| ...pour enfanter une étoile qui danse | Antje Hensel | | | 6:43 | instrument |
| 'Ductia' | The Dufay Collective | | | 1:39 | instrument |
| 'La Follia' in G minor op. 5. no. 12 | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | | | 9:32 | instrument |
| ’til Morning | Skin | | | 4:46 | instrument |
| "La Baila", jota y brincao | Habas verdes | | | 2:41 | instrument |
| "La Follia" Op. V, 12 | Arcangelo Corelli | | | 11:06 | instrument |
| "Les Saisons Amusantes" (1739): Concerto no. 1 "Le Printemps": Allegro | Ensemble 1700, Dorothee Oberlinger | | | 3:07 | instrument |
| "Les Saisons Amusantes" (1739): Concerto no. 2 "Les Plaisirs de l'Été": Allegro (La Caccia) | Ensemble 1700, Dorothee Oberlinger | | | 3:28 | instrument |
| "Les Saisons Amusantes" (1739): Concerto no. 2 "Les Plaisirs de l'Été": Largo | Ensemble 1700, Dorothee Oberlinger | | | 2:33 | instrument |
| "Meine Seele hört im Sehen" für Tenor, Blockflöte und Orgel (HWV 207) | Rainer van Husen, Kurt-Ludwig Forg, Konrad Hünteler | | | 6:29 | instrument |
| "Wachet auf, ruft uns die Stimme" in E-flat major, BWV 645 (transcribed for recorder, viola da gamba and lute) | Stefan Temmingh, Domen Marincič, Axel Wolf | | | 4:13 | instrument |
| “Baby Bowser’s Recorder Quartet” (Yoshi’s Story) | Ian Martyn | | | 0:57 | instrument |
| “Bestelle dein Haus”: Aria (SATB): “Bestelle dein Haus” – “Herr, lehre doch mich” / Choral: “Herzlich tut mich verlangen” / Aria (SATB): “Christus ist mein Leben” – “Ich hab Lust abzuscheiden” / Choral: “Wenn gleich süss ist das Leben” | Greta de Reyghere, James Bowman, Guy de Mey, Max van Egmond, Ricercar Consort | | | 6:45 | instrument |
| “Concerto di camera” in G minor for Recorder, Two Violins & Continuo, TWV 43:g3: [Allegro] | Giovanni Antonini & Il giardino armonico | | | 5:01 | instrument |
| “Concerto di camera” in G minor for Recorder, Two Violins & Continuo, TWV 43:g3: Bourrée | Giovanni Antonini & Il giardino armonico | | | 1:35 | instrument |
| “Concerto di camera” in G minor for Recorder, Two Violins & Continuo, TWV 43:g3: Menuet e Trio | Giovanni Antonini & Il giardino armonico | | | 4:07 | instrument |
| “Concerto di camera” in G minor for Recorder, Two Violins & Continuo, TWV 43:g3: Siciliana | Giovanni Antonini & Il giardino armonico | | | 7:14 | instrument |
| “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus”, BWV 106: Sonatina / Coro: “Gottes Zeit ist die allerbeste Zeit” / (T): “Ach, Herr, lasse uns bedenken” / (B): “Bestelle dein Haus” / Coro: “Es ist der alte Bund” / (A): “In deine Hände” / (B): “Heute wirst du mit mir im Paradies” & Choral (A): “Mit Fried und Freud’” / Coro: “Glorie, Lob, Ehr’und Herrlichkeit” | Greta de Reyghere, James Bowman, Guy de Mey, Max van Egmond, Ricercar Consort | | | 20:22 | instrument |
| “Harmonische Freude frommer Seelen”: Coro: “Ich freue mich im Herrn” / Aria: (S): “In dem Herrn ich mich erfreue” - (A): “Der Versöhnungsrock mich kleidet” - (T): “Was sprichts du zu meiner Freude – (B): Ich, von Ewigkeit dein Vater” / Choral: “Ich habe dich je und je geliebet” | Georg Riedel | | | 11:40 | instrument |
| “Himmelskönig sei willkommen”, BWV 182: Sonata / Coro: “Himmelskönig sei willkommen” / Recitativo (B): “Siehe, siehe, ich komme” / Aria (B): “Starkes Lieben” / Aria (A): “Leget euch dem Heiland” / Aria (T): “Jesu, lass durch Wohl und Weh” / Coro: “Jesu, deine Passion” / Coro: “So lasset uns gehen en Salem der Freuden” | Steve Dugardin, Ian Honeyman, Max van Egmond, Chœur de Chambre de Namur, Ricercar Consort, Pierre Cao | | | 27:44 | instrument |
| “Ich steh an Deiner Krippen hier”, BWV 469 | Franz Vitzthum, Flautando Köln, Katharina Hess, Susanne Hochscheid, Ursula Thelen, Kerstin de Witt | | | 3:14 | instrument |
| “Maria durch ein Dornwald ging” | Franz Vitzthum, Michael Dücker, Flautando Köln, Katharina Hess, Susanne Hochscheid, Stefan Horz, Torsten Müller, Ursula Thelen, Kerstin de Witt | | | 1:54 | instrument |
| “Mit Ernst, o Menschenkinder” / Luculentum Theatrum Musicum: “Almande Nonette” | Franz Vitzthum, Michael Dücker, Flautando Köln, Katharina Hess, Susanne Hochscheid, Stefan Horz, Torsten Müller, Ursula Thelen, Kerstin de Witt | | | 4:07 | instrument |
| “Normoon” (Quest 64) | Patti Rudisill feat. Kristin Naigus | | | 2:27 | instrument |
| “Sechs Choräle von verschiedener Art”: “Kommst Du nun Jesu vom Himmel herunter”, BWV 650 | Flautando Köln, Katharina Hess, Susanne Hochscheid, Stefan Horz, Torsten Müller, Ursula Thelen, Kerstin de Witt | | | 3:32 | instrument |
| “Sei willekommen Herre Christ” | Franz Vitzthum, Michael Dücker, Flautando Köln, Katharina Hess, Susanne Hochscheid, Stefan Horz, Torsten Müller, Ursula Thelen, Kerstin de Witt | | | 2:44 | instrument |
| “Solo pour la flûte traversière” in C minor, BWV 1013: Allemande | Dorothee Oberlinger | | | 4:44 | instrument |
| “Tritt auf die Glaubensbahn”, BWV 152: Concerto / Aria (B): “Tritt auf die Glaubensbahn” / Recitativo (B): “Der Heiland ist gesetzt” / Aria (S): “Stein der über alle Schätze” / Recitativo (B): “Es ärg’re sich die klage Welt” / Duo (SB): “Wie soll ich dich” | Greta de Reyghere, Max van Egmond, Ricercar Consort | | | 18:41 | instrument |
| “Uns kompt ein Schiff gefahren” | Franz Vitzthum, Michael Dücker, Flautando Köln, Katharina Hess, Susanne Hochscheid, Stefan Horz, Torsten Müller, Ursula Thelen, Kerstin de Witt | | | 4:31 | instrument |
| “Vater unser” | Christian Geist | | | 7:30 | instrument |
| »E pur’io torno« | Dmitry Sinkovsky, Dorothee Oberlinger, Ensemble 1700 | | | 5:34 | instrument |
| »Folle è ben che si crede« | Dmitry Sinkovsky, Dorothee Oberlinger, Ensemble 1700 | | | 3:57 | instrument |
| »Hor che’l ciel« | Dorothee Oberlinger, Ensemble 1700 | | | 6:25 | instrument |
| »Io son ferito« | Dorothee Oberlinger, Jeremy Joseph | | | 5:29 | instrument |
| »Si dolce è’l tormento« | Dmitry Sinkovsky, Dorothee Oberlinger, Ensemble 1700 | | | 4:11 | instrument |
| (The System of) Doctor Tarr and Professor Fether | The Alan Parsons Project | | 3.65 | 4:16 | instrument |
| (The System of) Doctor Tarr and Professor Fether | The Alan Parsons Project | | 5 | 4:21 | instrument |
| [untitled] (excerpt) | Merzbow | | | 5:36 | instrument (als “ring modulated recorders”) |
| 『死の舞踏』 | 椎名豪 | | | 2:33 | instrument |
| 001 B | Merzbow | | | 23:46 | instrument |
| 1. Virelay: “Douce dame jolie” ; “Lors pour alleger” ; “Ploures, dames” | Ensemble Guillaume de Machaut de Paris | | | 8:15 | instrument |
| 002 B | Merzbow | | | 20:52 | instrument |
| 2 Studies: I, Allegretto | Michala Petri | | | 1:18 | instrument |
| 2 Studies: II, Vivace | Michala Petri | | | 1:09 | instrument |
| 2. “Je vous enoie une ballade” ; virelay: “Se medisants” | Ensemble Guillaume de Machaut de Paris | | | 2:10 | instrument |
| 2年B組新米先生 | 松尾早人 | | | 1:54 | instrument |
| 3 tunes new to John Playford's Dancing Master | Pedro Memelsdorff, Andreas Staier | | | 4:24 | instrument |
| 3. Ballade “Je ne cui pas” | Ensemble Guillaume de Machaut de Paris | | | 4:10 | instrument |
| 4 Pieces from Pièces de clavecin, premier suite: I. Adagio | Erik Bosgraaf, Francesco Corti | | | 3:00 | instrument |
| 4 Pieces from Pièces de clavecin, premier suite: II. Allegro | Erik Bosgraaf, Francesco Corti | | | 3:22 | instrument |
| 4 Pieces from Pièces de clavecin, premier suite: III. Andante | Erik Bosgraaf, Francesco Corti | | | 1:57 | instrument |
| 4 Pieces from Pièces de clavecin, premier suite: IV. Vivace | Erik Bosgraaf, Francesco Corti | | | 4:16 | instrument |
| 006 A1 | Merzbow | | | 17:35 | instrument |
| 006 A2 | Merzbow | | | 5:10 | instrument |
| 006 B1 | Merzbow | | | 23:12 | instrument |
| 6. Lay de bonne esperance | Ensemble Guillaume de Machaut de Paris | | | 16:30 | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Anna | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Anna spiller kroket | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Annas sidste mælkestand | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Belæring til Anna | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Gensyn med Anna | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Kære Anna | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 7 sange til Anna (Brøndum Ancker), op. 89: Lodsen fra Vinga | Per Johansen, Michala Petri, David Petri, Hanne Petri | | | ?:?? | instrument |
| 8.1 | Ensemble X | | | 13:01 | instrument |
| 9人きょうだい | 大間々昂 | | | 1:42 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Adagio from Violin Sonata no. 1 in G minor, BWV 1001 | Bolette Roed | | | 3:56 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Allegro assai from Violin Sonata no. 3 in C major, BWV 1005 | Bolette Roed | | | 6:05 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Allegro from Violin Sonata no. 2 in A minor, BWV 1003 | Bolette Roed | | | 7:20 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Allemanda from Violin Partita no. 2 in D minor, BWV 1004 | Bolette Roed | | | 5:17 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Bourrée from Violin Partita no. 3 in E major, BWV 1006 | Bolette Roed | | | 1:40 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Corrente from Violin Partita no. 2 in D minor, BWV 1004 | Bolette Roed | | | 3:06 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Gavotte en rondeau from Violin Partita no. 3 in E major, BWV 1006 | Bolette Roed | | | 3:08 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Giga from Violin Partita no. 2 in D minor, BWV 1004 | Bolette Roed | | | 5:19 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Gigue from Violin Partita no. 3 in E major, BWV 1006 | Bolette Roed | | | 2:16 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Preludio from Violin Partita no. 3 in E major, BWV 1006 | Bolette Roed | | | 4:15 | instrument |
| 11 Movements from the Sonatas and Partitas for Violin Solo Arranged for Recorder Solo: Sarabanda from Violin Partita no. 2 in D minor, BWV 1004 | Bolette Roed | | | 3:56 | instrument |
| 14文字の伝言 | Linked Horizon | | | 5:27 | instrument |
| 16th Century Greensleeves | Blackmore’s Night | | | 5:48 | instrument |
| 16th Century Greensleeves | Blackmore’s Night | | 3.35 | 4:44 | instrument |
| 16th Century Greensleeves | Blackmore’s Night | | | 5:57 | instrument |
| 16th Century Greensleeves | Blackmore’s Night | | | 5:45 | instrument |
| 18.2 | Ensemble X | | | 16:35 | instrument |
| 20 Steps | MarieMarie | | | 3:58 | instrument |
| 23rd Street Lullaby | Patti Scialfa | | | 5:12 | instrument |
| 23rd Street Lullaby | Patti Scialfa | | | 4:22 | instrument |
| 25 Years | Blackmore’s Night | | 4.65 | 4:57 | instrument |
| 40 Airs anglos pour la flute: 3ᵐᵉ livre. A Ground | Ensemble 1700, Dorothee Oberlinger | | | 3:23 | instrument |
| 44 Duos for 2 Violins, Sz 98: No. 32. Maramarosi Tánc | Béla Bartók | | | 0:42 | instrument |
| 44 Duos for 2 Violins, Sz 98: No. 35. Rutén Kolomejka | Béla Bartók | | | 1:01 | instrument |
| 84,000 Different Delusions | Shawn Colvin | | | 4:02 | instrument |
| 500 Miles | The Hooters | | | 8:46 | instrument |
| A Browninge of 3 voc. | Joris Van Goethem, Bart Spanhove, Geert Van Gele, Paul Van Loey, Marion Verbruggen, Flanders Recorder Quartet | | | 3:55 | instrument |
| A Caroling in the Dark / Good King Wenceslas / Good King Wenceslas / This Is the Truth Sent From Above / The Holly and the Ivy / The Holly and the Ivy | Alan Lomax / Children's Choir / Bryan Newey Skiffle Group / Shirley Collins / The Haddo House Choir / The Skinner's Bottom Glee Singers | | | 4:58 | instrument |
| A Certain Something | The Move | | | 3:46 | instrument |
| A Crow Will Remember Your Face | Silver Servants | | | 4:19 | instrument |
| A dio Florida bella, SV 110 (Book VI) | Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz | | | 4:28 | instrument |
| A Division | Concerto Scirocco, Giulia Genini | | | 2:57 | instrument |
| A Division Upon a Ground | James Crabb, Genevieve Lacey | | | 4:30 | instrument (als “recorders”) |
| A Dream Within a Dream | The Alan Parsons Project | | 4 | 3:42 | instrument |
| A Dream Within a Dream | The Alan Parsons Project | | 3.75 | 4:13 | instrument |
