The Rock Collection: Raised on Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Should Have Known Better
Akustikgitarre:
Graham Lyle
E-Bass:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
Perkussion:
Martin Ditcham
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
I Should Have Known Better (1984 song)
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) und Rondor Music (London) Ltd.
Jim Diamond54:11
2Something 'bout You Baby I Like
cover recording of:
Something ’bout You Baby I Like
Texter und Komponist(in):
Richard Supa (American guitarist, singer & songwriter)
publisher:
Colgems Music Corp., EMI Music (do not use as release label! this is a music publisher), Screen Gems und Screen Gems–EMI Music Ltd.
Status Quo2:49
3Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat2.52:54
4Frankenstein
Produzent(in):
Rick Derringer
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 97)
recording of:
Frankenstein
Komponist(in):
Edgar Winter
publisher:
Longitude Music (beendet), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Edgar Winter Group44:47
5Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner53:19
6Some Guys Have All the Luck
Techniker(in) und Mix:
Jack Nuber
Produzent(in):
Robert Palmer (English singer‐songwriter)
Gitarre:
Ken Mazur
aufgenommen bei:
The Dominion Theatre in London (Greater London), England, Vereinigtes Königreich (am 1980-11-10)
live cover recording of:
Some Guys Have All the Luck (am 1980-11-10)
Texter und Komponist(in):
Jeff Fortgang
Robert Palmer4.353:10
7Living Next Door to Alice
Partner-Produzent(in):
Nicky Chinn
Produzent(in):
Mike Chapman (Australian producer and songwriter) und G. Kasper (German sound engineer & producer, "Mr. Cool")
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1976) und RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton und Universal Music Publishers MGB Australia Pty Ltd
recording of:
Living Next Door to Alice (Original by New World)
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton und Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
8Reason to Believe
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
Rod Stewart3.154:05
9White Room
recording engineer:
Adrian Barber (producer/engineer) (von 1967-07 bis 1968-06) und Tom Dowd (von 1967-07 bis 1968-06)
Techniker(in):
Adrian Barber (producer/engineer) und Tom Dowd
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-07 bis 1968-06)
Bratsche / Viola:
Felix Pappalardi (von 1967-07 bis 1968-06)
Gitarre:
Eric Clapton (von 1967-07 bis 1968-06)
Pauke und Schlagzeug und Perkussion:
Ginger Baker (von 1967-07 bis 1968-06)
vocals:
Jack Bruce (von 1967-07 bis 1968-06)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) und Robert Stigwood Organisation Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1967-07 bis 1967-08) und Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-09 bis 1967-10, von 1968-02 bis 1968-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 368)
recording of:
White Room (von 1967-07 bis 1968-06)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce) und Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Cream4.555:00
10All the Way From Memphis
recording of:
All the Way From Memphis
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.)
Mott the Hoople3:14
11Malt and Barley Blues
sonstige Unterstützung:
Chris Kimsey
Techniker(in) und Produzent(in):
Glyn Johns
Bass und Gitarre:
Benny Gallagher, Graham Lyle und Tom McGuinness
Keyboard [keyboards]:
Dennis Coulson und Benny Gallagher
Mandoline:
Graham Lyle
Perkussion:
Hughie Flint
Sologesang [vocals]:
Dennis Coulson, Benny Gallagher und Graham Lyle
phonographisches Urheberrecht (℗) von:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Malt and Barley Blues
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:16
12Judy Teen
recording of:
Judy Teen
Texter und Komponist(in):
Steve Harley
Cockney Rebel53:40
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:The Rock Collection (Time-Life Music) (Nummer: 15) (Reihenfolge: 15)