Richard Strauss Edition

~ Release by Richard Strauss (see all versions of this release, 1 available)

Tracklist

1▶CD: Also sprach Zarathustra / Tod und Verklärung / Der Rosenkavalier (Waltzes)
2▶CD: Till Eulenspiegels lustige Streiche / Don Juan / Ein Heldenleben
3▶CD: Metamorphosen / Eine Alpensinfonie
4▶CD: Don Quixote / Dance Suite after Couperin
5▶CD: Aus Italien / Macbeth
6▶CD: Salome / Le bourgeois gentilhomme / Schlagobers / Josephslegende (excerpts)
7▶CD: Violin Concerto / Sinfonia Domestica
8▶CD: Horn Concertos Nos. 1 & 2 / Oboe Concerto / Duett-Concertino
9▶CD: Burleske / Parergon zur Sinfonia Domestica / Panathenäenzug
10▶CD: Music for violin and piano
11▶CD: Music for cello and piano / String Trio / String Quartet
12▶CD: Piano Trios / Music for clarinet, horn, cello and piano
13▶CD: Music for Piano Quartet
14▶CD: Music for horn and piano
15▶CD: Music for piano four hands
16▶CD: Music for solo piano & piano four hands
17▶CD: Piano Music
18▶CD: Melodramas / Music for Harmonium
19▶CD: Taillefer / Wanderers Sturmlied / Die Tageszeiten
20▶CD: Der Rosenkavalier (1)
21▶CD: Der Rosenkavalier (2)
22▶CD: Der Rosenkavalier (3)
23▶CD: Elektra (1)
24▶CD: Elektra (2)
25▶CD: Salome (1)
26▶CD: Salome (2)
27▶CD: Ariadne auf Naxos (1)
28▼CD: Ariadne auf Naxos (2)
#TitleRatingLength
1Ariadne auf Naxos: Oper. Großmächtige Prinzessin
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
11:10
2Ariadne auf Naxos: Oper. Hübsch gepredigt! Aber tauben Ohren!... Eine Störrische zu trösten
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Christoph Genz (tenor) (from 2000-09 until 2000-12) and Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
8:01
3Ariadne auf Naxos: Oper. Ein schönes Wunder!
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12) and Eva Kirchner (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
3:40
4Ariadne auf Naxos: Oper. Circe, kannst du mich hören?
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
6:08
5Ariadne auf Naxos: Oper. Theseus! Nein! Nein!
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
10:35
6Ariadne auf Naxos: Oper. Das waren Zauberworte
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
3:14
7Ariadne auf Naxos: Oper. Gibt es kein Hinüber?
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
7:51
29▶CD: Die Frau ohne Schatten (1)
30▶CD: Die Frau ohne Schatten (2)
31▶CD: Die Frau ohne Schatten (3)
32▶CD: Friedenstag
33▶CD: Lieder (1)
34▶CD: Lieder (2)
35▶CD: Lieder (3)

Credits

Release group

includes:Ariadne auf Naxos (2000 Dresden cast, composite recordings) by Richard Strauss (German composer); Giuseppe Sinopoli (conductor), Deborah Voigt (soprano), Natalie Dessay (soprano), Anne Sofie von Otter (mezzo-soprano), Ben Heppner (tenor), Albert Dohmen (bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra)
Der Rosenkavalier by Richard Strauss (German composer); Herbert von Karajan (conductor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Otto Edelmann (austrian bass-baritone), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Salome by Richard Strauss (German composer), Karl Böhm (Austrian conductor), Orchestre de I’Opera d’Etat de Hambourg (Hamburg Philharmonic State Orchestra), Dietrich Fischer‐Dieskau (baritone), Gwyneth Jones (soprano), Wiesław Ochman (tenor), Kurt Moll (operatic bass), Richard Cassilly (tenor) & Mignon Dunn (mezzo-soprano)