, Bayern (Bavaria), Germany (in 1966-09)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1966-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
5:07
16Nadir, du stehst wirklich vor mir - Und in des Tempels Grund
baritone vocals [Zurga]:
Hermann Prey (baritone)
tenor vocals [Nadir]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Horst Stein (conductor)
partial recording of:
Die Perlenfischer
composer:
Georges Bizet (French composer)
translated version of:
Les Pêcheurs de perles
8:48
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Credits

Release group

includes:Wiener Lieder