| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 1. Recitative: "Was mir behagt, ist nur die muntre Jagd" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:43 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 2. Aria: "Jagen ist die Lust der Götter" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:04 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 3. Recitative: "Wie, schönste Gottin" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 1:07 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 4. Aria: "Willst du dich nicht mehr ergötzen" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:24 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 5. Recitative: "Ich liebe dich zwar noch" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:23 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 6. Recitative: "Ich, der ich sonst ein Gott" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:31 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 7. Aria: "Ein Fürst ist seines Landes" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 3:15 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 8. Recitative: "Soll denn der Pales" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:38 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:01 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 10. Recitative: "So stimmt mit ein" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:11 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 11. Chorus: "Lebe, Sonne dieser Erden" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 3:03 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 12. Duet: "Entzücket uns beide, ihr Strahlen der Freude" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:05 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 13. Aria: "Weil die wollenreichen Herden" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:52 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 14. Aria: "Ihr Felder und Auen" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:33 | |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 15. Chorus: "Ihr lieblichste Blicke" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 3:58 | |
| 01 - Part I Sinfonia | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:02 | |
| 02 - Part I Recitaitieve-Tenor: Comfort ye my people | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:51 | |
| 03 - Part I Aria-tenor: Ev'ry valley shall be exalted | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:20 | |
| 04 - Part I Chorus: And the glory, the glory of the Lord | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:52 | |
| 05 - Part I Recitative-bass: Thus said the Lord | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:20 | |
| 06 - Part I Aria-alto: But who may abide | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 4:05 | |
| 07 - Part I Chorus: And we shall purify | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:29 | |
| 08 - Part I Recitative- alto: Behold, a virgin shall conceive | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:23 | |
| 09 - Part I Aria-alto & chorus: O thou that tellest | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 5:27 | |
| 10 - Part I Recitative-bass: For behold, darkness shall come over the earth | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:01 | |
| 11 - Part I Aria-bass: The people that walked in the darkness | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:17 | |
| 12 - Part I Chorus: For unto us a Chils is born | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 4:05 | |
| 13 - Part I Pifa (Pastoral simphony) | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:31 | |
| 14 - Part I Recitative-soprano: There were shepherds | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:30 | |
| 15 - Part I Recitative-soprano: And the angels said unto them | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:31 | |
| 16 - Part I Recitative-soprano: And suddenly there was with the angel | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:17 | |
| 17 - Part I Chorus: Glory to God in the higest | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:52 | |
| 18 - Part I Aria soprano: Rejoice greately, o daughter of Zion | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 4:17 | |
| 19 - Part I Recitative-alto: Then shall the eyes of the blind | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:24 | |
| 20 - Part I Duet alto & soprano: And we shall feed his flock | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 4:35 | |
| 21 - Part I Chorus: His yoke is easy | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:20 | |
| 22 - Part II Chorus: Behold the lamb of God | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:22 | |
| 23 - Part II Aria-alto: He was despised | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 9:51 | |
| 24 - Part II Chorus: Surely he has borne our grieves | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:43 | |
| 25 - Part II Chorus: And with his stripes we were healed | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:47 | |
| 26 - Part II Chorus: All we like sheep | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:43 | |
| 27 - Part II Recitative-tenor: All they that see Him | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:40 | |
| 28 - Part II Chorus: He trusted in god | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:19 | |
| 29 - Part II Recitative-tenor: Thy rebuke hath broken his heart | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:48 | |
| 30 - Part II Aria-tenor: Behold, and see if there be any sorrow | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:22 | |
| 31 - Part II Recitative-tenor: He was cut off the land | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:17 | |
| 32 - Part II Aria-tenor: But thou didst not leave | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:20 | |
| 33 - Part II Chorus: Lift up your heads | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:58 | |
| 34 - Part II Recitative-tenor: Unto which of the angels | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:19 | |
| 35 - Part II Chorus: Let all the angels of God worship Him | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:27 | |
| 36 - Part II Aria-alto: Thou art gone up on high | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:12 | |
| 37 - Part II Chorus: The lord gave the word | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:04 | |
| 38 - Part II Aria-soprano: How beautiful are the feet | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:03 | |
| 39 - Part II Chorus: Their sound is gone out | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:29 | |
| 40 - Part II Aria-Bass: Why do the nations? | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:26 | |
| 41 - Part II Chorus: Let us break their bonds asunder | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:42 | |
| 42 - Part II Recitative-tenor: He that dwelleth in heaven | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:12 | |
| 43 - Part II Aria-tenor; thou shalt break them | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:59 | |
| 44 - Part II Chorus: Hallelujah! | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 3:35 | |
| 45 - Part III Aria-soprano; I know that my Redeemer liveth | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 5:47 | |
| 46 - Part III Chorus: Since by man come death | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:02 | |
| 47 - Part III Recitativ-bass; Behold, I tell you a mystery | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:34 | |
| 48 - Part III Aria-bass: The trumpet shall sound | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 8:31 | |
| 49 - Part III Recitativ-alto: Then shall be brought to pass | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 0:17 | |
| 50 - Part III Duet alto & tenor: O death, where is thy sting? | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 1:03 | |
| 51 - Part III Chorus: But thanks be to god | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 2:02 | |
| 52 - Part III Aria-soprano: If god be for us | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 5:06 | |
| 53 - Part III Chorus: Worthy is the Lamb... Amen | John Mark Ainsley, Lynne Dawson, Alastair Miles, Hilary Summers, Stephen Cleobury, Choir of King’s College, Cambridge | | | 6:49 | |
| A Choral Fantasia, op. 51 (H 177): I. Man Born of Desire | Lynne Dawson, Royal Philharmonic Orchestra, John Birch | | | 2:46 | |
| A Choral Fantasia, op. 51 (H 177): V. Rejoice, Ye Dead | Lynne Dawson, Royal Philharmonic Orchestra, John Birch | | | 1:15 | |
| A Dead March | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | | | 3:06 | |
| A Midsummer Night’s Dream, op. 61: III. Nachtigall, mit Melodei (Allegro ma non troppo) | Lynne Dawson, Frauenchor des Rundfunk, Berlin, Dalia Schaechter, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | | | 4:15 | |
| A Midsummer Night’s Dream, op. 61: XII. Finale: Bei des Feuers mattem Flimmern (Allegro di molto) | Lynne Dawson, Frauenchor des Rundfunk, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | | | 4:58 | |
| A Song of Thanksgiving | Corydon Singers, Lynne Dawson, Sir John Gielgud, London Oratory Junior Choir, John Scott, City of London Sinfonia, Matthew Best | | | 16:13 | |
| Act 3 - More trouble is behind: for Harapha | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | | | 1:24 | |
| Alcina: Di Cor Mio | Lynne Dawson, Handel, Lautten Compagney, Wolfgang Katschner | | | ?:?? | |
| Alexander Balus, Act III: Shall Cleopatra Ever Smile Again? | Lynne Dawson, Tom Raskin, Choir of New College, Oxford, King’s Consort, Robert King | | | 7:28 | |
| Amadigi Di Gaula: Destero Dall' Empia Dite | Lynne Dawson, Handel, Lautten Compagney, Wolfgang Katschner | | | ?:?? | |
| Anthem 1 “O Be Joyful in the Lord”: Be ye sure that the Lord he is Lord | Lynne Dawson, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | | | 2:37 | |
| Anthem 1 “O Be Joyful in the Lord”: For the Lord is gracious | Lynne Dawson, Michael George, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | | | 2:43 | |
| Anthem 3 “Have Mercy Upon Me”: Make me a clean heart, O God | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | | | 2:40 | |
| Anthem 3 “Have Mercy Upon Me”: Wash me thoroughly from my wickedness | Lynne Dawson, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | | | 2:56 | |
| Anthem 10 “The Lord is My Light”: It is the Lord that ruleth the sea | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | | | 1:43 | |
| Anthem 11 “Let God Arise”: Let the righteous be glad | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | | | 3:11 | |
| Aria: Ah! Think what ills the jealous prove | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 5:52 | |
| Aria: Banish love from thy breast | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 2:17 | |
| Aria: Daughter of gods, bright liberty! | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 5:55 | |
| Aria: How blest the maid, ordained to dwell | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 5:56 | |
| Aria: My breast with tender pity swells | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 6:49 | |
| Aria: My father! Ah! methinks I see | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 5:56 | |
| Arianna In Creta: Son Qual Stanco | Lynne Dawson, Handel, Lautten Compagney, Wolfgang Katschner | | | ?:?? | |
| Ariodante, HWV 33, Act 1: "Ami dunque, o signora?": "Ginevra?" | Veronica Cangemi, Lynne Dawson, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | | | 0:53 | |
| Ariodante, HWV 33, Act 1: "Orrida agli occhi miei" | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 2:13 | |
| Ariodante, HWV 33, Act 1: "Pare, ovunque m'aggiri": "E qual propizia stella" | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | | | 0:46 | |
| Ariodante, HWV 33, Act 1: "Si godete al vostro amor" | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | | | 1:01 | |
| Ariodante, HWV 33, Act 1: "T'amerò dunque sempre" | Anne Sofie von Otter, Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 0:40 | |
| Ariodante, HWV 33, Act 1: "Vezzi, lusinghe, e brio" | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 2:19 | |
| Ariodante, HWV 33, Act 1: "Volate, amori" | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | | | 3:30 | |
| Ariodante, HWV 33, Act 1: Non vi turbate | Denis Sedov, Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | | | 1:15 | |
| Ariodante, HWV 33, Act 1: Prendi da questa mano | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | | | 1:36 | |
Luisteren op ListenBrainz