La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
#TitleArtistRatingLength
1Turandot: Act I. “Popolo di Pekino!” (Mandarino, Folla, Liù)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Un mandarino]:
Giulio Mauri (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Un mandarino]:
Giulio Mauri (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” (Un mandarino, La folla, Guardie, Liù) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” (Un mandarino, La folla, Guardie, Liù) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:51
2Turandot: Act I. “Padre! Mio padre!” (Il principe ignoto [Calaf], Liù, Folla, Timur)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Padre! Mio padre!” (Calaf, Guardie, Liù, La folla, Timur) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Padre! Mio padre!” (Calaf, Guardie, Liù, La folla, Timur) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:28
3Turandot: Act I. “Perduta la battaglia” (Il principe ignoto [Calaf], Liù, Folla, Timur)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Perduta la battaglia” (Timur, Calaf, Liù, La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Perduta la battaglia” (Timur, Calaf, Liù, La folla) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:09
4Turandot: Act I. “Gira la cote! Gira!” (Folla, Servi del boia)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Gira la cote! Gira!” (La folla, Servi del boia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:32
5Turandot: Act I. “Perché tarda la luna?” (Folla)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Perché tarda la luna” (La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Perché tarda la luna” (La folla) (on 1957-09-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini3:46
6Turandot: Act I. “Là, sui monti dell'est” (Ragazzi)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
is based on:
茉莉花 (Jasmine)
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
is based on:
茉莉花 (Jasmine)
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:13
7Turandot: Act I. “O giovinetto!” (Folla, Principe, Sacerdoti bianchi)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “O giovinetto!” – “La grazia” (La folla, Calaf, Sacerdoti bianchi) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “O giovinetto!” – “La grazia” (La folla, Calaf, Sacerdoti bianchi) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini5:08
8Turandot: Act I. “Figlio, che fai?” (Timur, Principe, Liù, Folla)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals:
Piero de Palma (tenor)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Figlio, che fai?” (Timur, Calaf, Liù, La folla, Il Principe di Persia) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Figlio, che fai?” (Timur, Calaf, Liù, La folla, Il Principe di Persia) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:36
9Turandot: Act I. “Fermo! che fai? T'arresta!” (Ministri [Ping, Pong, Pang], Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Fermo! Che fai? T’arresta!” (Ministri [Ping, Pang, Pong], Calaf) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Fermo! Che fai? T’arresta!” (Ministri [Ping, Pang, Pong], Calaf) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:52
10Turandot: Act I. “Silenzio, olà!” (Ancelle, Ministri, Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Silenzio, olà!” … “Guardalo, Pong!” (Ancelle, Ministri, Calaf, Timur) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Silenzio, olà!” … “Guardalo, Pong!” (Ancelle, Ministri, Calaf, Timur) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:20
11Turandot: Act I. “Guardalo, Pong!” (Ministri, Timur)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Silenzio, olà!” … “Guardalo, Pong!” (Ancelle, Ministri, Calaf, Timur) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Silenzio, olà!” … “Guardalo, Pong!” (Ancelle, Ministri, Calaf, Timur) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini0:58
12Turandot: Act I. “Non indugiare!” (Fantasmi, Principe, Ministri, Timur)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Non indugiare!” (I fantasmi, Calaf, Ping, Pang, Pong, Timur) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non indugiare!” (I fantasmi, Calaf, Ping, Pang, Pong, Timur) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:11
13Turandot: Act I. “Signore, ascolta!” (Liù)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Italiana S.p.A. (not for release label use! Italian subsidiary of EMI 1967–1997)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:26
14Turandot: Act I. “Non piangere, Liù” (Principe, Liù, Timur)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:16
15Turandot: Act I. “Ah! per l'ultima volta!” (Timur, Liù, Ministri, Principe, Coro)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
bass vocals [Timur]:
Nicola Zaccaria (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:33
16Turandot: Act II, Scene 1. “Olà, Pang! Olà, Pong!” (Ministri)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 1. “Olà, Pang! Olà, Pong!” (Ping, Pang, Pong) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 1. “Olà, Pang! Olà, Pong!” (Ping, Pang, Pong) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini1:26
17Turandot: Act II, Scene 1. “O Cina, o Cina” (Ministri)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 1. “O Cina, o Cina” (Ping, Pang, Pong) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 1. “O Cina, o Cina” (Ping, Pang, Pong) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:06
18Turandot: Act II, Scene 1. “Ho una casa nell'Honan” (Ministri)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:16
19Turandot: Act II, Scene 1. “O mondo, pieno di pazzi innamorati!” (Ministri, Coro)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 1. “O mondo, pieno di pazzi innamorati!” (Ministri, Coro) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 1. “O mondo, pieno di pazzi innamorati!” (Ministri, Coro) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini1:10
20Turandot: Act II, Scene 1. “Addio, amore!” (Ministri)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 1. “Addio, amore!” (Ministri) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 1. “Addio, amore!” (Ministri) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:52
21Turandot: Act II, Scene 1. “Noi si sogna” (Ministri)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Ping]:
Mario Borriello (baritone) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pang]:
Renato Ercolani (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Pong, Il pincipino di Persia]:
Piero de Palma (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Noi si sogna” (Ministri) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Noi si sogna” (Ministri) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini0:25
22Turandot: Act II, Scene 2. “Gravi, enorme ed impotenti” (Folla)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Gravi, enormi ed imponenti” (La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Gravi, enormi ed imponenti” (La folla) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini4:21
23Turandot: Act II, Scene 2. “Un giuramento atroce mi costringe” (Imperatore, Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [L'imperatore Altoum]:
Giuseppe Nessi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Un giuramento atroce mi costringe” (Altoum, Calaf) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Un giuramento atroce mi costringe” (Altoum, Calaf) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:15
24Turandot: Act II, Scene 2. “Diecimila anni ai nostro imperatore!” (Folla, Mandarino, Ragazzi)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Un mandarino]:
Giulio Mauri (operatic bass) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Diecimila anni al nostro Imperatore!” (La folla, Un mandarino, Ragazzi) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi and Hendon Music Inc.
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Diecimila anni al nostro Imperatore!” (La folla, Un mandarino, Ragazzi) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi and Hendon Music Inc.
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:04
25Turandot: Act II, Scene 2. “In questa reggia” (Turandot, Folla, Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [La principessa Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:19
26Turandot: Act II, Scene 2. “Straniero, ascolta! Nella cupa notte” (Turandot, Principe, Sapienti)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [La principessa Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Straniero, ascolta! Nella cupa notte” … “Sì! Rinasce!” (Turandot, Calaf, Sapienti) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Straniero, ascolta! Nella cupa notte” … “Sì! Rinasce!” (Turandot, Calaf, Sapienti) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:28
27Turandot: Act II, Scene 2. “Giuzza al pari di fiamma” (Turandot, Imperatore, Folla, Liù, Principe, Sapienti)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [La principessa Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [L'imperatore Altoum]:
Giuseppe Nessi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot, Altoum, La folla, Liù, Calaf, Sapienti) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Guizza al pari di fiamma” (Turandot, Altoum, La folla, Liù, Calaf, Sapienti) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:19
28Turandot: Act II, Scene 2. “Gelo che ti dà foco” (Turandot, Imperatore, Folla, Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [La principessa Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [L'imperatore Altoum]:
Giuseppe Nessi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Gelo che ti dà foco” … “La mia vittoria” (Turandot, Calaf, Sapienti, La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Gelo che ti dà foco” … “La mia vittoria” (Turandot, Calaf, Sapienti, La folla) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:24
29Turandot: Act II, Scene 2. “Gloria, o vincitore!” (Folla)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Gloria, o vincitore!” (La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Gloria, o vincitore!” (La folla) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini1:01
30Turandot: Act II, Scene 2. “Figlio del cielo!” (Turandot, Imperatore, Folla, Principe)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
soprano vocals [La principessa Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [L'imperatore Altoum]:
Giuseppe Nessi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Figlio del cielo!” (Turandot, Altoum, La folla, Calaf) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Figlio del cielo!” (Turandot, Altoum, La folla, Calaf) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:54
31Turandot: Act II, Scene 2. “Tre engimi m'hai proposto!” (Principe, Imperatore)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
tenor vocals [Calaf (Il principe ignoto)]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
tenor vocals [L'imperatore Altoum]:
Giuseppe Nessi (tenor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Tre enigmi m’hai proposto!” (Calaf, Altoum) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Tre enigmi m’hai proposto!” (Calaf, Altoum) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:07
32Turandot: Act II, Scene 2. “Ai tuoi piedi ci prostriam” (Folla)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
chorus master:
Norberto Mola (chorus master) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “Ai tuoi piedi ci prostriam” (La folla) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Ai tuoi piedi ci prostriam” (La folla) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini2:26
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets