| Der Protagonist, op. 14: Pantomime I | Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | | | 10:12 | |
| Die sieben Todsünden: I. Faulheit (Sloth) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 3:49 | |
| Die sieben Todsünden: II. Stolz (Pride) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 4:28 | |
| Die sieben Todsünden: III. Zorn (Anger) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 4:24 | |
| Die sieben Todsünden: IV. Völlerei (Gluttony) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, Simon Rattle | | | 3:25 | |
| Die sieben Todsünden: V. Unzucht (Lust) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 5:37 | |
| Die sieben Todsünden: VI. Habsucht (Covetousness) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 3:10 | |
| Die sieben Todsünden: VII. Neid (Envy) | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | | | 4:31 | |
| Il Barbiere di Siviglia, Atto II: Reciativo. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) | Fedora Barbieri, Renato Capecchi, Michael Rippon, Beverly Sills, London Symphony Orchestra, James Levine | | | 1:49 | |
| Il Barbiere di Siviglia, Atto III: Recitativo. “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) | Renato Capecchi, Nicolai Gedda, Sherrill Milnes, Ruggero Raimondi, Michael Rippon, Beverly Sills, London Symphony Orchestra, James Levine | | | 2:24 | |
| Il barbiere di Siviglia: Atto I, scena 2. "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio) | Fedora Barbieri, Renato Capecchi, Michael Rippon, Beverly Sills, London Symphony Orchestra, James Levine | | | 1:49 | |
| Il barbiere di Siviglia: Atto II. "Ah, disgraziati noi!" (Figaro, Almaviva, Rosina, Basilio, Bartolo, Ufficiale) | Renato Capecchi, Nicolai Gedda, Sherrill Milnes, Ruggero Raimondi, Michael Rippon, Beverly Sills, London Symphony Orchestra, James Levine | | | 2:24 | |
| Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war | Christopher Keyte, Michael Rippon, English Chamber Orchestra, Charles Mackerras | | | 6:18 | |
| Mahagonny Songspiel, Teil I: 1. Auf nach Mahagonny: Allegro non troppo | Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, London Sinfonietta, David Atherton | | | 3:05 | |
| Mahagonny Songspiel, Teil II: 3b. Wer in Mahagonny blieb: Allegro un poco moderato | Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, London Sinfonietta, David Atherton | | | 2:49 | |
| Mahagonny Songspiel, Teil II: 4b. Benares Song: Moderato assai | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | | | 4:18 | |
| Mahagonny Songspiel, Teil II: 5b. Gott in Mahagonny: Lento | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | | | 4:27 | |
| Mahagonny Songspiel, Teil III: 6. Finale: Aber dieses ganze Mahagonny: Largo | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | | | 1:54 | |
| Mass no. 18 in C minor, K. 427: Kyrie | John McCarthy, Amor Artis Choir, Carole Bogard, Richard Lewis, Ann Murray, Michael Rippon, English Chamber Orchestra, Johannes Somary | | | 7:47 | |
| Missa brevis: I. Introitus | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 2:39 | |
| Missa brevis: II. Kyrie | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 2:28 | |
| Missa brevis: III. Gloria | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 4:22 | |
| Missa brevis: IV. Credo | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 6:11 | |
| Missa brevis: V. Sanctus | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 2:44 | |
| Missa brevis: VI. Benedictus | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 3:47 | |
| Missa brevis: VII. Agnus Dei | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 5:59 | |
| Missa brevis: VIII. Ite, missa est | Elizabeth Gale, Sally Le Sage, Hannah Francis, Alfreda Hodgson, Ian Caley, Michael Rippon, Brighton Festival Chorus, Christopher Bowers‐Broadbent, László Heltay | | | 3:35 | |
| Mong Dong | Michael Rippon, Hong Kong Philharmonic Orchestra, Kenneth Schermerhorn | | | 10:10 | |
| Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) | Michael Rippon, English Chamber Orchestra, Charles Mackerras | | | 0:28 | |
| Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) | Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras | | | 3:16 | |
| Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | | | 0:57 | |
| Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) | Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras | | | 2:52 | |
| Ode for St. Cecilia’s Day (1692): II. “Hail! Bright Cecilia” | Michael Rippon, Charles Mackerras | | | 0:27 | |
| Ode for St. Cecilia’s Day (1692): VII. “With That Sublime Celestial Lay” (Terzett) | Paul Esswood, Michael Rippon, John Shirley‐Quirk, Roland Tatnell, Charles Mackerras | | | 2:50 | |
| Ode for St. Cecilia’s Day (1692): XII. “Let These Among Themselves Contest” (Duett) | Michael Rippon, John Shirley‐Quirk, Charles Mackerras | | | 3:15 | |
| Ode for St. Cecilia’s Day (1692): XIII. “With Rapture of Delight” (Quartett) | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, Charles Mackerras | | | 0:56 | |
| Ode on St. Cecilia's Day: Let these among themselves contest | Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras | | | 3:15 | |
| Ode on St. Cecilia's Day: With rapture of delight | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | | | 0:56 | |
| Ode on St. Cecilia's Day: With that sublime celestial lay | Paul Esswood, Michael Rippon, English Chamber Orchestra, Charles Mackerras | | | 2:52 | |
| Ode on the Morning of Christ’s Nativity, op. 81: The Hymn. Stanzas VIII‐XIII | Teresa Cahill, Michael Rippon, Trinity Boys Choir, BBC Singers, BBC Concert Orchestra, Vernon Handley | | | 8:55 | |
| Ode on the Morning of Christ’s Nativity, op. 81: The Hymn. Stanzas XIV‐XX | Teresa Cahill, Michael Rippon, BBC Singers, BBC Concert Orchestra, Vernon Handley | | | 9:03 | |
| Ode on the Morning of Christ’s Nativity, op. 81: The Hymn. Stanzas XXI‐XXVII | Teresa Cahill, Michael Rippon, Trinity Boys Choir, BBC Singers, BBC Concert Orchestra, Vernon Handley | | | 9:17 | |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Carole Bogard, Richard Lewis, Ann Murray, Michael Rippon, English Chamber Orchestra, Johannes Somary | | | 3:55 | |
| Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Carole Bogard, Richard Lewis, Ann Murray, Michael Rippon, English Chamber Orchestra, Johannes Somary | | | 5:01 | |
| Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Carole Bogard, Ann Murray, Richard Lewis, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary | | | 3:38 | |
| Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Carole Bogard, Ann Murray, Richard Lewis, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary | | | 5:24 | |
| Salome: "Siehe, der Tag ist nahe" | Gwyn Griffiths, Richard Lewis, Kenneth MacDonald, Sherrill Milnes, Michael Rippon, London Symphony Orchestra, Erich Leinsdorf | | | 3:03 | |
| Salome: "Wahrhaftig, Herr, es wäre besser" | Robert Bowman, John Brecknock, David Lennox, Richard Lewis, Kenneth MacDonald, George Macpherson, Regina Resnik, Michael Rippon, London Symphony Orchestra, Erich Leinsdorf | | | 3:00 | |
| Solomon, HWV 67: 1. Overture | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:31 | |
| Solomon, HWV 67: 2. Act 1: Chorus: Your harps and cymbals sound | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:37 | |
| Solomon, HWV 67: 3. Act 1: Air: Praise ye the Lord (A Levite) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 5:29 | |
| Solomon, HWV 67: 4. Act 1: Chorus: With pious heart | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 5:19 | |
| Solomon, HWV 67: 5. Act 1: Accompagnato: Almighty pow'r (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:00 | |
| Solomon, HWV 67: 6. Act 1: Recitative & Air: Imperial Solomon (Zadok) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:10 | |
| Solomon, HWV 67: 7. Act 1: Chorus: Throughout the land | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 2:19 | |
| Solomon, HWV 67: 8. Act 1: Recitative & Air: Bless'd be the Lord (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:41 | |
| Solomon, HWV 67: 9. Act 1: Recitative & Air: And see my queen (Solomon, Queen of Sheba) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:42 | |
| Solomon, HWV 67: 10. Act 1: Recitative & Air: Thou fair inhabitant of Nile (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:47 | |
| Solomon, HWV 67: 11. Act 1: Recitative & Air: Myrtle grove (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:08 | |
| Solomon, HWV 67: 12. Act 1: Recitative & Air: When thou art absent (Queen of Sheba) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 2:47 | |
| Solomon, HWV 67: 13. Act 1: Recitative & Chorus: Search round the world (Zadok) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:54 | |
| Solomon, HWV 67: 14. Act 2: Chorus: From the censer | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:59 | |
| Solomon, HWV 67: 15. Act 2: Recitative & Air: Prais'd be the Lord (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:44 | |
| Solomon, HWV 67: 16. Act 2: Recitative, Air & Trio: My sovereign liege (Attendant, Solomon, 1st & 2nd Harlot) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:18 | |
| Solomon, HWV 67: 17. Act 2: Recitative & Air: What says the other (Solomon & 2nd Harlot) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:28 | |
| Solomon, HWV 67: 18. Act 2: Recitative & Air: Withhold (1st Harlot) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 5:15 | |
| Solomon, HWV 67: 19. Act 2: Recitative: Israel, attend to what your king shall say (Solomon, 1st Harlot) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:10 | |
| Solomon, HWV 67: 20. Act 2: Chorus: From the east unto the west | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:12 | |
| Solomon, HWV 67: 21. Act 2: Recitative & Air: From morn to eve (Zadok) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 6:20 | |
| Solomon, HWV 67: 22. Act 2: Recitative & Air: No more shall armed bands (1st Harlot) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 8:04 | |
| Solomon, HWV 67: 23. Act 2: Chorus: Swell, swell the full chorus | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:02 | |
| Solomon, HWV 67: 24. Act 3: Sinfonia | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 3:15 | |
| Solomon, HWV 67: 25. Act 3: Recitative & Air: From Arabia's spicy shores (Queen of Sheba, Solomon), Chorus | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 5:13 | |
| Solomon, HWV 67: 26. Act 3: Air & Chorus: Now a diff'rent measure try (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 1:51 | |
| Solomon, HWV 67: 27. Act 3: Recitative & Chorus: Then at once from rage remove (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:11 | |
| Solomon, HWV 67: 28. Act 3: Recitative & Chorus: Next the tortur'd soul release (Solomon) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:11 | |
| Solomon, HWV 67: 29. Act 3: Recitative & Air: Thy harmony's divine (Queen of Sheba) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 1:15 | |
| Solomon, HWV 67: 30. Act 3: Recitative & Air: Thrice happy king (Zadok) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 4:14 | |
| Solomon, HWV 67: 31. Act 3: Recitative & Air: May peace in Salem ever dwell (Queen of Sheba) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 5:38 | |
| Solomon, HWV 67: 32. Act 3: Recitative & Air: Adieu, fair queen (Solomon, Queen of Sheba, Chorus) | John McCarthy, Amor Artis Chorale, Sheila Armstrong, Justino Díaz, Felicity Palmer, Michael Rippon, Robert Tear, Harold Lester, English Chamber Orchestra, Johannes Somary | | | 8:22 | |
| The Fantasticks: January | Michael Rippon, National Philharmonic Orchestra, Bernard Herrmann | | | 6:18 | |
| Tosca: Atto III: “Mario Cavaradossi? A voi” | Plácido Domingo, Michael Rippon, New Philharmonia Orchestra, Zubin Mehta | | | 2:44 | |
| Tosca: Atto III. “Mario Cavaradossi? A voi” | Plácido Domingo, Michael Rippon, New Philharmonia Orchestra, Zubin Mehta | | | 2:45 | |
| Vespro della Beata Vergine, SV 206: III. Psalmus 109: Dixit Dominus | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, John Eliot Gardiner | | | 8:13 | |
| Vespro della Beata Vergine, SV 206: V. Psalmus 112: Laudate, pueri, Dominum | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | | | 6:55 | |
| Vespro della Beata Vergine, SV 206: VII. Psalmus 121: Laetatus sum | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | | | 8:01 | |
| Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, Salisbury Cathedral Boys' Choir, John Shirley‐Quirk, Robert Tear, David Munrow Recorder Ensemble, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | | | 10:10 | |
| Vespro della Beata Vergine, SV 206: XVII. Quia fecit mihi magna | Monteverdi Choir, Michael Rippon, John Shirley‐Quirk, Monteverdi Orchestra, John Eliot Gardiner | | | 1:05 | |
| Vom Tod im Wald, op. 23: Ballade für Baßstimme und 10 Bläser | Michael Rippon, London Sinfonietta, David Atherton | | | 7:46 | |
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