Die kompletten Werke, Volume 11: Kantaten, BWV 130-140, 143-145

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Januar/Februar 1974 (BWV 130); Januar 1975 (BWV 131); September 1976/Januar/April 1977 (BWV 132)
CD2 Aufnahme: Gedächtniskirche Stuttgart. September 1976/Januar 1977 (BWV 134); Februar 1979 (BWV 135); Februar/April 1980 (BWV 136)
CD3 Aufnahme: Gedächtniskirche Stuttgart. September/Dezember 1977, Januar 1978 (BWV 136 & 138); Dezember 1980/März 1981/1982 (BWV 137); Oktober 1979/April 1980 (BWV 139)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September 1983/Februar 1984 (BWV 140); Januar/April 1975 (BWV 143); September 1978 (BWV 144); Februar 1984 (BWV 145)

Annotation last modified on 2014-06-19 18:13 UTC.

Tracklist

1▶CD: BWV 130-132
2▶CD: BWV 133-135
3▶CD: BWV 136-139
4▼CD: BWV 140,143-145
#TitleArtistRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling6:07
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt"
tenor vocals:
Aldo Baldin (tenor) (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:10
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria Duetto (Sopran, Bass) "Wenn kömmst du, mein Heil"
bass vocals:
Philippe Huttenlocher (baritone) (from 1983 until 1984)
soprano vocals:
Arleen Augér (soprano) (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling5:06
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) "Zion hört die Wächter singen"
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:51
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitative (Bass) "So geh herein zu mir"
bass vocals:
Philippe Huttenlocher (baritone) (from 1983 until 1984)
vocals:
Philippe Huttenlocher (baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:30
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria Duetto (Sopran, Bass) "Mein Freund ist mein"
bass vocals:
Philippe Huttenlocher (baritone) (from 1983 until 1984)
soprano vocals:
Arleen Augér (soprano) (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling4:53
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (conductor) (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:34
8Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling1:20
9Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ"
soprano vocals:
Eva Csapó (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:21
10Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling0:25
11Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria (Tenor) "Tausendfaches Unglück, Schrecken"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1714)
part of:
Bach-Werke-Verzeichnis (number: BWV 143) and Bach Compendium (number: BC T 1)
Bach‐Collegium Stuttgart, Helmuth Rilling2:18
12Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling1:41
13Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:28
14Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:28
15Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling2:12
16Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling5:22
17Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Samuel Rodigast (German poet) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 338)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling1:01
18Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling1:08
19Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling2:50
20Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 343)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling1:23
21Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen"
soprano vocals:
Costanza Cuccaro (American soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen" (in 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:27
22Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt" (in 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:01
23Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies"
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies" (in 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:16
24Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt"
soprano vocals:
Costanza Cuccaro (American soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt" (in 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:03
25Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein" (in 1984-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Nikolaus Herman (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 84)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling0:49