Cantatas nos. 170, 82 & 159

~ Release by J.S. Bach; Janet Baker, John Shirley‐Quirk, Academy of St Martin in the Fields, Neville Marriner (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust": I. Aria: Vergnügte Ruh', beliebte Seelenlust
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:57
2Cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust": II. Recitative: Die Welt, das Sündenhaus
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:47
3Cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust": III. Aria: Wie jammern mich doch die verkehrten Herzen
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:26
4Cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust": IV. Recitative: Wer sollte sich demnach wohl hier
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:25
5Cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust": V. Aria: Mir ekelt mehr zu leben
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:53
6Cantata no. 82 "Ich habe genug": I. Aria: Ich habe genug, ich habe den Heiland
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:42
7Cantata no. 82 "Ich habe genug": II. Recitative: Ich habe genug! Mein Trost ist nur allein
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:28
8Cantata no. 82 "Ich habe genug": III. Aria: Schlummert ein, ihr matten Augen
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach11:13
9Cantata no. 82 "Ich habe genug": IV. Recitative: Mein Gott! Wann kommt das schöne: Nun!
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata no. 82 "Ich habe genug": V. Ich freue mich auf meinen Tod
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach4:16
11Cantata no. 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso & Recitative: Sehet, wir gehn hinauf gen Jerusalem!
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach3:26
12Cantata no. 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria & Chorale: Ich folge dir nach
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach4:58
13Cantata no. 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitative: Nun will ich mich
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
tenor vocals:
Robert Tear (tenor) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:28
14Cantata no. 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria: Es ist vollbracht
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach5:29
15Cantata no. 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral: Jesu, deine Passion
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:53

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:Jeremy Tilston (art director and designer)
artwork:Jeremias Wolff (engraver) (in 1710: task: cover "Detail of Leipzig")
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PMDC (Germany)
copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1991)
part of:Serenata (Decca/London Classics) (order: 1)