| 'Ductia' (3) | The Dufay Collective | | | 2:24 | instrument |
| 1. Virelay: “Douce dame jolie” ; “Lors pour alleger” ; “Ploures, dames” | Ensemble Guillaume de Machaut de Paris | | | 8:15 | instrument |
| 4. Ballade : “Nes que on porroit les estoiles nombrer” | Ensemble Guillaume de Machaut de Paris | | | 5:15 | instrument |
| 5. Double ballade : “Quant Theseus – Ne quier veoir” | Ensemble Guillaume de Machaut de Paris | | | 4:20 | instrument |
| 7. Rondeau : Dix et sept, cinc" | Ensemble Guillaume de Machaut de Paris | | | 4:00 | instrument |
| A Chantar m'er de so qu'Ieu non volria | Heliotrope | | | 8:31 | instrument |
| A l'entrada del tens clar | Libby Crabtree, Caris Lane, Rebecca Outram, Martin Best, Robin Jeffrey, Lucie Skeaping | | | 2:15 | instrument |
| A l’entrada del tens clar | La Reverdie | | | 2:12 | instrument |
| A la clarté qui tout / Et illiminare (13th century, France) | La Reverdie | | | 2:27 | instrument |
| Adieu m'amour | Studio der frühen Musik | | | 6:05 | instrument |
| Adieu, adieu, mon joieulx souvenir | Lena Susanne Norin, Susanne Ansorg, Randall Cook | | | 6:40 | instrument |
| Ai de ti, Copacabana | Alceu Valença | | | 3:55 | instrument |
| Ain graserin | La Reverdie | | | 3:18 | instrument |
| Air de cheval-jupon | [traditional] | | | 1:34 | instrument |
| Alfurat-Euphrat | Bassem Hawar, Albrecht Maurer | | | 5:41 | instrument |
| All sons of Adam | Scottish Early Music Consort | | | 2:33 | instrument (comme « alto rebec ») |
| American Wake (The Nova Scotia Set) | Bill Whelan | | | 3:08 | instrument (comme « Gadulka ») |
| Amor covarde | Alceu Valença | | | 3:36 | instrument |
| Amor covarde | Alceu Valença | | | 4:35 | instrument |
| Amours merchi | Guillemette Laurens, Hannelore Devaere, René van Laken, Piet Stryckers | | | 2:16 | instrument |
| Andar andar | Alceu Valença feat. Flávio Guimarães | | | 5:25 | instrument |
| Andar andar | Alceu Valença feat. Flávio Guimarães | | | 5:02 | instrument |
| Ane exempill of tripla | Scottish Early Music Consort | | | 1:27 | instrument (comme « alto rebec ») |
| Angelus ad virginem | The Sixteen | | | 2:41 | instrument |
| Angelus ad virginem | Ensemble Unicorn | | | 1:55 | instrument |
| Anglia tibi turbidas spera lucem (14th century, England) | La Reverdie | | | 4:30 | instrument |
| Anunciação | Alceu Valença | | | 3:38 | instrument |
| Anunciação | Alceu Valença | | | 3:34 | instrument |
| Ar’resplan la flors enversa | Troubadours Art Ensemble, Gérard Zuchetto | | | 3:10 | instrument |
| Ara lauzatz | [anonymous] | | | 2:04 | instrument |
| Archaology | Bassem Hawar, Albrecht Maurer | | | 8:42 | instrument |
| Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex | La Reverdie | | | 2:08 | instrument |
| Ave rex angelorum | The Sixteen | | | 2:09 | instrument |
| Aver non poderia (C. 403) | The Renaissance Players | | | 7:44 | instrument |
| Avre tu puerta cerrada | La Rondinella | | | 1:40 | instrument |
| Bagdad-Köln | Bassem Hawar, Albrecht Maurer | | | 9:23 | instrument |
| Ballade instrumentale: “ Honte, paour, doubtance” | Ensemble Guillaume de Machaut de Paris | | | 3:35 | instrument (comme « rubèbe ») |
| Ballade: Amours me fait desirer | Early Music Consort of London, David Munrow | | | 2:25 | instrument |
| Ballade: De toutes flours | Early Music Consort of London, David Munrow | | | 5:51 | instrument |
| Basse Dance "Content desir" | Scottish Early Music Consort | | | 1:18 | instrument (comme « treble rebec ») |
| Batendo tambor | Alceu Valença feat. Cacá Martinelli e Chicote | | | 5:07 | instrument |
| Belfiore (danse) | La Reverdie | | | 8:30 | instrument |
| Bicho maluco beleza | Alceu Valença | | | 5:18 | instrument |
| Bicho maluco beleza | Alceu Valença | | | 5:11 | instrument |
| Blozen wir den anger ligen sahen | Studio der frühen Musik, Thomas Binkley | | | 4:17 | instrument |
| Bog se rodi va Betleme | Ensemble Oni Wytars | | | 3:57 | instrument |
| Bon jour, bon moys, bo'e sepmayne | Studio der frühen Musik | | | 3:07 | instrument |
| Branles d'Escosse | Scottish Early Music Consort | | | 1:52 | instrument (comme « treble rebec ») |
| Cantigas de Santa Maria: Cantiga 48 "Tanto son da groriosa seus feitos mui piadosos" | Alla Francesca | | | 3:02 | instrument |
| Cantigas de Santa Maria: Cantiga 302 "A Madre de Jhesu-Cristo, que é Sennor de nobrezas" | Alla Francesca | | | 4:12 | instrument |
| Carmina gulatorum et potatorum: Alte clamat Epicurus (CB 211) - Nu lebe ich (CB 211a) | Zeger Vandersteene, András Kecskès, Clemencic Consort, René Clemencic | | | 7:09 | instrument (comme « rubebe ») |
| Carmina gulatorum et potatorum: In taberna quando sumus (CB 196) | Richard Erig, András Kecskès, Frantisek Pok, Spiros Rantos, Wolfgang Reithofer, Clemencic Consort, René Clemencic | | | 2:46 | instrument (comme « rubebe ») |
| Carmina lusorum (CB 215 et 215a): Epistola: Lectio actuum apopholorum | Clemencic Consort, René Clemencic | | | 4:05 | instrument (comme « rubebe »), instrument |
| Carmina lusorum (CB 215 et 215a): Evangelium: Sequentia falsi evangelii | Clemencic Consort, René Clemencic | | | 4:17 | instrument (comme « rubebe »), instrument |
| Carmina lusorum (CB 215 et 215a): Introitus: Lugeamus omnes in Decio | Clemencic Consort, René Clemencic | | | 3:05 | instrument (comme « rubebe »), instrument |
| Carmina lusorum (CB 215 et 215a): Oratio: Ornemus! | Clemencic Consort, René Clemencic | | | 3:34 | instrument (comme « rubebe »), instrument |
| Carmina lusorum (CB 215 et 215a): Sequentia: Victime novali | Clemencic Consort, René Clemencic | | | 4:34 | instrument (comme « rubebe »), instrument |
| Carmina moralia et divina: Nomen a solempnibus II (CB 52) | Clemencic Consort, René Clemencic | | | 3:21 | instrument (comme « rubebe ») |
| Carmina veris et amoris: Exiit diluculo rustica puella (CB 90) | Clemencic Consort, René Clemencic | | | 1:04 | instrument |
| Carmina veris et amoris: In Gedeonis ara (CB 37) | Clemencic Consort, René Clemencic | | | 3:20 | instrument (comme « rubebe ») |
| Carmina veris et amoris: Tempus transit gelidum (CB 153) | Clemencic Consort, René Clemencic | | | 3:43 | instrument |
| Carmina veris et amoris: Vacillantis trutine II (CB 108) | Clemencic Consort, René Clemencic | | | 9:41 | instrument |
| Carmina veris et amoris: Veris dulcis in tempore II (CB 159) | Clemencic Consort, René Clemencic | | | 2:51 | instrument (comme « rubebe ») |
| Carnaval na Marim | Alceu Valença | | | 3:37 | instrument |
| Cavalo de pau | Alceu Valença | | | 5:29 | instrument |
| Cavalo de pau | Alceu Valença | | | 5:50 | instrument |
| Ce jour de l'an | Studio der frühen Musik | | | 1:45 | instrument |
| Ce moys de may | Studio der frühen Musik | | | 2:23 | instrument |
| Chançoneta tedesca 3 | [unknown] | | | 5:08 | instrument |
| Chançonetta tedescha I [London, brit. Mus. Add. 29987] | Studio der frühen Musik, Thomas Binkley | | | 1:52 | instrument |
| Chançonetta tedescha II [London, brit. Mus. Add. 29987] | Studio der frühen Musik, Thomas Binkley | | | 1:16 | instrument |
| Chanson et motet: “Pour quoy me bat mes maris” | Ensemble Guillaume de Machaut de Paris | | | 3:50 | instrument |
| Chose Tassin | La Reverdie | | | 6:07 | instrument |
| Christe, redemptor omnium | Studio der frühen Musik | | | 4:28 | instrument |
| Como dois animais | Alceu Valença | | | 4:10 | instrument |
| Como dois animais | Alceu Valença | | | 4:11 | instrument |
| Como la luna y el sol | Ana Alcaide | | | 5:41 | instrument |
| Como Poden per sas culpas | The Toronto Consort | | | 1:59 | instrument |
| Craindre vous vueil | Studio der frühen Musik | | | 4:39 | instrument |
| Créditos | Alceu Valença | | | 3:09 | instrument |
| Cuando el rey Nimrod | La Rondinella | | | 3:59 | instrument |
| Da que Deus mamou (C. 77) | The Renaissance Players | | | 4:21 | instrument |
| Dança amorosa e Suo Troto | [unknown] | | | 4:09 | instrument |
| Danza da Lúa en Santiago | Carlos Núñez | | | 7:02 | instrument |
| Danza del corpus | Ana Alcaide | | | 1:49 | instrument |
| Darabeen | Bassem Hawar, Albrecht Maurer | | | 8:57 | instrument |
| De janeiro a janeiro | Alceu Valença | | | 3:17 | instrument |
| De janeiro a janeiro | Alceu Valença | | | 2:44 | instrument |
| Depairte, depairte (The Lady Marie's galliard) | Scottish Early Music Consort | | | 4:01 | instrument (comme « tenor rebec ») |
| Depois do amor | Alceu Valença | | | 3:26 | instrument |
| Der kuninc Rodolp | Studio der frühen Musik, Thomas Binkley | | | 5:31 | instrument |
| Deus e o mundo | Simone Sou | | | 6:30 | instrument |
| Diabo louro | Alceu Valença | | | 3:16 | instrument |
| Diabo louro | Alceu Valença | | | 3:16 | instrument |
| Dieu garde celle de déshonneur | Jean-François Dutertre | | | 2:14 | instrument |
| Dinaresade | Ensemble Oni Wytars | | | 13:50 | instrument |
| Dolly Dolly | Alceu Valença | | | 4:07 | instrument |
| Dolly Dolly / Tesoura do desejo | Alceu Valença | | | 5:43 | instrument |
| Dona de 7 colinas | Alceu Valença | | | 3:37 | instrument |
| Double Ballade: Armes, amours - Ô flour des flours | Early Music Consort of London, David Munrow | | | 2:50 | instrument |
