| Ho! Jolly Jenkin | Donald Adams | | | 2:27 | |
| Intro | Donald Adams | | | 1:50 | |
| Intro | Donald Adams | | | 0:55 | |
| Intro | Donald Adams | | | 1:01 | |
| Intro | Donald Adams | | | 0:32 | |
| Intro | Donald Adams | | | 0:17 | |
| Intro | Donald Adams | | | 0:32 | |
| Intro | Donald Adams | | | 0:28 | |
| Intro | Donald Adams | | | 0:22 | |
| Intro | Donald Adams | | | 0:56 | |
| Intro | Donald Adams | | | 0:47 | |
| Intro | Donald Adams | | | 0:25 | |
| Little Maid of Arcadee | Donald Adams | | | 2:15 | |
| Patience: Act I, no. 3, The Soldiers of Our Queen | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:14 | |
| Patience: Act I, no. 5, When I First Put This Uniform On | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:30 | |
| Patience: Act I, no. 9, Let the Merry Cymbals Sound | Derek Hammond-Stroud, Donald Adams, Terry Jenkins, Anne Collins, Sandra Dugdale, Roderick Kennedy, Shelagh Squires, Shirley Chapman, Patricia Hay, John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:29 | |
| Patience: Act II, no. 16, It’s Clear That Mediaeval Art | Terry Jenkins, Roderick Kennedy, Donald Adams, London Symphony Orchestra, Alexander Faris | | | 2:19 | |
| Patience: Act II, no. 17, If Saphir I Choose to Marry | Shirley Chapman, Shelagh Squires, Terry Jenkins, Roderick Kennedy, Donald Adams, London Symphony Orchestra, Alexander Faris | | | 2:42 | |
| Princess Ida, Act I: No. 4, From the distant panorama...We are warriors three | Donald Adams, Trevor Hills, John Banks, D'Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | | | 3:37 | |
| Princess Ida, Act II: No. 19, We may remark, tho' nothing can dismay us | Victoria Sladen, Muriel Harding, Ann Drummond-Grant, Beryl Dixon, Fisher Morgan, Donald Adams, John Banks, Trevor Hills, D'Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | | | 5:22 | |
| Princess Ida, Act III: No. 24, This helmet I suppose | Donald Adams, John Banks, Trevor Hills, D'Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | | | 2:36 | |
| Princess Ida, Act III: No. 26, With joy abiding | Muriel Harding, Ann Drummond-Grant, Beryl Dixon, Leonard Osborn, Jeffrey Skitch, Fisher Morgan, Donald Adams, John Banks, Trevor Hills, D'Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | | | 2:34 | |
| Princess Ida: Act I. “From the distant panorama… we are warriors three” (Chorus, Arac, Guron, Scynthius) | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Anthony Raffell, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 3:47 | |
| Princess Ida: Act II. Finale “Oh, joy! Our chief is sav’d” | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Elizabeth Harwood, Ann Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 7:17 | |
| Princess Ida: Act II. Finale “We may remark, tho’ nothing can dismay us” | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Elizabeth Harwood, Adam Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 5:05 | |
| Princess Ida: Act III. “This helmet I support” (Arac, Guron, Synthius, Chorus) | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Anthony Raffell, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 2:15 | |
| Princess Ida: Act III. Finale “With joy abiding” | Donald Adams, George Cook, Elizabeth Harwood, Ann Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, John Reed, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 2:32 | |
| Ruddigore, Act II: No. 26, There Grew a Little Flower | Donald Adams, Christene Palmer, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 3:23 | |
| Ruddigore, Act II: Painted Emblems | Keith Michell, Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:09 | |
| Ruddigore, Act II: There Grew a Little Flower | Johanna Peters, Donald Adams, London Symphony Orchestra, Alexander Faris | | | 1:10 | |
| Ruddigore, Act II: When the Night Wind Howls | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:15 | |
| Ruddigore: No. 24, There grew a little flower | Christene Palmer, Donald Adams, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 3:27 | |
| Sweethearts | Donald Adams | | | 4:29 | |
| The Absent-minded Beggar | Donald Adams | | | 5:03 | |
| The Chorister | Donald Adams | | | 3:17 | |
| The Chorister | Donald Adams | | | 1:21 | |
| The Distant Shore | Donald Adams | | | 4:27 | |
| The Mikado, Act II: No. 27, A More Humane Mikado Never Did in Japan Exist | Donald Adams, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 4:12 | |
| The Mikado: Act II. “A more humane Mikado never did in Japan exist” | Donald Adams, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | | | 4:05 | |
| The Mikado: Act II. “A more humane Mikado never did in Japan exist” | Donald Adams, D’Oyly Carte Opera Chorus, D’Oyly Carte Opera Orchestra, Isidore Godfrey | | | 4:26 | |
| The Mikado: Act II. “For he’s gone and married Yum-Yum” | Donald Adams, Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Anne Howells, Marie McLaughlin, Felicity Palmer, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | | | 1:54 | |
| The Mikado: Act II. “Miya sama, miya sama” | Donald Adams, Chorus of the Welsh National Opera, Felicity Palmer, Orchestra of the Welsh National Opera, Charles Mackerras | | | 2:46 | |
| The Mikado: Act II. “See how the Fates their gifts allot” | Donald Adams, Richard van Allan, Anne Howells, Felicity Palmer, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | | | 2:03 | |
| The Mikado: Act II. “See how the Fates their gifts allot” | Donald Adams, Beryl Dixon, Ann Drummond-Grant, D’Oyly Carte Opera Chorus, Peter Pratt, Kenneth Sandford, D’Oyly Carte Opera Orchestra, Isidore Godfrey | | | 2:24 | |
| The Mikado: No. 27, A more humane Mikado never did in Japan exist | Donald Adams, D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 4:15 | |
| The Pirates of Penzance (Version without Dialogue), Act I: 3. Oh, Better Far to Live and Die | Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 2:39 | |
| The Pirates of Penzance (Version without Dialogue), Act I: 15. Oh, Men of Dark and Dismal Fate | Jean Hindmarsh, Beryl Dixon, Marian Martin, Thomas Round, Howard Short, Peter Pratt, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 3:55 | |
| The Pirates of Penzance (Version without Dialogue), Act I: 16. Hail Poetry, Thou Heav'n Born Maid! | Jean Hindmarsh, Beryl Dixon, Marian Martin, Thomas Round, Howard Short, Peter Pratt, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 1:00 | |
| The Pirates of Penzance (Version without Dialogue), Act I: 17. You May Go, for You're at Liberty | Jean Hindmarsh, Beryl Dixon, Marion Martin, Ann Drummond-Grant, Thomas Round, Howard Short, Peter Pratt, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra & Isidore Godfrey | | | 1:46 | |
| The Pirates of Penzance (Version without Dialogue), Act I: 18. Pray Observe the Magnanimity | Jean Hindmarsh, Beryl Dixon, Marian Martin, Thomas Round, Howard Short, Peter Pratt, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 1:42 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 22. Now for the Pirates Lair! | Ann Drummond-Grant, Thomas Round, Donald Adams, London Symphony Orchestra, Isidore Godfrey | | | 1:38 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 23. When You Had Left our Pirate Fold | Ann Drummond-Grant, Thomas Round, Donald Adams, London Symphony Orchestra, Isidore Godfrey | | | 3:50 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 24. Away, Away, My Heart's on Fire | Ann Drummond-Grant, Thomas Round, Donald Adams, London Symphony Orchestra, Isidore Godfrey | | | 1:32 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 34. Hush! Hush! Not a Word | Thomas Round, Donald Adams, Peter Pratt, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 1:18 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 36. Now What Is This, and What Is That | Jean Hindmarsh, Thomas Round, Peter Pratt, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 1:58 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 37. We Triumph Now | Kenneth Sandford, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 1:54 | |
| The Pirates of Penzance (Version without Dialogue), Act II: 39. Poor Wand'ring Ones, Though Ye Have Surely Strayed | Jean Hindmarsh, Beryl Dixon, Marion Martin, Ann Drummond-Grant, Thomas Round, Howard Short, Donald Adams, D'Oyly Carte Opera Chorus, London Symphony Orchestra, Isidore Godfrey | | | 2:06 | |
| The Pirates of Penzance, Act II: No. 21, When the Foeman Bares His Steel | Donald Adams, Ann Hodd, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 4:51 | |
| The Pirates of Penzance: Act I. “Oh, better far to live and die” | Donald Adams, D’Oyly Carte Opera Chorus, D’Oyly Carte Opera Orchestra, Isidore Godfrey | | | 2:39 | |
| The Pirates of Penzance: No. 1, When the foeman bares his steel | Donald Adams, Valerie Masterson, Ann Hodd, D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | | | 4:54 | |
| The Pirates of Penzance: When You Had Left Our Pirate Fold | Donald Adams, Ann Drummond-Grant, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | | | 3:55 | |
| The Sailors Grave | Donald Adams | | | 3:32 | |
| The Sorcerer: Act I. Now to the Banquet We Press | Donald Adams, Clive Revill, Nan Christie, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:14 | |
| The Sorcerer: Act I. Sir Marmaduke, My Dear Young Friend, Alexis | David Kernan, Donald Adams, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:43 | |
| The Sorcerer: Act I. Welcome, Joy | Donald Adams, Nuala Willis, London Symphony Orchestra, Alexander Faris | | | 3:40 | |
| The Sorcerer: Act II. I Rejoice That It’s Decided | Alexander Oliver, Nan Christie, Donald Adams, Enid Hartle, David Kernan, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:49 | |
| The Sorcerer: Act II. Or He or I Must Die! | Clive Revill, Donald Adams, David Kernan, Nuala Willis, Alexander Oliver, Nan Christie, Janis Kelly, Mark Lufton, Enid Hartle, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:51 | |
| The voice of Gilbert | Donald Adams | | | 0:43 | |
| The voice of Sullivan | Donald Adams | | | 0:59 | |
| Thou'rt Passing Hence | Donald Adams | | | 3:58 | |