| » …, die Hölle aber nicht. « für Streichquartett, Klavier und Sprecher | Hanns Zischler, Ensemble Resonanz, Stefan Litwin | | | 23:46 | |
| (Love) Right Now | Akua Naru & Ensemble Resonanz | | | 3:44 | |
| 3 Scenes from Goethe’s Faust: I. Andante | Elena Prokina, Ensemble Resonanz, Rudolf Barshai | | | 8:31 | |
| 3 Scenes from Goethe’s Faust: II. Adagio | Elena Prokina, Ensemble Resonanz, Rudolf Barshai | | | 6:32 | |
| 3 Scenes from Goethe’s Faust: III. Andante | Elena Prokina, Ensemble Resonanz, Rudolf Barshai | | | 19:15 | |
| Affirmation | Akua Naru, Ensemble Resonanz & Panashe Chigumadzi | | | 0:56 | |
| Analogique A+B | Ensemble Resonanz, Johannes Kalitzke | | | 6:46 | |
| Aroura | Ensemble Resonanz, Johannes Kalitzke | | | 11:05 | |
| Ch’io mi scordi di te?, K. 505: Aria. Non temer, amato bene | Anna Prohaska, Herbert Schuch, Ensemble Resonanz, Riccardo Minasi | | | 8:46 | |
| Ch’io mi scordi di te?, K. 505: Recitative. Ch’io mi scordi di te? | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 1:51 | |
| Concerto for Violoncello, Strings and Basso Continuo in A major, H. 439 (Wq 172): I. Allegro | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 6:48 | |
| Concerto for Violoncello, Strings and Basso Continuo in A major, H. 439 (Wq 172): II. Largo maestoso | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 7:31 | |
| Concerto for Violoncello, Strings and Basso Continuo in A major, H. 439 (Wq 172): III. Allegro assai | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 5:26 | |
| Concerto for Violoncello, Strings and Basso Continuo in A minor, H. 432 (Wq 170): I. Allegro assai | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 10:53 | |
| Concerto for Violoncello, Strings and Basso Continuo in A minor, H. 432 (Wq 170): II. Andante | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 8:02 | |
| Concerto for Violoncello, Strings and Basso Continuo in A minor, H. 432 (Wq 170): III. Allegro assai | Ensemble Resonanz, Jean‐Guihen Queyras, Riccardo Minasi | | | 5:57 | |
| Concerto pour violoncelle Wq 171 (Allegro assai) | Ensemble Resonanz, Jean‐Guihen Queyras | | | 6:31 | |
| Cosi fan tutte, K. 588, Act I Scene 11: Aria. Come scoglio | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 4:10 | |
| Cosi fan tutte, K. 588, Act I Scene 11: Recitative. Temerari, sortite | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 1:10 | |
| Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria. Traurigkeit ward mir zum Lose | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 7:11 | |
| Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative. Welcher Wechsel herrscht | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 2:04 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Il Terremoto. Presto e con tutta la forza | Ensemble Resonanz, Riccardo Minasi | | | 1:39 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Introduzione. Maestoso ed adagio | Ensemble Resonanz, Riccardo Minasi | | | 5:28 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata I. Pater, dimitte illis, quia nesciunt, quid faciunt. Largo | Ensemble Resonanz, Riccardo Minasi | | | 6:45 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata II. Hodie mecum eris in Paradiso. Grave e cantabile | Ensemble Resonanz, Riccardo Minasi | | | 8:35 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata III. Mulier, ecce filius tuus. Grave | Ensemble Resonanz, Riccardo Minasi | | | 9:58 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata IV. Deus meus, Deus meus, ut quid dereliquisti me ? Largo | Ensemble Resonanz, Riccardo Minasi | | | 7:21 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata V. Sitio. Adagio | Ensemble Resonanz, Riccardo Minasi | | | 8:56 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata VI. Consummatum est ! Lento | Ensemble Resonanz, Riccardo Minasi | | | 7:37 | |
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata VII. In manus tuas, Domine, commendo spiritum meum. Largo | Ensemble Resonanz, Riccardo Minasi | | | 7:36 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 1. Asyl [Friedrich Hölderlin] | Matthias Goerne, Ensemble Resonanz | | | 2:37 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 2. Traurigkeit [Berthold Viertel] | Matthias Goerne, Ensemble Resonanz | | | 1:54 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 3. Verzweiflung [Giacomo Leopardi] | Matthias Goerne, Ensemble Resonanz | | | 0:49 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 4. Hoffnung [Friedrich Hölderlin] | Matthias Goerne, Ensemble Resonanz | | | 1:06 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 5. XX. Parteitag [nach einem Gedicht von Helmut Richter] | Matthias Goerne, Ensemble Resonanz | | | 0:40 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 6. Komm ins Offene, Freund! [Friedrich Hölderlin] | Matthias Goerne, Ensemble Resonanz | | | 1:45 | |
| Ernste Gesänge pour ensemble instrumental et baryton: 7. Epilog [Stephan Hermlin] | Matthias Goerne, Ensemble Resonanz | | | 3:00 | |
| Ernste Gesänge pour ensemble instrumental et baryton: Vorspiel und Spruch [Friedrich Hölderlin] | Matthias Goerne, Ensemble Resonanz | | | 1:22 | |
| Ernste Gesänge: I. Vorspiel und Spruch | Matthias Goerne, Ensemble Resonanz | | | 1:22 | |
| Ernste Gesänge: II. Asyl | Matthias Goerne, Ensemble Resonanz | | | 2:37 | |
| Ernste Gesänge: III. Traurigkeit | Matthias Goerne, Ensemble Resonanz | | | 1:52 | |
| Ernste Gesänge: IV. Verzweiflung | Matthias Goerne, Ensemble Resonanz | | | 0:47 | |
| Ernste Gesänge: V. Hoffnung | Matthias Goerne, Ensemble Resonanz | | | 1:04 | |
| Ernste Gesänge: VI. XX. Parteitag | Matthias Goerne, Ensemble Resonanz | | | 0:40 | |
| Ernste Gesänge: VII. Komm ins Offene, Freund! | Matthias Goerne, Ensemble Resonanz | | | 1:43 | |
| Ernste Gesänge: VIII. Epilog | Matthias Goerne, Ensemble Resonanz | | | 2:58 | |
| Falling | Akua Naru & Ensemble Resonanz | | | 5:22 | |
| Filz: I | Ensemble Resonanz, Tabea Zimmermann, Enno Poppe | | | 10:54 | |
| Filz: II | Ensemble Resonanz, Tabea Zimmermann, Enno Poppe | | | 7:52 | |
| Filz: III | Ensemble Resonanz, Tabea Zimmermann, Enno Poppe | | | 6:52 | |
| horribile dictu | Neue Vocalsolisten Stuttgart, Ensemble Resonanz, Titus Engel, Composers Slide Quartet | | | 6:37 | |
| Idomeneo, re di Creta, K. 366, Act II Scene 2: Aria. Se il padre perdei | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 5:33 | |
| Idomeneo, re di Creta, K. 366, Act III Scene 10: Aria. D’Oreste, d’Aiace | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 2:53 | |
| Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative. Oh smania! Oh furie! | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 2:15 | |
| Ittidra | Ensemble Resonanz | | | 8:42 | |
| Joy | Akua Naru, Ensemble Resonanz & Taylor Samuels | | | 4:25 | |
| Konzert für Streichorchester: Aria. Langsam mit Ausdruck | Ensemble Resonanz | | | 4:41 | |
| Konzert für Streichorchester: Finale. Mäßig schnell | Ensemble Resonanz | | | 4:13 | |
| Konzert für Streichorchester: Introduktion. Mäßig bestimmt | Ensemble Resonanz | | | 1:29 | |
| La clemenza di Tito, K. 621, Act II Scene 15: Aria. Non più di fiori | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 7:03 | |
| La clemenza di Tito, K. 621, Act II Scene 15: Recitative. Ecco il punto, o Vitellia | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 1:51 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [1] Allegretto, andante mol | Tabea Zimmermann, Ensemble Resonanz | | | 1:03 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [2] Animato | Tabea Zimmermann, Ensemble Resonanz | | | 1:09 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [3] Tranquillo | Tabea Zimmermann, Ensemble Resonanz | | | 1:37 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [4] Allegro con moto | Tabea Zimmermann, Ensemble Resonanz | | | 0:54 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [5] Largamente | Tabea Zimmermann, Ensemble Resonanz | | | 0:36 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [6] Appassionato | Tabea Zimmermann, Ensemble Resonanz | | | 0:56 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [7] Alla Valse moderato | Tabea Zimmermann, Ensemble Resonanz | | | 1:16 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [8] Allegro marcia | Tabea Zimmermann, Ensemble Resonanz | | | 0:50 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [9] Lento | Tabea Zimmermann, Ensemble Resonanz | | | 0:43 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: [10] L’istesso tempo | Tabea Zimmermann, Ensemble Resonanz | | | 2:06 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: A tempo semplice | Tabea Zimmermann, Ensemble Resonanz | | | 1:20 | |
| Lachrymae, Reflections on a song by John Dowland, op. 48a: Lento | Tabea Zimmermann, Ensemble Resonanz | | | 2:02 | |
| Le nozze di Figaro, K. 492, Act IV Scene 10: Aria. Deh vieni, non tardar | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 2:52 | |
| Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative. Giunse alfin il momento | Anna Prohaska, Ensemble Resonanz, Riccardo Minasi | | | 1:11 | |
| Les Liaisons magnétiques: I. Largo | Ensemble Resonanz, Ensemble Variances, Jonathan Stockhammer | | | 10:01 | |
| Les Liaisons magnétiques: II. Moderato | Ensemble Resonanz, Ensemble Variances, Jonathan Stockhammer | | | 8:36 | |
| Les Sept Dernières Paroles du Christ - Sonata II : Hodie mecum eris in Paradisio | Ensemble Resonanz, Riccardo Minasi | | | 8:37 | |
| Lyrischen Suite: I. Allegro giovale | Ensemble Resonanz, Jean‐Guihen Queyras | | | 3:11 | |
| Lyrischen Suite: II. Andante amoroso | Ensemble Resonanz, Jean‐Guihen Queyras | | | 5:53 | |
| Lyrischen Suite: III. Allegro misterioso | Ensemble Resonanz, Jean‐Guihen Queyras | | | 3:42 | |
| Lyrischen Suite: IV. Adagio appassionato | Ensemble Resonanz, Jean‐Guihen Queyras | | | 6:05 | |
| Lyrischen Suite: V. Presto delirando | Ensemble Resonanz, Jean‐Guihen Queyras | | | 4:39 | |
| Lyrischen Suite: VI. Largo desolato | Ensemble Resonanz, Jean‐Guihen Queyras | | | 6:18 | |
| Modi in Cascada | A Filetta, Ensemble Resonanz | | | 13:46 | |
| Mr. Brownskin | Akua Naru & Ensemble Resonanz | | | 3:54 | |
| Oceanus Procellarum 1 | Elliott Sharp, Gareth Davis, Ensemble Resonanz | | | 6:41 | |
| Oceanus Procellarum 2 | Elliott Sharp, Gareth Davis, Ensemble Resonanz | | | 10:58 | |
| Oceanus Procellarum 3 | Elliott Sharp, Gareth Davis, Ensemble Resonanz | | | 6:07 | |
| Oceanus Procellarum 4 | Elliott Sharp, Gareth Davis, Ensemble Resonanz | | | 6:20 | |
| Oceanus Procellarum 5 | Elliott Sharp, Gareth Davis, Ensemble Resonanz | | | 8:25 | |
| Piano Concerto “No. 6” in D major, op. 61a: I. Allegro ma non troppo | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 24:56 | |
| Piano Concerto “No. 6” in D major, op. 61a: II. Larghetto | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 9:33 | |
| Piano Concerto “No. 6” in D major, op. 61a: III. Rondo | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 9:58 | |
| Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 17:25 | |
| Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 5:29 | |
| Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Gianluca Cascioli, Ensemble Resonanz, Riccardo Minasi | | | 10:48 | |
| Poetry: How does it feel??? | Akua Naru, Ensemble Resonanz, Takuya Kuroda & Edson Sean | | | 7:29 | |
| Run Away | Akua Naru & Ensemble Resonanz | | | 3:50 | |
| Salve a duo: I. Salve Regina. Largo | Giulia Semenzato, Lucile Richardot, Ensemble Resonanz, Riccardo Minasi | | | 3:28 | |