A Call to Arms | Beirut | | 1 | 0:18 | instrument |
Aboriginal | 日野皓正 | | | 12:22 | instrument |
After the Rain | Accra Trane Station | | | 5:10 | instrument |
Bamboo Village | William Parker / Coen Aalberts / Klaas Hekman | | | 4:42 | instrument |
Blessed | William Parker / Coen Aalberts / Klaas Hekman | | | 4:57 | instrument |
Boat Peoples | Deadline | | | 7:03 | instrument |
Ching Söörtükchülerining Yryzy ("Song of the Caravan Drivers") | Huun‐Huur‐Tu | | | 5:34 | instrument (as “conch shell”) |
Conch Shell Horn on New Year's Eve in Positano, Italy | unidentified participants | | | 0:57 | instrument (as “conch shell horn”) |
Conche Shell Horn (Papa Sataua, Savaii) | [unknown] | | | 0:50 | instrument (as “conche”) |
Corcovado | Steve Turre | | | 7:18 | instrument (as “shells”) |
Crescent | Accra Trane Station | | | 14:37 | instrument |
Cultivation | William Parker / Coen Aalberts / Klaas Hekman | | | 5:11 | instrument |
Danza de San Roque de Hío | Milladoiro | | 5 | 4:03 | instrument (as “cunchas”) |
Deep Spirit | William Parker / Coen Aalberts / Klaas Hekman | | | 2:18 | instrument |
Doo Root | Deadline | | | 3:44 | instrument |
El venadito | Lila Downs | | | 2:30 | instrument (as “caracol / sea shell”) |
Epilog | Ougenweide | | | 1:02 | instrument (as “Tritonshörner”) |
Eshten Charlyyry Berge ("It's hard to be parted from a friend") | Huun‐Huur‐Tu | | | 6:35 | instrument (as “conch shell”) |
Family Voice | William Parker / Coen Aalberts / Klaas Hekman | | | 5:06 | instrument |
Four Sticks | Sones de México Ensemble Chicago | | | 4:32 | instrument (as “conch shell”) |
Great Horned Howl | Deep Listening Band | | | 19:02 | instrument |
Growl Howl | Deep Listening Band | | | 15:33 | instrument |
Himalaya | Javier Bergia | | | 4:02 | instrument |
Host for the Anointed | William Parker / Coen Aalberts / Klaas Hekman | | | 2:21 | instrument |
Inlets | Glenn Freeman | | 5 | 7:00 | instrument |
Inlets (excerpt) | John Cage, John David Fullemann, Mel Mercier, Peadar Mercier | | | 10:17 | instrument |
Islands | Eje Thelin | | | 2:15 | instrument |
Jai Hanuman! | L. Subramaniam | | | 3:41 | instrument |
Jamming in London | Master Musicians of Jajouka feat. Bachir Attar | | | 4:11 | instrument (as “conch shell”) |
Joyous and Delightful | William Parker / Coen Aalberts / Klaas Hekman | | | 6:47 | instrument |
Kannon 1 | Sunn O))) | | | 12:50 | instrument |
Kannon 2 | Sunn O))) | | | 9:09 | instrument |
Kannon 3 | Sunn O))) | | | 11:26 | instrument |
La llorona | Lila Downs | | | 4:34 | instrument (as “caracol / sea shell”) |
La sandunga | Lila Downs | | | 4:12 | instrument (as “caracol / sea shell”) |
Langue d’amour | Laurie Anderson | | | 6:18 | instrument (as “electronic conches”) |
Leaning Into the Afternoon | David Piltch | | | 4:52 | instrument |
Listen to the Sky | William Parker / Coen Aalberts / Klaas Hekman | | | 5:13 | instrument |
Little Ocean Pearl | Wyland Blues Planet Band | | | 4:45 | instrument |
Live at Zwingli-Kirche - A | Feedbackorchester | | | 27:08 | instrument |
Live at Zwingli-Kirche - B | Feedbackorchester | | | 21:41 | instrument |
Lost River | Mickey Hart | | | 2:58 | instrument (as “conch shell”) |
Monkey’s Paw | Laurie Anderson | | | 4:33 | instrument |
Naila | Lila Downs | | | 3:11 | instrument (as “caracol / sea shell”) |
Nanook | Jac Berrocal / David Fenech / Vincent Epplay | | | 1:30 | instrument (as “Tibetan conch”) |
Nibaldi Isle | Kenny Clarke, Andrew Cyrille, Milford Graves & Famoudou Don Moye | | | 10:50 | instrument (as “conch shells”) |
Nike | Pauline Oliveros / Stuart Dempster / Panaiotis | | | 10:37 | instrument |
Nunnyunnini | Brian Reitzell | | | 4:23 | instrument |
Offering to the Guru Drakmar | Lamas and Monks of the Four Great Orders | | | 6:11 | instrument (as “2 dung-dkar”) |
Ofrenda | Lila Downs | | | 3:09 | instrument (as “caracol / sea shell”) |
Old Man River | Malachi Thompson | | | 12:18 | instrument (as “conch shell”) |
Phol ende Uuodan | Ougenweide | | | 5:12 | instrument (as “Tritonshörner”) |
Pobre changuita | Lila Downs | | | 2:13 | instrument (as “caracol / sea shell”) |
Procession at Pisac | [unknown] | | | 1:40 | instrument |
Resolution | Accra Trane Station | | | 2:25 | instrument |
Sabor a mí | Lila Downs | | | 4:18 | instrument (as “caracol / sea shell”) |
Sacred Prayers | William Parker / Coen Aalberts / Klaas Hekman | | | 5:10 | instrument |
Skraellingernes første møde med Nordboerne | Polar Jungle Orchestra | | | 6:40 | instrument (as “Tibetan conch”) |
Temple Caves | Mickey Hart | | | 3:15 | instrument (as “conch shell”) |
Tengo miedo de quererte | Lila Downs | | | 3:53 | instrument (as “caracol / sea shell”) |
The Business of Here | Steve Swell’s Nation of We Orchestra | | | 1:12:00 | instrument (as “shells”) |
The Elders at the Edge of the World, Part 1 | William Parker / Coen Aalberts / Klaas Hekman | | | 4:07 | instrument |
The Elders at the Edge of the World, Part 2 | William Parker / Coen Aalberts / Klaas Hekman | | | 7:45 | instrument |
The Flute Reaches Out | William Parker / Coen Aalberts / Klaas Hekman | | | 4:00 | instrument |
The Prophet | Stefon Harris | | | 7:07 | instrument |
The World’s Fastest Train | William Parker / Coen Aalberts / Klaas Hekman | | | 3:44 | instrument |
Tibet | Jac Berrocal | | | 1:43 | instrument |
Toque de ánimas | Concheros de la Ciudad de México | | | 1:22 | instrument (as “concha”) |
Town Haul | Deep Listening Band | | | 14:51 | instrument |
Tritons Ruf | Ougenweide | | | 0:48 | instrument (as “Tritonshörner”) |
Two³ and 108 | Glenn Freeman, Tamami Tono, Chance Philharmonic | | 5 | 43:30 | instrument |
Two³: 1. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | instrument |
Two³: 2. | Glenn Freeman, Tamami Tono | | 5 | 13:00 | instrument |
Two³: 3. | Glenn Freeman, Tamami Tono | | 5 | 14:40 | instrument |
Two³: 4. | Glenn Freeman, Tamami Tono | | 5 | 12:45 | instrument |
Two³: 5. | Glenn Freeman, Tamami Tono | | 5 | 10:15 | instrument |
Two³: 6. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | instrument |
Two³: 7. | Glenn Freeman, Tamami Tono | | 5 | 12:25 | instrument |
Two³: 8. | Glenn Freeman, Tamami Tono | | 5 | 10:20 | instrument |
Two³: 8. (excerpt) | Glenn Freeman, Tamami Tono | | 5 | 4:53 | instrument |
Two³: 9. | Glenn Freeman, Tamami Tono | | 5 | 13:45 | instrument |
Two³: 10. | Glenn Freeman, Tamami Tono | | 5 | 10:30 | instrument |
Udu Chant | Mickey Hart | | | 3:41 | instrument (as “conch shell”) |
Un poco más | Lila Downs | | | 4:14 | instrument (as “caracol / sea shell”) |
Underground Overlays (excerpt) | Stuart Dempster, Chad Kirby, Takehisa Kosugi | | | 15:30 | instrument |
Valle Místico (Ruben’s Song) | Conor Oberst | | 2 | 0:49 | instrument |
Vancouver | Violent Femmes | | 2 | 2:14 | instrument |
Verdeguea y grana | La Musgaña | | | 4:46 | instrument |
Yunu yucu ninu | Lila Downs | | | 3:18 | instrument (as “caracol / sea shell”) |
Yurumei | Aurelio | | | 3:51 | instrument |